29 April-28 July 2019
curated by Nicolas Y Galeazzi
After having curated two blocks at a.pass with regards to the conditions in which we create – the block 2017/II about the commons as an alternative economy, and the block 2018/I about the making of conditions and Institutional Critique – Nicolas Y Galeazzi sees the need to look beyond our cultural boundaries and understand the meshwork of diverse conditions we are living in together with other species, elements and time zones.
Taking this ‘ecosystem-perspective‘ as the main tool for the participants investigations, this block shall give the possibility to reflect on their researches as a relational field within the ‘terrestrial‘ landscape. On the other hand, it will unavoidably put the works in relation to the ecological crisis and catastrophes surrounding us and will help to develop tools and understandings for a post-anthropocentric, post-atopocenic, probably post-artropocentric relational practice.
The workshops of this block will be ‘gardens’ – and therefore for once of spacial nature. Nicolas Y Galeazzi proposes to ask these gardens to be the teachers, to learn from them, to let them put the works at work, to ask them to suggest a practice, to make them structure the time and the collective research attempts. The gardens will be the ‘education’ framework and the ‘atelier.’
In this framework several ‘companions’ were invited- Kobe Mathys, Martin Schik, Gosie Vervlossem, Marialena Marouda, Vicent Alexis, Filip Van Dingenen, Einat Tuchman, Philippine Hoegen- to build a network, a web of knowledge together with the all involved.
For more information:
Cycle 18/19 – Block III
29 April-28 July 2019
Co-Curated by Isabel Burr Raty / Antye Guenther / Adrijana Gvozdenović /
Sara Manente / Rob Ritzen / Pierre Rubio / Sina Seifee
The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass.
This summer block marks the end of the first cycle of the a.pass Research Center. After being initiated as a platform for individual research trajectories, the Research Center shifted to welcoming a group of advanced researchers for a period of one year. The last block of the cycle 2018/2019 is co-curated by the group of Associated Researchers. For a three week period – June 24 / July 14 – the work will be developed at Zsenne ArtLab.
@ Hacktiris 31 May and June 1, 2019
Starts at 18h
Rue Paul Devauxstraat 5
You are invited to join:
a.pass End-Communications of
Katinka Van Gorkum, Nassia Fourtouni and Goda Palekaitė.
Virtual Body Institution is the coming together of the 3 concepts that intertwine in the End-Communications of Katinka Van Gorkum, Nassia Fourtouni and Goda Palekaitė.
Their practices are very distinct from each other, in form as in content though they all engage with forms of sociability that enhance, propose and reveal the relation of the individual with the societal. Tackling this position from discursive, technological or body practices they invite the visitor to engage in thinking and embody modes of construction of the self.
Through their current practices of research and exposure – that use the personification of historical characters in a public discussion, the entrance into virtual space as a extension of the ‘real’ and the body as a perception machine – we encounter some of the contexts and mechanisms we inhabit in current western society.
Their proposals are not complementary but do co-habit through this event beyond agreement or disagreement by creating an area (spatial and experiential) of a temporary common.
The work of Katinka Van Gorkum, Nassia Fourtouni and Goda Palekaitė enacts research modes of activating and empowering the self as active part of larger technological concepts. One becomes aware through their piercing practices of the narratives that surround the institutional, the body and the virtual. They softly enable criticality in the moment of exposure by engineering transdisciplinary processes that fundamentally question what we are made of and how do we relate to it.
All researchers work with performance and with the performativity of the event as a field of exploration that deconstructs the world as a given. The making public of these concerns in a transdisciplinary manner, mainly want to politicise the individual as being an actant in the public sphere enacted by the event itself. The participatory is here seen as the moment of inquiry, experiencing and sharing that crosses through the individual to the communal and vice-versa in enabling the non expertise as potential for critical presence.
Are questions related to the self, isolated from the other? Is the self alienated from the communal, the historical, the technological, from the body? How do we practice the spilling of our personal concerns into societal concerns? Where and how do we politicise our practices? Where do we meet? Are we here yet?
p/a de Bottelarij
Delaunoystraat 58-60/p.o. box 17