atelier, gathering, workshop
Vladimir Miller Settlement 16
14 September-3 October 2020 / a.pass
The Unconditional Institution
Settlement 16
During the days of Sept 14th – Oct 3rd 2020 a.pass will come together and host an open workspace called Settlement. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass Settlement and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online on the a.pass website.
please let us know if you want to join this workshop by subscribing a week before you come. covid measures will be followed in the shared environment to ensure it safety.
Read more..atelier, block information
Sensation as score
Movement Practice - Anouk Llaurens
1709947u
Every Thursday we’ll meet for movement practice and reflection practice will follow.
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Lilia Mestre The Medium Score
Thinking making together apart
IMG_2968
The proposal for this block follows on previous iterations of scores as tools to practice dialogue or intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing.
If artistic research is an active and methodological search for ways to keep the viability of our relation with the world, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen phenomenological relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself?
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Christian Hansen F.Y.R.
23 January-6 February 2017 / a.pass
Foley Your Research
How does/could my research sound like?
Does your research have a direct auditory quality and content or would you like/need to create a fictional soundscape to give it a sound?
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