postgraduate program, workshop
admin’s & enterpreneur’s reading list
a reading list proposed by Kate Rich
Read more..project
A Pattern Language: Art/istic, Institutions*ing, and Research (practices)
In analogy – or response – to the idea of a Pattern Language as Christopher Alexander described it in 1970’s the researchers at a.pass tried to understand how a pattern language could be written for the context of artistic research and especially for the creation of good conditions for the practice of research as an art form.
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BLOCK DIARY / SLOW, RANDOM & LINKED WRITING & THINKING
1 January-29 April 2018
Nicolas Galeazzi
you
This is a day to day diary of the search, the research, the unsearch, the raveling and the unraveling. Thoughts, musings, pictures, clips, questions and answers. It started January 25th.
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Block 18/I: making / conditions
8 January-1 April 2018
curated by Nicolas Galeazzi
circus
This block combines institutional critique with a fundamental depiction of Performance in its various interpretations in economy, administration, performing arts, and sociology. Performance stands for productivity and efficiency as much as for presence, representation, and the transformative power of speech.
Investigating the interdependency between our artistic research practice and its surrounding adinistrative and economic supportstructures, we will develop a pattern language for conditioning practices in the arts - a pattern language as a set of tools for finding the 'institute' behind our research.
Read more..information, postgraduate program
Nicolas Galeazzi Block overview
8 January-1 April 2018
plenum & forum
Fora&Plena
This post gives a sort overview over the organisation and schedule of the block 2018/I
Read more..research center, seminar
Dra. Adriana la Selva What are you training for?
10-11 January 2018
On acting and performance techniques - Current directions for embodied research in the performing arts
Adriana La Selva is participant of the a.pass PhD Research Center program and proposes the 2 day seminar "What are e training for?" in relation to her home universisty U-Ghent. The topic addresses the conditions of the body in relation to its performativity. Starting the investigations of the self-creation of conditions at the body seems to comply with the intentions of the block MAKING / CONDITIONS perfectly.
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Florian Feigl How do we do the things that we do?
18-19 January 2018
a rewrite of twelve design principles
a.trofimoff_betonmischer
Two working periods in January and February to analyse, discuss and introduce strategies and methodological approaches as articulated in permaculture desgin practice (Mollison, Holmgren) in relation to the Pattern Theory (Alexander) towards an environ-mental & corpo-real understanding of artistic process and artistic research.
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Nicolas Galeazzi pattern language for conditioning practices
19 January-23 March 2018
weekly meetings
Bildschirmfoto 2017-12-19 um 15.28.20
In order to explore MAKING / CONDITIONS we will try to create a Pattern Language for conditioning practices in the arts. With reference to the same named concept, proposed by the architect and philosopher Christopher Alexander in the late 1970's, we will investigate the patterns that help us to cretate the conditions for our artistic research through this very same research practices.
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Kate Rich Critical Administration
30 January-3 February 2018 / a.pass 4th floor
Shaking down the entrepreneur
tumblr_od79riRzmO1sv2w2so1_1280
This workshop takes place in the devastated landscape of the Creative Economy. Dipping cautiously into realms of business and economics (in which artists are generally and probably wilfully unschooled), we will take a pigeon’s-eye view (scrappy, opportunistic, only occasionally vicious) of worn-out tropes such as entrepreneurialism, human capital and cultural enterprise.
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Florian Feigl How do we do the things that we do? #2
26 February-2 March 2018
a rewrite of twelve design principles
a.trofimoff_betonmischer_inv
Two working periods in January and February to analyse, discuss and introduce strategies and methodological approaches as articulated in permaculture desgin practice (Mollison, Holmgren) in relation to the Pattern Theory (Alexander) towards an environ-mental & corpo-real understanding of artistic process and artistic research.
Read more..postgraduate program, seminar
Pieter Vermeulen Performing knowledge.
9 March-9 February 2018 / ARIA - Antwerp
Lecture-performances in perspective
Duende Neon Mana close up small,copy
Lecture-performances have gained increasing attention in recent years, in the wake of the ‘academic turn’, which frames artistic praxis as a form of research. Its genealogy can arguably be traced back to the emergence of performance art in the 1960s, with canonical examples such as Robert Morris, Dan Graham, Andrea Fraser and Joseph Beuys. Contemporary artists like Sharon Hayes, William Kentridge, Rabih Mroué, Hito Steyerl, Amalia Ulman, Walid Raad, Bruce High Quality Foundation and many others are now continuing this historical legacy. Sharpening the relation between art and knowledge, their work can be situated at the intersection of visual art, lecture and performance.
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Alberto Cossu / Ronny Heiremans / Nicolas Galeazzi Reclaiming economy – it’s art anyway
16-16 March 2018 / a.pass / starting at 19:00
an evening on the self-governing of fairness
dav
In the framework the current block in which we work on the making of condition, a.pass is inviting together with SOTA, Alberto Cossu and Ronny Heiremans to discuss the self-governing for cultural practices under the defaul of different surrounding systems. Alberto works as a researcher within the occupied theater MACAO in Milano, Ronny researches as an artist in Belgium labour conditions through the rewriting of the artist contract.
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Alberto Cossu crypting currency, etc.
16-16 March 2018 / a.pass 4th floor / 10:00 to 17:00
coppertone_by_diablomako_s
Next to the event Reclaiming Economy – it’s art, Alberto Cossu provides a workshop for us during the day of the 16th March. He will give us a closer insight into his practical experience with the common coin crypto-currency he helped to developed at MACAO and his profound research into the self-governance of that place.
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