dirty room

postgraduate program, workshop

Juan Dominguez dirty room

12-22 October 2015 / a.pass studio

EL ANGEL EXTERMINADOR Luis Bunuel 1962.preview

In these 10 days we will work together. That would be the most important. The togetherness. Working together, spending time together.

Agenda??? What is that, maybe something to discover???

I will ask you a lot of questions, over and over. From the begining till the end.

I will question you, you will question everybody, we will experience suspiciousness I guess.

In which conspiracy are you involved at the moment?

Angles, all the time different ones.

We will trip for sure, all kinds of trips or maybe not all kinds but different trips.

We will share expectations.

We will build new fictions and devises.

We will not go out, we will be trapped like el angel exterminador from Buñuel and we will not go, the negative of el angel exterminador. We will watch this movie again.

We will cook for each other.

We will sleep together.

We will gather people, as many as we can. We have to beat the Guinness record.

We will spend time, we will understand time and the time we want and what we want from time.

what are we going to do together that we cannot do alone?

we will build tension, all kind and we will have to hold it. how? together.

we will work in continuity. what is that?

also in friendship.

in simultaneity.

where the fuck are you?

Is there any infiltrant among us?

What are you doing here?

Follow me through the rabbit hole and lets visit Wonderland.

information, postgraduate program

MENTORING STRATEGIES block 2015/III

1 September 2015

the new structure for dedicated mentorings and the interview sessions
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performative publishing, research center

Bureau d'Espoir SELF-INTERVIEW Elke – Elle

1 September-31 December 2015 / Abbeye de Forest

MNSTRY

Elke (a.pass researcher): Elle, with the new project ‘Mobile MNSTRY’ you again tackle some of the issues you have been dealing with in your extended project Bureau d’Espoir already for some years: the recuperation and embrace of practices and terms that have been categorized, marginalized and recuperated by capital strategies. For example: you worked on the mobilization of the concept of ‘anorexia’ in the Hunger and Anorexic practices as tools for rethinking our relation to the consumption of food, and our own place in the ‘food chain’ of capitalism. You worked in ‘Battery’ on the embrace of circumstances that are considered detrimental to the ‘healthy’ development of the individual: 21 days of imprisonment, hunger and lack of private space as a spiritual-aesthetic machine for the production of hope and change. Now you propose the Mobile Monastery: a practice that is based on rethinking the monastic rule, the disciplining and deep experience of the everyday, introducing ‘poverty’ and social service (karma yoga) into the practice. Your proposals all seem to verge on the extreme, uncomfortable, and frankly, possibly moralistic. How do you plan to make this collective practice seem inviting to collaborators.
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postgraduate program, research center

2015 BLOCK III

1 September-30 November 2015

2015 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
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postgraduate program, workshop

Vladimir Miller Settlement VIII

14 September-2 October 2015 / a.pass studio

TOWARDS FRAGILITY

settlement

Settlement is a space that tries very hard not to settle. Its instability naturally works against the establishing of clear boundaries between „your space“ and „my space“, what hopefully follows from that is that it is very difficult to establish boundaries between „your work“ and "my work". I believe that practice is bound by space, and if space gets shaky, unstable, shareable, so does the practice.
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research center, workshop

Adva Zakai / Raphaële Jeune OR SHALL WE USE THE STAIRS?

18-20 September 2015

Or shall we use the stairs?/Helena Dietrich

Brussels-based choreographer Adva Zakai and French curator Raphaële Jeune propose 3 days of lectures and exercises to collectively explore different aspects of the relationship between humans and machines. Together with special guests and anyone interested, we aim to share thoughts on the digitalization of our world, through introduction into concepts that developed in response to it: The challenging dialogue with algorithms, the splendor and misery of Transhumanism, recent developments in Donna Haraway’s thinking (author of 1985’s Cyborg Manifesto) and the theory of Accelerationism.

research center, workshop

Adriana La Selva / Mika Juusela The Bridge

5-9 October 2015

the bridge

This workshop is part of Adriana La Selva’s research on contemporary training methodologies for theatre. The beginning of the project concentrates on a deep understanding of physical practices which draw from the Theatre Anthropology vocabulary developed by Eugenio Barba, in order to question and push forward training principles devised by his group.
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performative publishing, project, research center, seminar

PHARMAKON

15 October-15 December 2015

Pharmakon : whitch culture ?

‘Pharmakon: whitch culture?’, is a Thematics artistic research residency project, taking place in Brussels from the 15th of October until the 15th of December 2014. This residency is one of the stages in the development of the broader, transnational ‘Pharmakon’ research project undertaken by Institut Nomade. The ‘Pharmakon: whitch culture?’ conference will last three days and will explore the theoretical and artistic approaches to dealing with an increasingly toxic economic, ethical and cultural environment, in search of other techniques by which to connect, share and imagine the fabric of our togetherness. As a ‘performative conference’, this meeting involves artists as well as theorists, dissolves the boundaries between ‘specialists’ and ‘public’, and between ‘performers’ and ‘theorists’, and opens up a space for desire and reflection.

Thematics is organized by Bains Connective, in collaboration with Institut Nomade, the a.pass research center and Kaaitheater.

Pharmakon: whitch culture?

This Thematics project builds on the notion of ‘pharmakon’ as coined by the contemporary philosopher Bernard Stiegler. In ancient Greece, ‘pharmakon’ was understood both as ‘poison’ and ‘medicine’, and in some cases also as ‘scapegoat’. The word might mean either the one or the other depending on the context, which implies a certain knowledge, or ‘knowledge-ability’. A skill of dosage and use, witchcraft involving insight and imaginative contextualization.

At the ‘Pharmakon: whitch culture?’ conference, a group of artists and theorists will investigate the notion of ‘pharmakon’ in our society. As Stiegler suggests in his analysis of the need for a ‘pharmacology’ to counter the poisonous fumes of economic, ethical and cultural impoverishment, it is clear that the fabrication of our culture(s) has urgently to be (re)questioned. What are the categories we use to produce and develop the culture in which we ‘individuate’ ourselves? What is the change in ‘technics’ that is needed to re-imagine our desires, stepping out of ourselves, as ex-isting in the public sphere? What sort of witchcraft is demanded from us, as artists, citizens and thinkers, to come up with the right spells and potions, and to dose our practices to transform poison into medicine.

performative publishing, postgraduate program

Thiago Antunes / Darling, what would you do for being integrated in a new country until the end of the week otherwise you I dont know what but something very bad would happen?

16 October 2015

Colonization, gamification, scores, characters, diagrams, schedules, plans. But, Luanda, how to live from art in Belgium? Should I prepare myself for being a Chef de cuisine at least to earn more mony from restaurants? Yes, of course, if you like it don’t lose your time. I regret not having done the same few years ago. It is hard to be an artist here, very hard, darling.
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lecture, performative publishing, research center

Veridiana Zurita don’t eat the microphone / televizinho / mommy, daddy, me

24-24 October 2015

invitation research sharing

Los Angeles, Kinderreiche Familie

24/10/2015, 7-10pm, a.pass studio, de bottelarij

In 2014 I started working as an artistic researcher in a.pass. Since then I developed three different projects. ‘Don’t Eat the Microphone’: a weekly session developed together with the residents of the psychiatric hospital Dr. Guislain in Ghent, ‘Televizinho’: a series of re-enactments of Brazilian soap-operas with no-actors of a river community in the Amazon and ‘Mommy, Daddy, Me’: a letter trialogue about love relationships between me and my parents. Through these experimental set-ups I gathered a lot of materials of various kinds. Now I would like to share these video’s, texts, experiences and set-ups with you. I would be happy to host you during an evening-long sharing of materials from the research, and offer an idea of the contexts and imaginations that brought these ongoing projects to life.

More information here

end presentation, performative publishing, postgraduate program

FIRE SALE TOUR

3-8 November 2015

postgraduate program, workshop

Bureau d'Espoir Mobile MNSTRY

9-22 November 2015 / Abbeye of Forest

MNSTRY

The Mobile MNSTRY (Monastery, Ministery, Monster-y) is a collective location project, organised in and around the previous Abbeye of Forest. The MNSTRY will install a temporary (monastic) community that lives and works within a limited area, following a shared time score and accepting the rule of poverty for the duration of the workshop. During this time all activities of the MNSTRY will be organised within the public contexts of Forest, and developed as an open invitation to the neighbourhood and passers-by. During the workshop the time score of the MNSTRY will bit by bit start to change: the original 'monastic' score will be taken over by the members of the community, who will start to decide on what there is to be done, what we will spend our shared time on, and what is it that is needed today, here, and for whom.
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Open Call