RRadio Triton Data Retrieval Interface
1 July 2018 / online: https://rradiotriton.apass.be
frontispiece of RRadio Triton Data Retrieval Interface
RRadio Triton is an experimental radio project aiming at producing collective audio documents gathered in and disseminated by the ad hoc fictional radio label/station, recording, editing, sampling, remixing and releasing audio and soundscapes. The audio publications of RRadio Triton are the recomposition of the outcomes of the voluntary contributions from all the actors of the 2017 a.pass seminar, BLOCK 17/I TROUBLE ON RADIO TRITON_ ((((((( CHANGING (THE) WORLD (S) )))))) curated by Pierre Rubio. Read more..
archive, documentation, publication
HOSTED BY PIERRE RUBIO
Tritonia Festiva_Photo Steve Lonhart_NOAA_MBNMS
In 2019 RRadio Triton sets out to dream of operating like a time machine carrying its protagonists through time back to events and questions processed and produced during Trouble on Radio Triton ((((((( changing (the) world (s) )))))) -a seminar held by a.pass in 2017- and returning them as new narrators. RRadio Triton is a collective and experimental, digital audio project aimed at producing and publishing radio and sound documents. The ad hoc fictional radio station records, edits, samples, remixes and releases pieces of audiowork into the wireless atmospheric fabric and exists in between a digital sound-archive, ongoing conversations that originated at the 2017 seminar and live-appearances at events. Read more..
documentation, end communication
Sina Seifee, Lili M Rampre, Xiri Tara Noir, Esta Matkovic No Communication without Noise
End presentation publication
21-23 September 2017
The Project : publication by Esta Matkovic you can find HERE
THE MEDIUM SCORE / Sina Seifee
ajayeb popup book
There has been a shift in humanities scholarship:
(feminist science studies, the post humanities, the ecological humanities, animal studies, queer theory,) humanities scholars have represented their matters of care with an aesthetic (and therefore political) commitment to narrating stories with an emphasis on the relationality among agencies, forces, phenomena, and entities usually kept separate, in the background, or out of the story altogether
–> redistribution of agencies
political stake ==> aesthetic tactics Read more..
El quinto pajagero
Bildschirmfoto 2017-02-06 um 10.51.49
Documentation of a 2 month residency and exhibition project in LaPaz, Bolivia, 2009. Read more..
Bildschirmfoto 2017-02-06 um 10.52.19
Featuring collective works with GASTSTUBE°performance and Berlin n@work as well as solo practices. Read more..
Institut für Künstlerische Nebenwirkungen
Bildschirmfoto 2017-02-06 um 10.54.09
Observatory of Side-Effects at the Stromereien Festival 2010 Zürich. Read more..
nicolas’ bubble preparations
on the spot – occupy democracy
29 September-3 October 2014
Some impressions of the Occupy Democracy workshop by Luigi Coppola and Christophe Meierhans.
Appendix to a Receipt
10 February 2015
a justification of value
nationale bank exchange-receipt
Through the simple act of translating the materiality of money in to an other consistency without chaining its monetary value but to discard with this it’s functional usability, the sum of 650€ becomes an artifact - a sculpture in it self. The provided receipt is in so far the proof not only of an act of ‘buying’ the essential artifact of this act, but is part of it’s social plastic. Money is used here to create art in the most possible direct way. Read more..
High Performance! Glossary
8 May 2012
workshop day 1
The current economic crisis is not only a result of some major failures in speculating practices, but the outbreak of a constant crisis inherent to the system. Exploitation of the society and the environment through a reliance on constant growth, the possibility of infinite creation of money for some through the creation of debt for the majority, and the binding of most life-procedures to procedures of money are creating a precarious and dangerous economic climate. Read more..