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Laura Pante

LAURA PANTE (1983) is a dancemaker based between Venice and Feltre, a small mountain town situated in the north-est of Italy. In her artistic processes she combines her job experience as graphic designer, and her practice of drawing, photography, and architecture, to her experience of gymnastic and dance. She is interested in a kind of movement research that involves thoughts into a training towards the pursuit of their expansion in time and space, in order to initiate a critical reflection around the production and the (ab)use of body images. (contact: info@laurapante.com)

-http://www.laurapante.com

research portfolio

LAURA PANTE // PORTFOLIO // A.PASS 2018 – 2019

LAURA PANTE // PORTFOLIO // A.PASS 2018 – 2019

The following pdf file comprehends the trajectory of Laura Pante‘s research through the context of a.pass. The contents of her research turn around the crafted concept of 2D Dance, a flickering and performative exploration around learning conditions, body language conditioning, and the double role of aesthetic models in the use and in the production of corporeal images. (clik on the following title not on the image to see the portfolio)

Laura Pante – 2D Dance – a research

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Every application will be offered a copy while stocks last of the a.pass publication In These Circumstances: a collection of methodologies, insights, experiences, ideas, researches from 15 years of a.pass. If you like to receive a copy then please provide an address below.

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APPLICATION LETTER: (max 5 pages or 15 min of recording) this can be in writing or via an audio or video recording. We would like to know how you would take care of the fallow ground? Which methods would you like to explore to do artistic research and to share your experiences with others? What would be a desirable outcome for your group? What is your motivation, how do you imagine working together and why would you make a good group? Who is part of the group, have you worked together before, and in what fields is each of you active? Also good to mention briefly the collective and individual need in (artistic) research and your relation to it, as well as your relation to a.pass and/or Brussels.
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