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research, talk

a.pass Research Center Semiotics of the Uncanny

21 October 2017 / a.pass 4th floor studio

Dr. Dalila Honorato

Photo by Erik Peacock - https://creativecommons.org/licenses/by-nc-sa/2.0/
Semiotics of the Uncanny will approach alternative bodies in art, sexuality and pop culture, that conjugate body alteration, medical fetish, disability aesthetics and creative ritualistic behavior. Hybrid Art contributes to hybrid narratives in performing arts and creates new alternative technological materials and objects for empowerment and resistance against high-tech capitalist imperialism.
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end communication

Xiri Tara Noir, Sina Seifee, Esta Matkovic, Maarten Van den Bussche, Lili Rampre, curated by Laura Herman No Communication without Noise

21-23 September 2017 / a.pass 4th floor

five researches leaving a.pass

a.pass_NoCommunicationWithoutNoise_em

 

“Mistakes, wavy lines, confusion, obscurity are part of knowledge;
noise is part of communication, part of the house.”

(Michel Serres)

 

No Communication Without Noise is a three-day insight in five ongoing a.pass researches that share an affinity with the ambivalences of writing and reading. Interested in communication, or the lack thereof, Esta Matkovic, Lili M. Rampre, Sina Seifee, Xiri Tara Noir and Maarten Van den Bussche address the limitations and untapped potentials of text in proposing new modes of attention.

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atelier, block information, recent past

Lilia Mestre The Medium Score

Thinking making together apart

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The proposal for this block follows on previous iterations of scores as tools to practice dialogue or intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing.

If artistic research is an active and methodological search for ways to keep the viability of our relation with the world, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen phenomenological relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself?

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block information

BLOCK III 2017

Curated by Vladimir Miller, 4 September till 2 December

photo by s. jouwersma
This block is concerned with the processes and questions of a mobile, displaced, untethered research practice. We will use the methodologies of moving out, taking a trip, going for a walk to reconsider the building blocks of our research and discover new ones.
 
As a collective practice for this block each a.pass participant will propose a trip or an excursion to a place that resonates with the topics of their research. The excursions will be maximum one day or night long and  be attended by the a.pass participants (and will be in most cases be open to the general public on a sign-up basis). Some of them will be collaborative experiments, some will address a specific question from a current research of the a.pass participant. All proposals will work with a specific practice of being on the move together, of doing research on site and of documenting and publishing.
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block information, recent past

The problem of the score

Block curated by Lilia Mestre / May > July 2017

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From May till July 2017 the a.pass post-master program questions how structures pre-determine singular outcomes, and to what extent they imply relationality. Every system is a network of connections and the way the system is set to operate defines forms of relation which reveal ideological standpoints. In other words modes of interaction are formatting forces that construct worlds. If we think that way, what kind of problems do our research structures entail?  And if we can think a polyphonic world , constituted by multiple models, how do we consider our own structure as a relational one? What kind of technologies are we putting into place? What kind of invitation are we making? And to whom?

The notions of ‘apparatus’ and ‘tentacular thinking’ will be key to understanding and experiencing the problem of score in contextual ecologies. Apparatuses, as coined by Foucault and Agamben, are systems of governance that enable relationships between beings and structures through which the subject is constructed. During former block Donna Haraway  introduced us to tentacular thinking as a place from which one can build relations to economical, biological, philosophical, productional, institutional, etc orders. Together with the a.pass researchers, workshop givers and guests we reflect on them, challenge our practices and relate to other authors and art makers.

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 call

for artistic research projects
post-master and phd level


DEADLINE: 06/10/2017
TO START IN MAY 2018

SELECTION TALKS : 19&20/10/2017
(PLEASE KEEP THESE DAYS FREE!)

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info

scenography workshop

public workshops

a.pass regularly opens it doors to outsiders that are interested in the topic or in the workings of a.pass. To subscribe you just look in the menu: “public workshops“) and sign up to the event of your choice.

 


application
procedures and requirements!


a.pass mission

a.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic and educational context.

a.pass offers a one-year artistic research training program at post-master level for artists and theoreticians, based on the principles of self-organization, collaboration and transdisciplinarity. a.pass participants develop an independent artistic research project, with a personalized curriculum in a shared and collectively created research environment.

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post-master program
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