performative publishing, research center
Research In Absence
20-24 September 2021

performative publishing, research center
Research In Absence
20-24 September 2021
research center
João Fiadeiro Real Time Composition Open Sessions
19-21 July 2021 / a.pass
As Associated Researcher at the a.pass Research Center, João Fiadeiro will open his research process to the a.pass community in order to exchange, clarify and discuss the premisses and principles of Real Time Composition, a tool that practices radical decentering in order to attend to what exceeds human experience. This process can be accessed in a series of meetings/slots between July 19 and 21.
In Portuguese, the word “reparar” can be understood both as “noticing, attending”, and as “restoring, repairing”. It also means “stopping twice” (re-parar). Real Time Composition works in the entanglement of these three meanings because they invite all at once to come to a halt and to observe as a commitment to the present and a willingness to restore what has been wounded.
Program – Dragonlove and What your reseach Did to me
research center
Research Center Cycle III
Initiated out of a desire to be a shared platform of exchange, support and publication for the a.pass Associate Researchers, this year-long initiative will continue to support and publish advanced research and investigate its trajectories within a.pass.
The Associate Researchers follow a part of their research trajectory in an environment of mutual criticality and institutional support. The Research Center welcomes radical and inventive research methodologies in order to contribute them to the larger a.pass environment. The Research Center supports and facilitates individual and collective forms of performative publishing (publications, presentations, exhibitions, gatherings, etc), experimental research set ups, workshops and collaborations.
For the period of May 2021 to April 2022 a.pass is happy to welcome following Associate Researchers to the a.pass Research Center Cycle III:
Joāo Fiadeiro, Crăiuţ Rareş Augustin, Gosie Vervloessem, Vijai Maia Patchineelam and Simon Asencio.
The Associate Researchers will be hosted and supported during Cycle III by Vladimir Miller.
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What your research did to me
Welcome in De Markten, Friday, 11th of June 2021.
18-22h
Subscribe for attendance. Or join us online. Details will follow.
Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens
will read, perform, discuss:
a book as a prop for future performance, a poster that unfolds into a speculative discussion board game, a timed articulation in an archive that reiterates its own traces, a set of interviews that binds four generations of activism, a performative research method that paves the way for academic writing, and a collective online score that narrates how research interests were influenced by each others presence.
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Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Kristien Van den Brande Printer’s devils
4 January-4 April 2021
Research Center Cycle 2 Block III
One publishes to find comrades! So says André Breton. The researchers in the current cycle of the research centre — Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens — are ending their trajectories at a.pass with a block focused on publishing, and the myriad of relations implied in committing something to print. Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way: sometimes with fellow interlocutors, sometimes with an editor or designer at the other end of the table, sometimes with abstract ideas of what readership might entail. Rather than aiming for a book or for printed matter as a finite goal, we will take publishing as a pretext to build relationships that last over time. How can a publication be set up as an ongoing social gesture, a space for the continued production of meaning and reverberance?
This block has a weekly organization, whereby Tuesdays alternate between a technical-dramaturgical help-desk, and editorial-curatorial approaches. Help-desk Tuesdays are more loosely structured around practical needs of the collective and individual publications. How did you do this? Why would you do that? During the editorial-curatorial Tuesdays we work on a collective publication, addressing a breadth of concerns in publishing (commonplace books, performative publishing, the interplay between analogue and digital publishing, orality and transcription, co-writing, the power of address, self-writing, ventriloquism, reading as writing, distribution).
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No Mountains, Rivers or Trees
13-13 January 2021
A Conversation with Elke van Campenhout
conference, research center
Research Futures Conference Report
Please note that all replies and comments in this report are not verbatim transcriptions but thematic summaries. For full statements made on the public Day 3 please see the video recordings.
On July 8-10, 2020 a.pass has hosted the conference Research Futures. The conference took the form of a gradually expanding meeting of practitioners in the fields of art, education and artistic research. The conference was initiated by a.pass in collaboration with four other institutions of artistic research participating in a.pass’ comparative benchmarking study: Dutch Art Institute, Jan Van Eyck Academy, UNIARTS Helsinki and Royal Academy of Fine Arts Antwerp. The conference brought representatives from these five institutions together with professionals working in the field of education, arts, culture, artistic research, curation and activism to expand the result of the comparative study towards a series of questions concerning the futures of artistic research in relationship to its institutions.
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Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Nicolas Galeazzi Hosting
1 September-12 December 2020 / a.pass
Research Center Cycle 2 Block II
research center, workshop
Davide Tidoni Spatial sound to movement
14-14 July 2020 / ZSenne Art Lab
How sound-space perception and spatial listening can be used as a tool for developing movement and creating performance works?
What knowledge/approach/way-of-doing do spatial listening and sound-space perception afford and how that can inform movement and performance work? How sound space awareness can turn or be translated into ways of moving, performing, and choreographing?
Can we think of specific ways to develop/approach movement and performance which are led by the ear-situated-in-space? What are the differences compared to a more eye-determined approach to movement and performance? What are the intersections and common aspects? And eventually, what are the consequences of this approach on other aspects of performance work such as set design, sound design and the positioning of the sound sources, dramaturgy, costumes, and the role/position of the audience?
Read more..reading session, research center
Lili Rampre Reading Session
16 July 2020 / ZSenne Art Lab
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Lili Rampre’s recent developments within RC involved repurposing works of popular culture and their most prominent characteristics of an epic story to help re-narrativise group and community concerns. Lili’s long term interest in (re)imagining an audience, especially within performing arts, found a strong resonance with current examples of collective action carried out by various fan groups. In Zsenne reading session, Lili is inviting you to delve into some of the texts on citizenship through fandom as a vehicle and examples of such performances. The reading will start by addressing the proposed questions:
This should not be misunderstood as an extension of the already well developed sociology and anthropology of fandom, but rather as the critical reappraisal that emergent large popular assemblages of self-identifying communities are an under-utilized and under-recognized potentiality for “performance” proper.
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Breg Horemans What do you depend on, where you are?
15-17 July 2020 / ZSenne Art Lab
How can we share the performative potential of public space to explore ‘mutual vulnerability’? We invite you to think physically during a series of ‘staged encounters’ in the wider environment of Zsenne Art Lab, between July 15 and 17.
Every encounter offers a space to negotiate proximity with a stranger, addressing the possibility for an intra-active (Barad) relationship. These encounters take shape as silent walks for two people on July 15, 16 and 17 (mornings, between 9 and 10 am). The endpoint of the walk is Zsenne Art Lab.
Through this practice of physical thinking, we aim to configure a layered understanding of the relation between self- and social identity within the urban environment. We explore how the environment plays a role in the construction of an ‘environmental identity’ (Clayton). On Friday July 17th at 14pm, a public discussion will take place for the participants of the silent walks and external guests to share thoughts on the question: ‘how do our practices contribute to the construction of an environmental identity’?
These activities are embedded in the long term research project HALL33, by TAAT. Between May and November we continue organizing ‘staged encounters’ as a form of social activism in Brussels (BE), Dundee (UK), Riga (LV) and Athens (GR). How vulnerable do we want to be towards strangers in a ‘socially distant’ society?
Read more..research center, workshop
Pia Louwerens Writing subtext
15 July 2020 / ZSenne Art Lab
During this workshop Pia Louwerens will test scattered yet corroborating ideas and exercises linked to her research, grouped into two sessions. The first part of the workshop will revolve around the notion of being “embedded” and ways of becoming embedded on the one hand, and on the other hand the workshop as a superstructure, an exoskeleton, which adapts itself to its participants. Would it be possible to rewrite the workshop during the event itself, and what kind of structure could serve this soft workshop? For the second part of the workshop Louwerens will introduce new elements; attempts to evoke events which occured during her research trajectory in collaboration with several institutions in the Netherlands. We will become a loosely organized speaking-reading-writing-machine to collectively document these instances and provide them with an embedded subtext.
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Esteban Donoso Re-
13-14 July 2020 / ZSenne Art Lab
conference, information, research center
Research Futures Public Debate
10 July 2020 / online
July 10th 2020, 14h-18h, online
a.pass cordially invites you to join the workshop presentations and public debate of the conference Research Futures on the 10th of July at 14h (online )
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Adrijana Gvozdenović archiving artistic anxieties
performative publishing, research center
Isabel Burr Raty BEAUTY KIT – AN ECO-EROGENOUS ART
10 euro
1 February 2020
Isabel Burr Raty
by Isabel Burr Raty
with contributions by Kristin Rogghe, Elke Van Campenhout, Gosie Vervloessem, Pablo Diartinez and Tim Vets, is an experimental catalog summarizing Isabel Burr Raty’s research on conceptualizing and manufacturing eco-erogenous para-pharmaceutical products. It tells the story of the BKFF, a mobile farm where she and other females harvest their orgasmic juices to produce beauty bio-products, used for treatments in the BK Spa, critically discussed in the BK Focus Group and moving forward into becoming a village, where every-body harvests each other. The catalog comes with contributing text, “Harvesting bodies – The Farm as Paradox” by Elle/Elke Van Campenhout, and other reflections on the project.
performative publishing, research center
NEOCORTEX
155 euro
1 February 2020
Antye Guenther
NEOCORTEX is a textile poster publication. It can be used as a head or neck scarf, a hairband, a veil, a belt, a table cloth, an arm sling, a disguise in political demonstrations, a laboratory sieve, or a tool for receiving and transmitting alien thoughts. This scarf is the second materialization of ongoing research on neuroscientific visualization practices and questionable conceptualizations of our brains. Referring to the current trend in the scientific community to print posters on textiles rather than on paper, it combines reconstructed MRI data of the artist’s brain with various text fragments from science and science fiction.
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Sina Seifee ZOOLOGICAL VANDALISM
5 euro
1 February 2020
Sina Seifee
ZOOLOGICAL VANDALISM by Sina Seifee in collaboration with editor Renan Lauran and designer Foad Farahani, is immersion in the compiling and composing of Seifee’s notes on medieval bestiaries, and placing them in sequential order. It is the first chapter of a series that creates context and opens small descriptive steps towards (what Latour might call) “knowing interestingly” about bestiaries. It is a speculative adventure in bio-techno tales and old styles of knowing. As an “ecology of obligation” with Iranian sensuality and its ardent materiality, somewhere in the menagerie of found and feral animal videos on Whatsapp and Telegram, is Seifee’s undisciplined grounding in visual crafts.
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Forms of life of forms
12 euro
1 February 2020
Rob Ritzen
FORMS OF LIFE OF FORMS brings artistic research into form – not merely as an aesthetic question but as a social and political one. Indeed, there are no politics without form! With Forms of Life, Rob Ritzen curated several “Moments” that assembled works, collective readings, and other references into a single installation. This publication reshuffles documentation of these “Moments” as a visual reflection of the trajectory of this research.
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ROT
14 Euro
1 February 2020
Sara Manente
ROT is a publication reflecting the research “Wicked technology/Wild fermentation,” by Sara Manente that focuses on forms and practice of fermentation as ways to rethink bodies and their making. This glossy magazine performs research, aiming to infect the reader, and questioning how to spread, publish, and help the work survive.
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Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens WHAT YOUR RESEARCH DID TO ME
30 euro - annex + 2 books + 1 game
10 June 2021
research center associates Cycle II
performative publishing, research center
Isabel Burr Raty, Antye Guenther, Adrijana Gvozdenović, Sara Manente, Rob Ritzen, Sina Seifee and a.pass PUBLISHING ARTISTIC RESEARCH
35 euro = 4 publications + Annex
1 February 2020
research center associates Cycle 1
lecture, performative publishing, research center
Close Encounters series Zones of disobedience
6-6 February 2020 / ISELP & a.pass
Elen Braga / Eve Kalyva / Steven Jouwersma
research center
Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Vladimir Miller RESEARCH CENTER CYCLE 2 BLOCK I and In-Between Block
1 January-31 July 2020
performative publishing, research center
Parallel Parasite Timeline Repository – Web Publication
Research Center Document
research center
Research Center Cycle 1 Block IIII Reviewing emergence
1 September-30 November 2019
Cared by Nicolas Y Galeazzi
research center
a.pass Research Centre Associates in residence victories over the suns
24 June-14 July 2019 / ZSenne ART Lab / Brussels
projects / events / agenda
research center
a.pass Research Center Associates in residence victories over the suns
24 June-14 July 2019 / ZSenne ART Lab / Brussels
dissolving totalities, usurping orders, inventing new materials
research center
Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER Cycle 1 Block III
29 April-28 July 2019 / a.pass/ ZSenne ArtLab
Co-Curated by Pierre Rubio
research center
Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER CYCLE 1 BLOCK II
7 January-31 March 2019 / a.pass
CURATED BY ALEX ARTEAGA
The a.pass Research Center is dedicated to supporting advanced artistic research and to collecting and making public methodologies of artistic research developed at a.pass.
The block II in the cycle 18/19 is focused on two intertwined fields of inquiry: aesthetic research practices in the medium of written language and architecture understood as intervention in the emergence of environments through construction and related practices.
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Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER Cycle 1 Block I
3 September-30 November 2018
Curated by Vladimir Miller
This September marks the beginning of the first one-year-cycle of the a.pass Research Center. After being initiated as a platform for the individual research trajectories of the a.pass Associate Researchers, starting this year the Research Center is shifting to welcoming a group of advanced researchers for a shared one-year period.
The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass.
conference, project, research center, seminar, workshop
Parallel Parasite
4 June-30 September 2018
Research center 18/II curated by Lilia Mestre
research center, workshop
Lilia Mestre Fragile Community Score + Score for entering a place / Lilia Mestre
11 June-15 May 2018 / Zsenne ArtLab
research center, seminar, workshop
The Way of the Anarchive
18-29 June 2018 / Zsenne ArtLab
a residency with Erin Manning in the frame of parallel parasite
research center, workshop
School of Love Instead of Needing to Know
4 June-9 May 2018
School Of Love @ Parallel-Parasite
lecture, performative publishing, research center
Close Encounters series Conditions for the work
5-5 May 2018 / a.pass, 4th floor
Sofia Caesar / Femke Snelting
lecture, performative publishing, research center
Close Encounters Series
21 October 2017
information
research center
research center
Boundaries do not sit still
1 January-30 April 2018
Research centre 18/I curated by Femke Snelting
In Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter, feminist theorist Karen Barad examines how apparatuses stabilize and destabilize boundaries. “Apparatuses are dynamic (re)configurings of the world, specific agential practices/intra-actions/performances through which specific exclusionary boundaries are enacted.” she writes.
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Possible Bodies
1 January 2018 / a.pass, 3rd floor
Possible Bodies is a disobedient action-research project that Jara Rocha and Femke Snelting have been developing since 2015. The project works with the concrete and at the same time complex and fictional entities that ‘bodies’ are, in the context of technologies, infrastructures and techniques of 3D tracking, modeling and scanning. This collective research becomes especially urgent because through those performative and representational practices, intersecting issues of race, gender, class, species, age and ability resurface.
Read more..research center, seminar
Dra. Adriana la Selva What are you training for?
10-11 January 2018
On acting and performance techniques - Current directions for embodied research in the performing arts
lecture, performative publishing, research center
Close Encounters series A conversation-on-exhibition
25 January 2018 / Manchesterstraat 17 - 1080
Marcelo Rezende / Adrijana Gvozdenović
lecture, performative publishing, research center
Close Encounters series A dialogue on Active Archives
27 January 2018 / Manchesterstraat 17 - 1080
Nicolas Malevé / Femke Snelting
lecture, performative publishing, research center
Close Encounters series Semiotics of the Uncanny
21 October 2017 / a.pass 4th floor studio
Dr. Dalila Honorato / Isabel Burr Raty
conference, performative publishing, research center
Between what is no longer and what is not yet
26 November 2016
Performance in the context of a.pass’ public meeting The Artist Commoner. (Self) Education of New Subjectivities
Dominguez wants to suspend events and create an interval of time in which he can try to integrate his past into his future. He will translate his visions and his desire to encounter the unknown through language. Dominguez is working alone for the first time in 14 years. Back then, he choreographed his work with labeled cards. Now, he’ll speak himself and give rise to a self-portrait that cites himself and some of his friends.
Limited capacity! 8/10/12€.
Tickets via Kaaitheater:
conference, postgraduate program, research center
a.pass, KaaiTheater The Artist Commoner : Public Meeting
25-26 November 2016 / KaaiStudios - Onze-Lieve-Vrouw van Vaakstraat 81 // 1000 Brussel.
(self) Education of new subjectivities
performative publishing, research center
veridiana zurita research publication
15-15 January 2016
research center, workshop
Adva Zakai / Raphaële Jeune OR SHALL WE USE THE STAIRS?
18-20 September 2015
Brussels-based choreographer Adva Zakai and French curator Raphaële Jeune propose 3 days of lectures and exercises to collectively explore different aspects of the relationship between humans and machines. Together with special guests and anyone interested, we aim to share thoughts on the digitalization of our world, through introduction into concepts that developed in response to it: The challenging dialogue with algorithms, the splendor and misery of Transhumanism, recent developments in Donna Haraway’s thinking (author of 1985’s Cyborg Manifesto) and the theory of Accelerationism.
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performative publishing, research center
Bureau d'Espoir SELF-INTERVIEW Elke – Elle
1 September-31 December 2015 / Abbeye de Forest
performative publishing, postgraduate program, research center
MAGIC NIGHT
24 July 2015
postgraduate program, reading session, research center
Reading Circle
11 May-29 August 2015 / a.pass
As a red thread throughout the block the participants engage in a weekly communal reading practice of the book ‘Realist Magic – Object, Ontology, Causality’ by Timothy Morton.
Reading and discussing in-depth this one central text allows for the development of a common ground of reference and connection that functions as a backdrop to the workshops and practices that shape the block. The Reading Circle happens on Monday evenings from 6pm to 10pm.
postgraduate program, research center
a.pass research centre The House of Spirits
10 May-24 July 2015
The House of Spirits is a common space for the (re)collection, digestion and transformation of the traces of the individual researches and workshops. The House opens up a space for the shamans/conservators of the Research Centre, as well as some of the participants. Every week another shaman practices in the House of Spirits, working with the case objects of the participants or with left-overs of the workshop, developing a shared ritual for the a.pass group. The strategies of the shaman include reordering, cataloguing, magical transformations, ritual alchemy, displacement and fictionalisation.
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a.pass conference Pharmakon
in production
28-30 November 2014
Edited by Elke Van Campenhout, Lilia Mestre
Texts by Alexandre LePetit, Lilia Mestre, Flora Pilet, Veridiana Zurita, Mischa Twitchin, Michiel Reynaert, Elke Van Campenhout and others.
To be published in autumn 2015.
research center
texts by: Elke Van Campenhout, André Lepecki, Christophe van Gerrewey, Nele Wynants; ed. by Mokum, a.pass It, Thingly Variations in Space
15 Euro
1 January 2011
This book explores the position of the object in contemporary performance.
price: OUT OF STOCK
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Elke Van Campenhout Tarot of Hope
25 euro - tarot cards and book
1 December 2013
conference, performative publishing, research center
PHARMAKON
1 October-30 November 2014
Pharmakon: whitch culture?
performative publishing, research center
BUREAU d’ESPOIR
15 December 2014
Bureau d’Espoir is a long-term research project on hope, initiated by Elke Van Campenhout. Bureau d’Espoir researches the possibility for a new engagement with the concept of hope, both on a political, social, physical and spiritual level.
Bureau d’Espoir is a research practice that starts out from the question: why do something rather than nothing? The last ten years the artistic sector seems to be burdened by a nagging form of debilitating self-critique that blocks artists (and other artistic workers) from assuming an affirmative position on the scene. Not only does it feel like any kind of performative gesture has become over-identified by decennia of critical theory, but an all-encompassing economic system has rendered any kind of emancipatory or critical gesture close to impossible.
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Elke van campenhout the tender institute
12 January 2013
“In the whirlwind of changing subsidy policies, and political crisis, the Institute has become a partner to be mistrusted. What has become clear from all the waves of institutional critique that have fueled the visual arts production in the last decennia, is the Institute’s extreme flexibility to reinvent itself, to recuperate and produce the ruling discourses, in a constant craving for the new. The Institute in this understanding has become synonymous with capital power struggles, with normative regulation of the arts scene, and with an unsavory attachment to a global economy that creates and sustains inequality, poor labor conditions and a sanctimonious elitist attitude towards knowledge and its distribution.”
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international conference Tender Institute
7-8 September 2012
research center
Elke van campenhout tools for research
1 January 2011
Thinking about tools in the research environment of a.pass is a tricky ‘thing’. When we think about tools in everyday language, we think about ‘things that do something’. But not whatever. Tools are things that have their function inscribed in them, that are optimized for achieving a certain goal, like the radically specified instruments IKEA offers you in its DIY packages. In an artistic research environment the question thus to ask in the first place is: what kind of tools do we need to do what we do?
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