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a.pass proudly invites you to its homebase

for a cluster of talks, discussions, screening and performance-essay

with special guests Edward George, Laurence Rassel, Fabrizio Terranova and Sina Seifee.

on March 8-9-10 @ a.pass, 4th floor

 


 

SCREENING & PRESENTATION BY Dr EDWARD GEORGE

THE LAST ANGEL OF HISTORY

Wednesday March 8th (7.00pm-10.00pm)

The Last Angel of History is a groundbreaking video-essay from the 1990s that influenced filmmakers and inspired conferences, novels and exhibitions. Black Audio Film Collective’s exploration of the chromatic possibilities of digital video is embedded within a mythology of the future that creates connections between black unpopular culture, outer space and the limits of the human condition. Interviews with esteemed musicians, writers, and cultural critics are interwoven with the fictional story of the “data thief,” who must travel through time and space in search of the code that holds the key to his future. Edward George, writer, researcher, presenter of this ground breaking science fiction documentary, will present and discuss the film and its themes of music, Diaspora, science fiction, and its engagement with Afro futurism.

Dr. Edward George is a founder of Black Audio Film Collective (1982-1998), the multimedia duo Flow Motion (1996-present), and the electronic music group Hallucinator (1998-present).

More information and subscription: here

 


 

TALK BY LAURENCE RASSEL

STITCHED & SPLIT HOSPITALITY

#6 in Book Club Series

Thursday March 9th (10am-1.30pm)

Cultural worker Laurence Rassel has long ago diagnosed the vacuity of artistic practices when its formats of knowledge-production are not ‘situated’ in an ecology of art that encompasses social and psychological factors. Paradoxically she considers fiction as a paramount tool to achieve that goal. Laurence Rassel will address the notion of ‘Radical Hospitality’ by revisiting some of her past curatorial operating principles and practices developed in Fundació Antoni Tàpies in Barcelona. Her science and fiction approach in Stitch and Split is an early exemplarity of hybrid curatorial practice that steers towards a politics of imagination-as-critique and alternative forms of life and work ‘invented’ in common.

Laurence Rassel is a Brussels based cultural worker who acts as curator, teacher, organizer. She is currently the director of ERG (École de recherche Graphique). From 2008 to 2015 she was the Director of Fundació Antoni Tàpies, Barcelona, an institution created in 1984 by the artist Antoni Tàpies to promote the study and knowledge of modern and contemporary art. From 1997 to 2008, Rassel was member of Constant, a Brussels based non-profit association and interdisciplinary arts-lab that advocates free software, copyright alternatives and (cyber)feminism.


More information and subscription: here

 


 

TALK BY FABRIZIO TERRANOVA

POLITICS OF SPECULATIVE FABULATION

#7 in Book Club Series

Friday March 10th  (10.00am-1.30pm)

In this talk/reading session, Fabrizio Terranova revisits a recent text by Donna Haraway, “Sympoiesis – Symbiogenesis and the Lively Arts of Staying with the Trouble” and presents the different projects he is involved in where activism, speculative fiction and pedagogy merge.
“We need new types of narratives and techniques. Stories that reclaim the earth and the commons that capitalism has stolen from us. Stories that invite us to take up and create trans-species sensitivities, trans-matters vitalities and trans-cerebral unrests. And it’s not enough imagining them, these stories have to be made and experienced.”

Fabrizio Terranova is a film-maker, activist, dramaturge, and teacher at ERG (École de recherche Graphique) in Brussels, where he launched and runs the master’s programme in Récits et expérimentation/Narration spéculative (Narrations and experimentation/ Speculative narration). Terranova is the author of Josée Andrei, An Insane Portrait, an experimental documentary. He is also a founding member of DingDingDong – an institute to jointly improve knowledge about Huntington’s disease. He has recently published “Les Enfants du compost” in a publication edited by Isabelle Stengers and Didier Debaise : Gestes spéculatifs (Les Presses du réel, 2015). Terranova directed a documentary/film on/with Donna Haraway – ‘Donna Haraway: Story Telling for Earthly Survival’. The film will be presented at the end of March 2017 in Brussels within a series of conferences with and around Donna Haraway.


More information and subscription: here

 


 

PERFORMANCE-ESSAY BY SINA SEIFEE

AN ANIMAL ESCAPE CASE

#7 in Book Club Series “Special event”

Friday March 10th (2.30am-3.30pm)

The essay-performance plays with some standards​ of cross-species identification according to an Indo-Iranian mode of subjectivity and Sina Seifee own animal-findings in contemporary Tehran. We zoom in what the idea of “wilderness” withholds in technologically mediated stories and rumors that populate domestic life of this neighborhood. Through fairy-tale associations the lecture investigates operative non-understandings in old and new threads of cosmology that formulate reciprocity and being-with of the mediated non-humanity and investigates the cases of failed collaboration between species.

Sina Seifee is an interdisciplinary artist working in the field of computer art, writing, drawing and performance. He is involved in research and work on technology, narrative, globalism, and intercultural mythologies.


More information and subscription: here

 


 

The Book Club Series during ‘Trouble on Radio Triton’

During the Book Club a.pass invites engaged practitioners (Sol Archer, Peggy Pierrot, Laurence Rassel, Fabrizio Terranova…) for a series of reading sessions, talks and discussions about their efforts to create conditions for imagining otherwise. The series is initiated by Pierre Rubio and realised in collaboration with some of a.pass’ artist-researchers. For the most part Book Club is scheduled on Thursday mornings and are open to the public.

Trouble on Radio Triton (Jan-March 2017) is the name of the current a.pass block curated by Pierre Rubio. It is a ‘Sci-Fi terraforming mode of attention’, a metaphoric multipolar dispositive that challenges our abilities as artist-researchers to ‘render our world habitable again’. Far from proposing innocuous escapism in a false paradise of disembodied utopia, the dispositive seeks to invent and activate political potentialities of artistic research through an immersion in different types of (speculative) fiction.

Check here for more about the current a.pass-block.

 


 

 Save upcoming dates:

March 14-15: The Tea Party (workshop by Helena Dietrich)
March 16: Book Club #8 : Accelera.pass! (with Vandevelde & De Raeve, cur. by Seba Hendrickx)
March 17: Book Club #9: “On language as such” (with Caroline Godart, cur. by Marialena Marouda)

 



 a.pass

tel: +32 (0)2 411.49.16
email: office@apass.be
web: www.apass.be