a.pass end presentations with 
SOFIA CAESAR
VARINIA CANTO VILA
CHRISTIAN HANSEN
BRENDAN MICHAL HESHKA
ANOUK LLAURENS
ARIANNA MARCOliNI
AGNES SCHNEIDEWIND
Performances and Installations: Fri 20/1 – 18:00 to 22.00h Sat 21/1 – 13.00 to 17.00h + 18:00 to 22.00h + landings party door opening one hour before start Breathing archive practice with Anouk LLaurens: Fri 20/1 – 11:00 to 13:00 + 14:30 to 16:30 Sat 21/1 – 10:30 to 12:30 + 14:30 to 16:30 at MORPHO Rue Gallaitstraat 80, 1030 Schaarbeek, Brussel
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“THE BREATHING ARCHIVE”
ANOUK LLAURENS The breathing archive sends us back to the basic life’s movement that is an oscillation between concentration and expansion, like the movement of cells breathing and heart beating. The practice invites visitors to edit collectively a poetic and ephemeral document. 
“A ROOM FROM HIS CONCEPTUAL HOUSE: THE CABINET OF PSYCHOSCULPTURE“
BRENDAN MICHAL HESHKA A quick artist-guided tour through a single room from The House of the Wandering Joyce. 
“CARTOGRAPHERS”
VARINIA CANTO VILA In seeing laws and norms as a matrix that creates divisions and borders –physical and existential – this work attempts to map a territory through choreography. In this legal territory, gesture and movement become the cartographers, making visible how the legal and the normative are preset frames for our paths. 
“CORRIDORS“
CHRISTIAN HANSEN
Possible Landscapes –
What happens in them and what happens when they’re not there
Earthquake glue and tectonic contrasts – Wildlife | 
“REGULAR CLEANING”
ARIANNA MARCOLINI is a performative setting to play with the intersection between care-taking gestures and the outcome of a Radical Cleaning session. Radical Cleaning is a practice that addresses the circulation of affects involved in the relations we establish with spaces, things, and other people. This time the outcome of the session takes the form of texts. They are performed in the Regular Cleaning, triggering the experience of the affective layer of an environment. 
“LONG WE AHEAD & WORLD HAS GONE KOOKOO”
AGNES SCHNEIDEWIND
A performative erasing practice investigates the rest: the resting body that lies down horizontally, and also the rest that we leave behind as a trace.
“I am Welton Santos, 2016”
SOFIA CAESAR
Visitors enter the backstage of an interview set. In between cameras, sound equipment, and lights, they find books. These contain texts based on transcripts and descriptions of an interview with geo-bio-architect Welton Santos.
By collectively reading the books, the visitors are invited to a generative reconstruction of the interview, a space for rewriting the operation of documentary and narrativity and its tools, tropes, and methods. |
