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reading session, research center

Encoding and compression

26 February 2018 / a.pass, 3rd floor

Monday Readings

compression artifact
“Codecs perform encoding and decoding on a data stream or signal, usually in the interest of compressing video, speech, or music. […] Software such as codecs poses several analytical problems. Firstly they are monstrously complicated. […] Second, at a phenomenological level, they deeply influence the very texture, flow and materiality of sounds and images. […]
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research center

Boundaries do not sit still

1 January-30 April 2018

Research centre 18/I curated by Femke Snelting

nasa-20_o_o

In Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter, feminist theorist Karen Barad examines how apparatuses stabilize and destabilize boundaries. “Apparatuses are dynamic (re)configurings of the world, specific agential practices/intra-actions/performances through which specific exclusionary boundaries are enacted.” she writes.

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Agenda

research center, talk

27 January 2018

Location Manchesterstraat 17 - 1080

Close Encounters series
A dialogue on Active Archives




reading session, research center

5 February 2018

Location a.pass, 3rd floor

Monday Readings
Local server








forum

Kate Rich Critical Administration

30 January-3 February 2018 / a.pass 4th floor

Shaking down the entrepreneur

tumblr_od79riRzmO1sv2w2so1_1280

This workshop takes place in the devastated landscape of the Creative Economy. Dipping cautiously into realms of business and economics (in which artists are generally and probably wilfully unschooled), we will take a pigeon’s-eye view (scrappy, opportunistic, only occasionally vicious) of worn-out tropes such as entrepreneurialism, human capital and cultural enterprise.

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forum

Florian Feigl How do we do the things that we do?

18-19 January 2018

a rewrite of twelve design principles

a.trofimoff_betonmischer
Two working periods in January and February to analyse, discuss and introduce strategies and methodological approaches as articulated in permaculture desgin practice (Mollison, Holmgren) in relation to the Pattern Theory (Alexander) towards an environ-mental & corpo-real understanding of artistic process and artistic research.
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forum

Florian Feigl How do we do the things that we do? #2

26 February-2 March 2018

a rewrite of twelve design principles

a.trofimoff_betonmischer_inv
Two working periods in January and February to analyse, discuss and introduce strategies and methodological approaches as articulated in permaculture desgin practice (Mollison, Holmgren) in relation to the Pattern Theory (Alexander) towards an environ-mental & corpo-real understanding of artistic process and artistic research.
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forum

Nicolas Galeazzi pattern language for conditioning practices

19 January-23 March 2018

weekly meetings

Bildschirmfoto 2017-12-19 um 15.28.20
In order to explore MAKING / CONDITIONS we will try to create a Pattern Language for conditioning practices in the arts. With reference to the same named concept, proposed by the architect and philosopher Christopher Alexander in the late 1970's, we will investigate the patterns that help us to cretate the conditions for our artistic research through this very same research practices.
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block information

making / conditions

8 January-1 April 2018

block 18/I curated by Nicolas Galeazzi

circus
This block combines institutional critique with a fundamental depiction of Performance in its various interpretations in economy, administration, performing arts, and sociology. Performance stands for productivity and efficiency as much as for presence, representation, and the transformative power of speech. Investigating the interdependency between our artistic research practice and its surrounding adinistrative and economic supportstructures, we will develop a pattern language for conditioning practices in the arts - a pattern language as a set of tools for finding the 'institute' behind our research.
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research center, talk

Close Encounters series A dialogue on Active Archives

27 January 2018 / Manchesterstraat 17 - 1080

Nicolas Malevé / Femke Snelting / Pierre Rubio

Active Archives
As a case study and exemplary project/practice, Nicolas Malevé, Femke Snelting and Pierre Rubio will discuss the long history of Active Archive. What can the different iterations of Active Archives tell us about the condition of engaged artists-researchers-archivists? What were the historical conditions that stimulated its genesis? And after all these years -punctuated by profound technological, cultural and institutional changes- how is its evolution and relevance today?
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research center, talk

Close Encounters series A conversation-on-exhibition

25 January 2018 / Manchesterstraat 17 - 1080

Marcelo Rezende / Adrijana Gvozdenović

Adrijana Gvozdenović, "Who is Adrian Lister? or Уметник работник роботник", publication, 2016
Marcelo Rezende and Adrijana Gvozdenović share their stories and experiences about their (critical) practice of exhibition making. How can you produce meaning and experience that matters? Why do we still believe in reality?
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end communication, event, lecture, performance

SVEN DEHENS and ZOUMANA MEÏTÉ If a question could lie

25-27 January 2018 / Manchesterstraat 17

a.pass end-communications is a public event for the sharing of the one year trajectories of the a.pass researchers. It’s a moment to bring to a larger public the questions and methods that their practice of artistic research at a.pass entailed. The event focuses on the sharing of their processes and on the invitation to reflect on the emerging topics and concerns of their research question(s) in the context of artist practice today.

‘If a question could lie’ brings forth or wants to insist on the agency of the question. It aims to raise the issue of the appearance of criticality and its location. It’s as much claiming the right to pose a question as opening its ability to gather around a multitude, a poly. It could be read as a dating strategy. Saying, I wouldn’t be here if I weren’t interested. The I being the issue and the subject, at the same time. 

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 call

for artistic research projects
post-master and (pre)phd level


DEADLINE: 11/02/2018
TO START IN SEPTEMBER 2018

SELECTION TALKS : 1 & 2 /03/2018
(PLEASE KEEP THESE DAYS FREE!)

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info

scenography workshop

public workshops

a.pass regularly opens it doors to outsiders that are interested in the topic or in the workings of a.pass. To subscribe you just look in the menu: “public workshops“) and sign up to the event of your choice.

 


application
procedures and requirements!


defining a.pass

about a.pass

A.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic and educational context. The institute includes two complementary bodies that operate in parallel and in dialogue: a Post-master Program and a Research Centre.
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APPLY TO THE A.PASS PROGRAMMES

post-master program
pre phd-program
phd-program
to be discussed

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