block information, research center
4 January-4 April 2021
Singed bible from the Museum of the Holy Souls in Purgatory, in Rome
One publishes to find comrades! So says André Breton. The researchers in the current cycle of the research centre — Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens — are ending their trajectories at a.pass with a block focused on publishing, and the myriad of relations implied in committing something to print. Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way: sometimes with fellow interlocutors, sometimes with an editor or designer at the other end of the table, sometimes with abstract ideas of what readership might entail. Rather than aiming for a book or for printed matter as a finite goal, we will take publishing as a pretext to build relationships that last over time. How can a publication be set up as an ongoing social gesture, a space for the continued production of meaning and reverberance?
This block has a weekly organization, whereby Tuesdays alternate between a technical-dramaturgical help-desk, and editorial-curatorial approaches. Help-desk Tuesdays are more loosely structured around practical needs of the collective and individual publications. How did you do this? Why would you do that? During the editorial-curatorial Tuesdays we work on a collective publication, addressing a breadth of concerns in publishing (commonplace books, performative publishing, the interplay between analogue and digital publishing, orality and transcription, co-writing, the power of address, self-writing, ventriloquism, reading as writing, distribution). Read more..
I feel like leaving the room
28-29 January 2021 / online: https://ifeellikeleavingtheroom.online
End Presentations 2021 I
a.pass welcomes you the:
29th January 2021 – 19:30 – TV show -Collective presentation – 2h30 hours
Join Zoom Meeting
Check out : https://ifeellikeleavingtheroom.online/
I feel like leaving the room is the title of the postgraduate End Presentations of researchers Rui Calvo (film maker), Quinsy Gario (poet, visual and performance artist), Adriano Wilfert Jensen (choreographer), Magdalena Ptasznik, (choreographer) and Kasia Tórz (dramaturg and writer).
After attending to the extended one year program at a.pass, the five researchers finish their trajectory with an online presentation of a collective website. Covid 19 and the restrictions of the confinement have framed the space of these public presentations in an uncanny entanglement between the private and the public. I feel like leaving the room is more than anything the (liminal) desire to come together. The form of this coming together takes shape around an ad-hoc TV show that will be streamed the 29th of January from the a.pass studio as an attempt to still intertwine thoughts and experiences.
In the beginning, the space for this public moment was imagined as a living room, as a place where the borders of the informal and the formal are blurred. Not as a real physical living-room but by using the conditions implied in such well known private (though public) environment, with the aim of engaging the audience in a different way. What happens when research becomes public as a workshop, a power point presentation, a film, a dance or a walk that steers from such a hangout surrounding?
As a consequence of the pandemic that determines the conditions of coming together – the living room became the desired ‘leaving room’ – a place, as well, between the private and the public but enclosing the publicness in separated private spaces with only one window – a window to the virtual. The artists researchers addressed that liminal space in various ways in accordance with the medium they mainly work with. Inevitably, the translations that will take place, address the current situation of the confinement, while trying to reach out to the world. Read more..
No Mountains, Rivers or Trees
A Conversation with Elke van Campenhout
A recorded and written conversation
THE ASYLUM (FOR DESIRING BODIES)
6 January-31 March 2021
Block 2021 I curated by Elle/Elke Van Campenhout/The Monastery
An asylum is a place of refuge. Of taking leave of the world for a limited period of time. It is a place out of the world. Where rules function differently. Where people without a place of belonging are temporarily ‘parked’ in order to mend their ways. It is a place for the ones that don’t fit the grid: mental patients, refugees, people suffering from ailments of all kinds. Desiring bodies, in search of papers, legitimacy, acceptance, health, reconnection to the outside world.
In that sense it is also a place of hope, a world-in-a-world where difference can live and be accepted. Maybe even celebrated. Where the norms are temporarily suspended, and common sense rules no longer apply. In this gap, in this suspension, wild thoughts can go unchecked. Dubious behaviour flies under the radar. Read more..
A Good Workshop
Conversation with Krõõt Juurak
A Good Workshop
-, lecture, talk
Oxana Timofeeva On the Soul
Video recording - online talk
On the Soul
A talk and a conversation on the soul. This talk took place on November 19th.
The talk was proposed by Adriano Wilfert Jensen and supported by the a.pass participants assembly as part of a new modality of participants curated content at a.pass.
The talk addresses to some episodes in the history of philosophy from antiquity to the present, where the soul is considered, fist, in its corporeal aspects, i.e. in its immediate or mediated connection to the body, and second, in the context of the question of the passages between the human and the nonhuman, as well as between individual and collective experiences.
Oxana Timofeeva is a Professor at “Stasis” Center for Philosophy at the European University at St. Petersburg, member of the artistic collective “Chto Delat?” (“What is to be done?”), deputy editor of the journal “Stasis”, and the author of books History of Animals(London: Bloomsbury Academic, 2018; Maastricht: Jan van Eyck, 2012; trans. into Russian, Turkish, Slovenian, and Persian), Introduction to the Erotic Philosophy of Georges Bataille (Moscow: New Literary Observer, 2009), How to Love a Homeland (Cairo: Kayfa ta, 2020; trans. into Arabic), and other writings.
Research Futures Conference Report
Please note that all replies and comments in this report are not verbatim transcriptions but thematic summaries. For full statements made on the public Day 3 please see the video recordings.
On July 8-10, 2020 a.pass has hosted the conference Research Futures. The conference took the form of a gradually expanding meeting of practitioners in the fields of art, education and artistic research. The conference was initiated by a.pass in collaboration with four other institutions of artistic research participating in a.pass’ comparative benchmarking study: Dutch Art Institute, Jan Van Eyck Academy, UNIARTS Helsinki and Royal Academy of Fine Arts Antwerp. The conference brought representatives from these five institutions together with professionals working in the field of education, arts, culture, artistic research, curation and activism to expand the result of the comparative study towards a series of questions concerning the futures of artistic research in relationship to its institutions. Read more..
Elke van Campenhout Debunking the Myth
16-20 November 2020 / online
or The Emperor’s New Clothes Revisited
16.-20. Nov 2020
To be a contemporary artist comes with a lot of prerequisites these days: unspoken discourse rules, critical norms, and a general salonfähig consensus about values like fluidity, horizontality, collaboration, etcetera… Often these values are taken for granted while a strong discourse is ruling the artist’s world, zooming in on any hint of postcolonial insensitivity, patriarchal blindness, gender observations, and faintly non-consensual power use. This attitude stems from the bountiful history of feminist and queer studies, cultural studies insights, and a general growing awareness of her-stories and the damage done by biased educations and cultural misgivings. But at the same time there are also a lot of other untouched territories underlying these value markers: 19th century romanticism, liberalism, humanism, … Each one carrying within it a very specific view of what it means to be a human being in this world, how we are connected and what we are able to convey. Read more..
Krõõt Juurak AUTODOMESTICATION
27-31 October 2020 / a.pass
As a performer you provide your audience with something that cannot be measured in material terms. As regards the activity that produces the cultural content of the commodity, your labour involves a series of activities that are not normally recognised as work – activities involved in defining and determining cultural and artistic standards, fashions, tastes, consumer norms and, on a strategic level, public opinion. As a performer you are primarily a producer of subjectivity. Typically, an artist’s value does not lie in what they “do” but in what they “are”. Now, remember, for example, how Richard Florida described the processes of gentrification caused by the migration of artists and creative workers – the artists may or may not be aware of the value of their mere presence but on a larger scale they produce “results” simply by existing. Survival in the (performing) arts requires creativity that goes beyond the artworks one creates. In fact, a typical performing artist spends about 99 percent of their time off stage – as an audience member, a critic, an administrator, a networker, friend, mentor, student, teacher and so on. Inventing and re-inventing oneself on and offstage, adjusting to various situations, restrictions, moving from project to project, one residency to the next, brimming with creative energy, training and forever educating oneself is the way forward. Read more..
conference, recent past
Research Futures Public Debate
10 July 2020 / online
July 10th 2020, 14h-18h, online
a.pass cordially invites you to join the workshop presentations and public debate of the conference Research Futures on the 10th of July at 14h (online ) Read more..
1 January 2021
for artistic research PROPOSALS
post Graduate PROGRAM
TO START IN September 2021 for the Post Graduate program and May 2021 for Associate Researcher
SELECTION TALKS : 10,11,12/03/2021 Read more..
(PLEASE KEEP THESE DAYS FREE!)
A.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic and educational context. The institute includes two complementary bodies that operate in parallel and in dialogue: a Post-master Program and a Research Centre. Read more..