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forum

Kate Rich Critical Administration

30 January-3 February 2018 / a.pass 4th floor

Shaking down the entrepreneur

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This workshop takes place in the devastated landscape of the Creative Economy. Dipping cautiously into realms of business and economics (in which artists are generally and probably wilfully unschooled), we will take a pigeon’s-eye view (scrappy, opportunistic, only occasionally vicious) of worn-out tropes such as entrepreneurialism, human capital and cultural enterprise.

Weaving through dense territory from queer theory to open source organisation, radical shopkeeping and the role of economics in performing the economy, we will transit between theory and application to experiment on ourselves with new and wild shapes for enterprise and organisation, both at the level of the individual and at that of the collective. In the process we will also assess the case for administration as an art form; and business as a medium for artistic enquiry and meaning-making.





block information

making / conditions

8 January-1 April 2018

block 18/I curated by Nicolas Galeazzi

circus
This block combines institutional critique with a fundamental depiction of Performance in its various interpretations in economy, administration, performing arts, and sociology. Performance stands for productivity and efficiency as much as for presence, representation, and the transformative power of speech. Investigating the interdependency between our artistic research practice and its surrounding adinistrative and economic supportstructures, we will develop a pattern language for conditioning practices in the arts - a pattern language as a set of tools for finding the 'institute' behind our research.
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block information

Nicolas Galeazzi Block overview

8 January-1 April 2018

plenum & forum

Fora&Plena
This post gives a sort overview over the organisation and schedule of the block 2018/I
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reading session, research center

Monday Readings

15 January-16 April 2018

Reading across technical tools and theoretical devices

Keyboard

In cultural institutions like a.pass, digital tools are used for communication, archiving, administration and production. These computational infrastructures depend more often than not on the services of tech giants and are put to use without too much space for reflection on how they actually work. If we want to bring technology within reach of interrogation and critique, how to break the spell of those paralysing regimes? How to shift the relationship from efficiency to curiosity; from scarcity to multiplicity and from solution to possibility?

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forum

Nicolas Galeazzi pattern language for conditioning practices

19 January-23 March 2018

weekly meetings

Bildschirmfoto 2017-12-19 um 15.28.20
In order to explore MAKING / CONDITIONS we will try to create a Pattern Language for conditioning practices in the arts. With reference to the same named concept, proposed by the architect and philosopher Christopher Alexander in the late 1970's, we will investigate the patterns that help us to cretate the conditions for our artistic research through this very same research practices.
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