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postgraduate program

Sina Seifee A talk with Gary Farrelly

interview

This video is part of a series of conversations by Sina Seifee with the current artists in a.pass postgraduate program Summer of 2021.

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Program – Dragonlove and What your reseach Did to me

What your research did to me.
the (performative) publishing launch of Associate Researchers Cycle II

Dragon Love (?)
the a.pass End presentations of postgraduate researchers


Friday the 11th and
Saturday the 12th of June

at: De Markten,
Rue du Vieux Marché aux Grains 5, Brussels 

No need to subscribe or reserve
Only a live program!
We have a max capacity of 80 people in the space.

Welcome!

 
FRIDAY 11th of June : 16h till 22h
16.00  Doors open
16.00 – 17:30  Dragonlove (?) preview
Andrea Zavala Folache and Federico Vladimir Strate Pezdirc

 
What your research did to me –Associate Researchers Cycle II
18.00  Welcome 
18.15  I’m Not Sad, The World Is SadI’m Not Sad, The World Is Sad + Q & A,  Pia Louwerens 
18.40  Siting Discourse – Breg Horemans
19.00  Pop-Fi Poster – Lili M. Rampre
19.15 -break-
19.30  Mand/inga – Esteban Donoso
20.30 -break-
20.45  Where Do You Draw the Line Between Art and Politics + interview, Davide Tidoni
21.15  Presentation common publication / Olga / annex
21.30  Q & A moderated by Vladimir Miller. 
22.00  END
 
Saturday 12th of June: 18h till 22h
17.45  Doors open
18.00  Mand/inga – Esteban Donoso
 
19.00  Dragonlove (?) – exhibition and performances
Andrea Zavala Folache and Federico Vladimir Strate Pezdirc
22.00  END

research center

Research Center Cycle III

This block marks the beginning of the third cycle of the a.pass Research Center. Initiated out of a desire to be a shared platform of exchange, support and publication for the a.pass Associate Researchers, this year-long initiative will continue to support and publish advanced research and investigate its trajectories within a.pass.

The Associate Researchers follow a part of their research trajectory in an environment of mutual criticality and institutional support. The Research Center welcomes radical and inventive research methodologies in order to contribute them to the larger a.pass environment. The Research Center supports and facilitates individual and collective forms of performative publishing (publications, presentations, exhibitions, gatherings, etc), experimental research set ups, workshops and collaborations.

 

For the period of May 2021 to April 2021 a.pass is happy to welcome following Associate Researchers to the a.pass Research Center Cycle III:

Benny Nemer, Joāo Fiadeiro, Crăiuţ Rareş Augustin, Gosie Vervloessem, Vijai Maia Patchineelam, Elke Van Campenhout and Simon Asencio.

The Associate Researchers will be hosted and supported during Cycle III by Vladimir Miller.

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research center

What your research did to me

incoherent familiarities

 

Welcome in De Markten, Friday, 11th of June 2021.

18-22h

Subscribe for attendance. Or join us online. Details will follow.

Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens

will read, perform, discuss:

a book as a prop for future performance, a poster that unfolds into a speculative discussion board game, a timed articulation in an archive that reiterates its own traces, a set of interviews that binds four generations of activism, a performative research method that paves the way for academic writing, and a collective online score that narrates how research interests were influenced by each others presence.

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end presentation, postgraduate program

Dragon Love (?)

11-12 June 2021 / De Markten

a.pass End Presentations

DRAGON LOVE (?)


June 11th 16-18h and June 12th 19-22h at De Markten

 

Dragon Love (?) gathers the research outcomes of Andrea Zavala Folache, performer, choreographer, visual artist and Federico Vladimir Strate Pezdirc, performer, choreographer and film maker. After attending to the one year postgraduate program at a.pass.

Both artists address and investigate construction paradigms of the self. Their work studies auto-fiction in different ways, with the desire to develop tools to resist predefined categorisations of identity that bind us to expect certain formats of art production and ways of living.

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postgraduate program, seminar

Amy Pickles, Chloé Janssens, Túlio Rosa Cracks and Containers

15-15 May 2021 / a.pass

Gathering on coloniality

CracksandContainersImage
Cracks and Containers is a small gathering organised by Amy Pickles, Chloe Janssens and Túlio Rosa, it will take place on the 15th of May at a.pass from 12h to 18:30h. More than a place for presentations, it is thought about as a space to engage in dialogues and conversations, to allow thoughts and questions to emerge, to cross, combine, to be put in tension or to be desintegrated for a little while.

Cracks and Containers proposes to address questions around the notion of coloniality in relation to artistic practices, trying to understand what it might mean, what are the processes it includes, what images it produces or evokes, what dynamics it sustains. The desire being to understand how artistic practices, looking both to the past and to the future, can help us to navigate the present; how can we acknowledge our present with the urgency and criticality it demands. They want to do this together, by being inspired, challenged, contradicted, embraced, transformed.

Cracks and Containers hosts: Quinsy Gario, Saddie Choua, Sami Hammana, Sophie Deckers and Kristien Van den Brande , Amy Pickles, Choe Janssens and Túlio Rosa.

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performative publishing

a.pass time-lapse 2008 – 2020


postgraduate program

Not in the Mood

3 May-31 July 2021

notinthemood

a.pass Block 2021 II curated by Isabel Burr Raty, Adrijana Gvozdenović, Antye Guenther, Sara Manente, Rob Ritzen, Sina Seifee –

participants: Inga Nielsen, Anantha Krishnan, Jimena Perez Salerno, Carolina Mendonça Ferreira, Gary Farrelly, Aleksandra Borys, Amy Pickles, Chloe Janssens, Anapaula Camargo, and Vera Sofia Mota.

Having completed a cycle of a.pass Research Center in 2019, the six of us proposed to co-curate the block of 2021/II as a group. We aim to collectively curate an a.pass block where we redistribute and redefine the roles of curator, mentor, guest and workshop facilitator. This implies putting our knowledges, our differences and kinships into (re)productive promiscuous interactions. Each of us thinks of a.pass as an ecology of sensitivities, sentiments, rhythms and styles of knowing, but also as apparatuses, technologies and infrastructures. We do a block curation that pays specific attention to the affective and emotional dimensions of research and knowledge production, which we call here “mood”. Not only do humans have their moods and mood swings, but more-than-human, eco-synth-tech systems, and also climates and markets have it, too. By thinking and proposing practices with and about mood, we are navigating with and within affective interactions, imperfections, subjectivities and sensations of making oneself orient in the research environment and the world.

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research center

Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Kristien Van den Brande Printer’s devils

4 January-4 April 2021

Research Center Cycle 2 Block III

Singed bible from the Museum of the Holy Souls in Purgatory, in Rome
Singed bible from the Museum of the Holy Souls in Purgatory, in Rome

One publishes to find comrades! So says André Breton. The researchers in the current cycle of the research centre — Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens — are ending their trajectories at a.pass with a block focused on publishing, and the myriad of relations implied in committing something to print. Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way: sometimes with fellow interlocutors, sometimes with an editor or designer at the other end of the table, sometimes with abstract ideas of what readership might entail. Rather than aiming for a book or for printed matter as a finite goal, we will take publishing as a pretext to build relationships that last over time. How can a publication be set up as an ongoing social gesture, a space for the continued production of meaning and reverberance?

This block has a weekly organization, whereby Tuesdays alternate between a technical-dramaturgical help-desk, and editorial-curatorial approaches. Help-desk Tuesdays are more loosely structured around practical needs of the collective and individual publications. How did you do this? Why would you do that? During the editorial-curatorial Tuesdays we work on a collective publication, addressing a breadth of concerns in publishing (commonplace books, performative publishing, the interplay between analogue and digital publishing, orality and transcription, co-writing, the power of address, self-writing, ventriloquism, reading as writing, distribution).

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end presentation, performative publishing, postgraduate program

I feel like leaving the room

28-29 January 2021 / online: https://ifeellikeleavingtheroom.online

End Presentations 2021 I

I feel like leaving the room

a.pass welcomes you the:
29th January 2021 – 19:30 – TV show -Collective presentation – 2h30 hours

Join Zoom Meeting
is finished…. 

Check out :  https://ifeellikeleavingtheroom.online/

I feel like leaving the room  is the title of the postgraduate End Presentations of researchers Rui Calvo (film maker), Quinsy Gario (poet, visual and performance artist), Adriano Wilfert Jensen (choreographer), Magdalena Ptasznik, (choreographer) and Kasia Tórz (dramaturg and writer).

After attending to the extended one year program at a.pass, the five researchers finish their trajectory with an online presentation of a collective website. Covid 19 and the restrictions of the confinement have framed the space of these public presentations in an uncanny entanglement between the private and the public. I feel like leaving the room  is more than anything the (liminal) desire to come together. The form of this coming together takes shape around an ad-hoc TV show that will be streamed the 29th of January from the a.pass studio as an attempt to still intertwine thoughts and experiences.

In the beginning, the space for this public moment was imagined as a living room, as a place where the borders of the informal and the formal are blurred.  Not as a real physical living-room but by using the conditions implied in such well known private (though public) environment, with the aim of engaging the audience in a different way. What happens when research becomes public as a workshop, a power point presentation, a film, a dance or a walk that steers from such a hangout surrounding?

As a consequence of the pandemic that determines the conditions of coming together – the living room became the desired ‘leaving room’ – a place, as well, between the private and the public but enclosing the publicness in separated private spaces with only one window – a window to the virtual. The artists researchers addressed that liminal space in various ways in accordance with the medium they mainly work with. Inevitably, the translations that will take place, address the current situation of the confinement, while trying to reach out to the world.

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research center

No Mountains, Rivers or Trees

13-13 January 2021

A Conversation with Elke van Campenhout

A recorded and written conversation
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postgraduate program

THE ASYLUM (FOR DESIRING BODIES)

6 January-31 March 2021

Block 2021 I curated by Elle/Elke Van Campenhout/The Monastery

mikel-iriberri-mental-asylum-01


An asylum is a place of refuge. Of taking leave of the world for a limited period of time. It is a place out of the world. Where rules function differently. Where people without a place of belonging are temporarily ‘parked’ in order to mend their ways. It is a place for the ones that don’t fit the grid: mental patients, refugees, people suffering from ailments of all kinds. Desiring bodies, in search of papers, legitimacy, acceptance, health, reconnection to the outside world.

In that sense it is also a place of hope, a world-in-a-world where difference can live and be accepted. Maybe even celebrated. Where the norms are temporarily suspended, and common sense rules no longer apply. In this gap, in this suspension, wild thoughts can go unchecked. Dubious behaviour flies under the radar.

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postgraduate program, workshop

A Good Workshop

Conversation with Krõõt Juurak

A Good Workshop
Vladimir
Hey Krõõt!
At the end of the every block the curator writes a documentation of what happened in the block. The reason to do it, is to pass on pass on some information to the other curators and also to develop on and add to the archive of methodologies at work at a.pass. 
 
I will be writing this report as I am the designated block curator. It would be great to have a conversation about the work(shop) that you proposed. I suggested this interview format so that you don’t have to write a report. I have the Intuition that reporting would be strange in connection with your workshop and your work in general. 
 

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lecture, postgraduate program

Oxana Timofeeva On the Soul

19 November 2020

Video recording - online talk

 
Oxana Timofeeva
On the Soul
 
A talk and a conversation on the soul. This talk took place on November 19th.
The talk was proposed by Adriano Wilfert Jensen and supported by the a.pass participants assembly as part of a new modality of participants curated content at a.pass. 
 
The talk addresses to some episodes in the history of philosophy from antiquity to the present, where the soul is considered, fist, in its corporeal aspects, i.e. in its immediate or mediated connection to the body, and second, in the context of the question of the passages between the human and the nonhuman, as well as between individual and collective experiences.
 

Oxana Timofeeva is a Professor at “Stasis” Center for Philosophy at the European University at St. Petersburg, member of the artistic collective “Chto Delat?” (“What is to be done?”), deputy editor of the journal “Stasis”, and the author of books History of Animals(London: Bloomsbury Academic, 2018; Maastricht: Jan van Eyck, 2012; trans. into Russian, Turkish, Slovenian, and Persian), Introduction to the Erotic Philosophy of Georges Bataille (Moscow: New Literary Observer, 2009), How to Love a Homeland (Cairo: Kayfa ta, 2020; trans. into Arabic), and other writings.


conference, research center

Research Futures Conference Report

 

Please note that all replies and comments in this report are not verbatim transcriptions but thematic summaries. For full statements made on the public Day 3 please see the video recordings.

Introduction

On July 8-10, 2020 a.pass has hosted the conference Research Futures. The conference took the form of a gradually expanding meeting of practitioners in the fields of art, education and artistic research. The conference was initiated by a.pass in collaboration with four other institutions of artistic research participating in a.pass’ comparative benchmarking study: Dutch Art Institute, Jan Van Eyck Academy, UNIARTS Helsinki and Royal Academy of Fine Arts Antwerp. The conference brought representatives from these five institutions together with professionals working in the field of education, arts, culture, artistic research, curation and activism to expand the result of the comparative study towards a series of questions concerning the futures of artistic research in relationship to its institutions.

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postgraduate program, workshop

Elke van Campenhout Debunking the Myth

16-20 November 2020 / online

or The Emperor’s New Clothes Revisited

NEW DATES!

16.-20. Nov 2020

 

To be a contemporary artist comes with a lot of prerequisites these days: unspoken discourse rules, critical norms, and a general salonfähig consensus about values like fluidity, horizontality, collaboration, etcetera… Often these values are taken for granted while a strong discourse is ruling the artist’s world, zooming in on any hint of postcolonial insensitivity, patriarchal blindness, gender observations, and faintly non-consensual power use. This attitude stems from the bountiful history of feminist and queer studies, cultural studies insights, and a general growing awareness of her-stories and the damage done by biased educations and cultural misgivings. But at the same time there are also a lot of other untouched territories underlying these value markers: 19th century romanticism, liberalism, humanism, … Each one carrying within it a very specific view of what it means to be a human being in this world, how we are connected and what we are able to convey.

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postgraduate program, workshop

Krõõt Juurak AUTODOMESTICATION

27-31 October 2020 / a.pass

Autodomestication

As a performer you provide your audience with something that cannot be measured in material terms. As regards the activity that produces the cultural content of the commodity, your labour involves a series of activities that are not normally recognised as work – activities involved in defining and determining cultural and artistic standards, fashions, tastes, consumer norms and, on a strategic level, public opinion. As a performer you are primarily a producer of subjectivity. Typically, an artist’s value does not lie in what they “do” but in what they “are”. Now, remember, for example, how Richard Florida described the processes of gentrification caused by the migration of artists and creative workers – the artists may or may not be aware of the value of their mere presence but on a larger scale they produce “results” simply by existing. Survival in the (performing) arts requires creativity that goes beyond the artworks one creates. In fact, a typical performing artist spends about 99 percent of their time off stage – as an audience member, a critic, an administrator, a networker, friend, mentor, student, teacher and so on. Inventing and re-inventing oneself on and offstage, adjusting to various situations, restrictions, moving from project to project, one residency to the next, brimming with creative energy, training and forever educating oneself is the way forward.

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performative publishing

a.pass lexicon in process

kitchen.apass.be


conference, information, research center

RESEARCH FUTURES

8-10 July 2020 / a.pass

Conference

The upcoming conference "Research Futures" will bring representatives from five institutions of artistic research together with professionals working in the field of education, arts, culture, artistic research, curation and activism to engage with a series of questions emerging from this comparative (self)-study. We want to understand better what is the range of educational and institutional strategies and practices operating in the field of artistic research today. Where do we see common struggles, pitfalls and current problematics with respect to our concerns with inclusivity, sustainable support structures, institutionalization of artistic research and politics of publication. And finally we would like to compare ourselves to the future: what are possible scenarios for artistic research to continue its contribution to the field of artistic production, and how can these contributions respond to the changing social realities of a challenging future?
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information

Agenda

postgraduate program, seminar

15-15 May 2021

Location a.pass

Amy Pickles, Chloé Janssens, Túlio Rosa
Cracks and Containers




end presentation, postgraduate program

11-12 June 2021

Location De Markten


Dragon Love (?)





information

call

for artistic research PROPOSALS


post Graduate PROGRAM


DEADLINE: 27/06/2021
TO START IN Jan or May 2022

SELECTION TALKS :   14,15,16/07/2021
(PLEASE KEEP THESE DAYS FREE!)

 

call for Associate Researchers

Date to be announced in the fall 2021

 

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information

scenography workshop

public workshops

a.pass regularly opens it doors to outsiders that are interested in the topic or in the workings of a.pass. To subscribe you just look in the menu: “public workshops“) and sign up to the event of your choice.

 


information

application
procedures and requirements!


information

about a.pass

A.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic and educational context. The institute includes two complementary bodies that operate in parallel and in dialogue: a Post-master Program and a Research Centre.
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APPLY TO THE A.PASS PROGRAMMES

post-master program
pre phd-program
phd-program
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