Elke van Campenhout Debunking the Myth
9-13 November 2020 / a.pass
or The Emperor’s New Clothes Revisited
To be a contemporary artist comes with a lot of prerequisites these days: unspoken discourse rules, critical norms, and a general salonfähig consensus about values like fluidity, horizontality, collaboration, etcetera… Often these values are taken for granted while a strong discourse is ruling the artist’s world, zooming in on any hint of postcolonial insensitivity, patriarchal blindness, gender observations, and faintly non-consensual power use. This attitude stems from the bountiful history of feminist and queer studies, cultural studies insights, and a general growing awareness of her-stories and the damage done by biased educations and cultural misgivings. But at the same time there are also a lot of other untouched territories underlying these value markers: 19th century romanticism, liberalism, humanism, … Each one carrying within it a very specific view of what it means to be a human being in this world, how we are connected and what we are able to convey. Read more..
Krõõt Juurak AUTODOMESTICATION
27-31 October 2020 / a.pass
As a performer you provide your audience with something that cannot be measured in material terms. As regards the activity that produces the cultural content of the commodity, your labour involves a series of activities that are not normally recognised as work – activities involved in defining and determining cultural and artistic standards, fashions, tastes, consumer norms and, on a strategic level, public opinion. As a performer you are primarily a producer of subjectivity. Typically, an artist’s value does not lie in what they “do” but in what they “are”. Now, remember, for example, how Richard Florida described the processes of gentrification caused by the migration of artists and creative workers – the artists may or may not be aware of the value of their mere presence but on a larger scale they produce “results” simply by existing. Survival in the (performing) arts requires creativity that goes beyond the artworks one creates. In fact, a typical performing artist spends about 99 percent of their time off stage – as an audience member, a critic, an administrator, a networker, friend, mentor, student, teacher and so on. Inventing and re-inventing oneself on and offstage, adjusting to various situations, restrictions, moving from project to project, one residency to the next, brimming with creative energy, training and forever educating oneself is the way forward. Read more..
atelier, gathering, workshop
Vladimir Miller Settlement 16
14 September-3 October 2020 / a.pass
The Unconditional Institution
During the days of Sept 14th – Oct 3rd 2020 a.pass will come together and host an open workspace called Settlement. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass Settlement and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online on the a.pass website.
please let us know if you want to join this workshop by subscribing a week before you come. covid measures will be followed in the shared environment to ensure it safety. Read more..
Block 2020 III
2020 has so far been a turbulent year: of course, the global background we are all aware of, but also for a.pass and all involved, as a community, as a group of colleagues and as a place of politics and organisation. We need time to meet despite all difficulties, and we need time to think together. We think of this block primarily as a meeting of ideas and practices of the researchers and the block contributors, in order to make space for an emergent support structure shared between all involved. Our desire is to ground the support structure of a.pass in a close relationship with the necessities and practices of the researchers. Curating here refers again more to care, than to an overarching trajectory. The core of what we do, practice artistic research, is what needs input and support. Starting from the question of what we need and how to organise it we want to create transitory and sustainable modes of organising and sharing research. The block practice, starting with the Settlement gathering, is focused on organisational and structural awareness and feedback: which spatial and temporal structures do we propose, how is it working with us and our research, and is it something we should keep for the future?
Research Futures Public Debate
10 July 2020 / online
July 10th 2020, 14h-18h, online
a.pass cordially invites you to join the workshop presentations and public debate of the conference Research Futures on the 10th of July at 14h (online )
The three day conference will take the form of a gradually expanding meeting of practitioners in the fields of art, education and artistic research. On Friday the 10th, the result of the previous day’s workgroups will be presented and the conference will open up to a public Q&A and debate. The link for online attendance will be posted on the a.pass website on the 10th of July.
The link for online participation will be placed here:
you will be prompted if you want to use your microphone by the BBB software.
You can click yes. if you wish so.
Please mute your microphone when you enter the room. (bottom of the screen)
please find the full conference announcement here
8-10 July 2020 / a.pass
As a publicly funded educational platform, a.pass is reviewed by the ministry of education in regular five-year intervals. With the next review process underway, a.pass took the opportunity to propose a collaborative process of self-evaluation to four other educational institutions - DAI - Dutch Art Institute, NL; Jan Van Eyck Academy, NL; Royal Academy of Fine Arts Antwerpen, BE and Uniarts Helsinki, FI in the field of artistic research. This process is motivated by a desire to establish a platform for mutual criticality where institutions of artistic research are not pushed to compete against each other, but can meet as partners sharing many of the same stakes. This critical intra-vision is also a balancing measure to the tendencies of such evaluations to produce an equalizing standard in a respective field of cultural production. Instead we aim to understand, compare and strengthen our differences, in order to create greater specificity and add complexity to the developing field of artistic research.
The upcoming conference "Research Futures" will bring representatives from five institutions of artistic research together with professionals working in the field of education, arts, culture, artistic research, curation and activism to engage with a series of questions emerging from this comparative (self)-study. We want to understand better what is the range of educational and institutional strategies and practices operating in the field of artistic research today. Where do we see common struggles, pitfalls and current problematics with respect to our concerns with inclusivity, sustainable support structures, institutionalization of artistic research and politics of publication. And finally we would like to compare ourselves to the future: what are possible scenarios for artistic research to continue its contribution to the field of artistic production, and how can these contributions respond to the changing social realities of a challenging future? Read more..
-, block information
The In-Between Block 2020 II
4 May-31 July 2020 / home
The current In-Between Block is a simple infrastructure of extended mentoring that supports the a.pass researchers in the development of their work during the Coronavirus measures.
a.pass supports the researchers in using the current situation to reflect on the resonance of their practices within the contemporary social, ecological, artistic, political and economical discourses. A series of scores are being developed and practiced to keep the contact and the exchange going between the researchers . This shared practice over distance allows us to reflect on the crisis and support each other through it.
The mentors for the In-Between Block are Elke Van Campenhout, Philippine Hoegen, Krõõt Juurak and Sara Manente.
We are looking forward to the moment when we can come together again!
recent past, talk
Close Encounters series Zones of disobedience
6 February 2020 / ISELP & a.pass
Elen Braga / Eve Kalyva / Steven Jouwersma
When institutions have come to embody their own institutional critique, when participatory art becomes the new weapon of the established normalising order, and when attempts to further develop forms of artistic resistance are almost instantly liquefied in the commodifying reason of the market, a series of questions arise: Is it still possible to disobey? What could the forms of disobedient work be today? What new strategies should be invented in this context? How can one give the public the incentive to transgress its fears, inhibitions and limitations?
Having these questions as a starting point, “Zones of Disobedience” opens up a space for discussion, reflection and debate. It presents examples from the past and the present and from across the spheres of the artistic and the political in order to problematise sets of relationships, conceptual frameworks and behaviors. These have to do with ideas about monuments, myths and experiences of the city as space but also as a site of memory, of belonging and of envisioning a future.
“Zones of Disobedience” offers an evening of contestation, blurred limits, shifts and negotiations. Read more..
recent past, research center
RESEARCH CENTER CYCLE 2 BLOCK I and In-Between Block
1 January-31 July 2020
Research Center Cycle 2 block I
This January marks the beginning of the second one-year-cycle of the a.pass Research Center. Initiated out of a desire to be a shared platform of exchange, support and publicness for the Associate Researchers this year long initiative will continue to support and publish advanced research and investigate its trajectories within a.pass. The Associate Researchers will be hosted and supported during Cycle 2 by the Research Center curators: Vladimir Miller (Block I+II/20).
For the period of January to December 2020 we are happy to welcome following Associate Researchers to the a.pass Research Center:
Breg Horemans, Davide Tidoni, Esteban Donoso, Pia Louwerens and Lili Rampre.
During the upcoming block we will start and at the same time continue our work by imagining and negotiating the individual contracts between the researchers and the Research Center, which will speculate on the individual research process and the support needed during the year cycle.
publication, research center
Parallel Parasite Timeline Repository – Web Publication
Research Center Document
Parallel Parasite Timeline Repository
As a way to register our process during the Parallel Parasite, three weeks residency of the a.pass Research Center at SZenne ArtLab in 2018, we filmed and recorded all the public encounters. This interface created on top of the video allows to complement the document with other collected materials and to add continuously a-posteriori reflections. Viewers can scroll through and find points of interest. Read more..
block information, recent past
6 January-30 April 2020 / a.pass Brussels
a.pass postgraduate program invites artists, researchers, cultural workers to challenge the limits of their practice through developing artistic research methodologies that bring to the forefront the performative, spatial and collaborative aspects of their projects.
The program opens a space for experimental modes of practice and critical thinking. Artists and researchers are invited to follow their self-organised research as a trajectory within an environment of collaboration and participation. They engage in a series of presentations and feedback practices, workshops, seminars, individual/collective mentoring, and modular interactions with curators and the other artists and researchers participating in the program.
block information, recent past, seminar
Block 20/I Zone Public
16 January-27 March 2020 / a.pass Brussels
co-curated by Femke Snelting / Peggy Pierrot / Pierre Rubio
Zone Public contributes to an ongoing conversation on the dynamics of publishing generated by technologies of artistic research. From January 2020 onwards, within a.pass platform for artistic research practices, a three month series of readings, mediations and compilations is oriented by the postgraduate program and its participants to (re)consider the forms and conditions for disseminating artistic research. Zone Public invites to (re)consider the conditions for dissemination of the specific forms of knowledge that artistic research does produce/process/practice. It activates the interrelation between research-as-process versus the crystallisation that publishing requires, and wants to open up the exhibitionary regimes which seem to articulate current artistic research practices and the infrastructures of knowledge production that its agents are both using and possibly used by. Read more..
for artistic research PROPOSALS
TO START IN May 2021 for the Post Graduate program and May 2021 for Associated Researcher
SELECTION TALKS : 14,15,16/10/2020 Read more..
(PLEASE KEEP THESE DAYS FREE!)
A.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic and educational context. The institute includes two complementary bodies that operate in parallel and in dialogue: a Post-master Program and a Research Centre. Read more..