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postgraduate program, workshop

Anne Juren Fantasmical Anatomy lesson

6-10 March 2023

Workshop

With Anne Juren and her lessons on fantasmical anatomy (March 6-10), we turn to the body as a familiar and unfamiliar site of experience, epistemology and eventually altered potentiality. If the body is a biological product, conditioned by medico-social practices and generational transmissions that precede our experience, how can we simultaneously approach our closest friend and/or foe as ‘a body project’, i.e. as a poetic, fantastical, speculative, imaginative and even monstrous site of investigation that settles and unsettles the conceptions we might have of ourselves, the world and the relations between us? In which way are metaphors influencing the imagination of the body? How is the speculative addressing of somatic practice disfiguring concepts of anatomy? Can horror imaginaries offer a mood to investigate and release our corporeal disorder and vulnerability?

Morning class 11am-1pm. + individual sessions in the afternoon.

Bring warm clothes, yogamat and blanket, some pencils, as well as something (a concept, an object) related to your research work. The class might include non-intrusive touch.

The morning class has some spots open to non-apass people. Please email if interested to participate. 75€/5 days.

 


 

BOOK LAUNCH, 9th of March @ rile*

Rile* and Varamo Press invite us for the book launch ‘Lesson on gravity’, with a performance. 

More about the performance.

More about the book

 

 


 

Anne Juren is a choreographer, dancer, and Feldenkrais practitioner.  She lives and works in Vienna. In 2003, she co-founded the Wiener Tanz- und Kunstbewegung association. Juren’s choreographic pieces and artistic works are shown worldwide in theatres, festivals, museums, and art venues. Since 2013, Juren has been a Feldenkrais® practitioner. Between 2014 and 2018, she was a member of the Artistic Committee of the Master Programme in Choreography at DOCH in Stockholm. Recently, she finished her PhD at the Stockholm University of the Arts under the supervision of André Lepecki and Sandra Noeth.

More about Studies on Fantasmical Anatomy





postgraduate program

More entries wait to be written, and not always patiently*

9 January-31 March 2023

photo_2023-01-11 10.22.26

Happy Endings On horror and/in collections

 

Wintertime in the Northern hemisphere, night falls early, huddled around one stove, a dog starts barking, birds flutter, an invisible presence, maybe, a figment of our imagination. The penultimate block of a.pass’ current lifecycle is dedicated to ‘horror and/in collections’, to familiar stories yet untold, or unknown tales needing to be retold. 

 

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workshop

Sina Seifee and Adrijana Gvozdenović Contingent Weirdness

10-13 January 2023

workshop on horror

Cover of Flesh-Colored Horror manga, written and illustrated by Junji Ito, published by Asahi Sonorama, 1997.

For the Opening Week of a.pass block 2023 I, Adrijana and Sina propose training/hanging-out/sharing/practice for artists researchers that focuses on the specific genre of horror to understand each other’s artistic commitments in a constraint and therefore generative way. Adrijana and Sina will introduce some of the historical elements of the genre, such as zombies, gore and torture of ghostly demons, vicious animals and cannibal witches, as well as medieval serial killer monsters, unnatural disasters, Frankenstein projects, and so on. Parallelly foregrounding different scales and registers of horror for reconsideration, ranging from speculative fiction, and sci-fi cinema, to medieval bestiaries, inducing “bad feelings” such as fear, uncanny, awe, mania, panic, loss, tension and anxiety.

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postgraduate program

Peggy Pierrot The ingredients of fear

27-27 January 2023

Day of study

Horror stories tell us a lot about our embodied cognition, our ways of seeing, thinking and feeling the world. Without being too functionalist, these literary, comic or cinematographic stories and kids tales are staging fundamental needs linked to our survival: to be able to anticipate danger, to remain on the lookout, to defend oneself, to find resources, to eat, to protect one’s own – in short, to find adequate responses to the conditions of existence that have been ours since the dawn of humanity. At the root of anxiety and fear: is there someone following me? Is the Other a friend or a foe ? Can I trust this person? Will I recover from this unknown weird diseases? Can i trust new sciences ? Is there such thing as pure evil ? Will I be able to survive in inhuman or violent conditions? Have I chosen my home well? What is this shadow that follows me? 

11am – 5pm @ a.pass

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workshop

Heide Hinrichs and Vijai Maia Patchineelam disseminated escapes

31 January-1 February 2023

Workshop in the library

workshop-image-heide-vijai

 

10am – 5pm @ a.pass, 3rd floor

The workshop disseminated escapes focuses on the intertwining between art practice, publishing and library keeping, as means to ensure a suitable knowledge context for research-based art practices to exist. With the imminent future of the post-graduate program in doubt, we take a.pass library as a contextual framework, in order to reflect on questions regarding the responsibility of maintaining spaces and networks that foster a more diverse, queer, feminist, and non-hegemonic set of references and knowledge. We will deal with issues such as collectivity, connection, knowledge production, maintenance, responsibility, generosity, boundaries, funding cuts, continuation, letting go, and deaccession, and how they could be considered and dealt with as part of one’s practice.

 

 

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postgraduate program, seminar

Jubilee/Emptor Whose collection?  

3 March 2023

Assembly of Practice

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In the next Assembly of Practice, Emptor proposes the a.pass participants to examine collections as potential places of shared interest, zooming in on questions that come to the surface with the complexity of collecting contemporary art practices, which are increasingly immaterial, performative, situated, ongoing and collaborative in natureThe integration of such contemporary art practices in collections by means of documentation, reactivation protocols and complex contractual relationships may satisfy desires of collection(er)s but don’t seem to create change in terms of care attributed to the needs of a practice, its ecology and sustainability. Conservation and reactivation often stay disconnected from the driving forces, methodologies and contexts of the collected material elements, thus allowing the pieces nothing more than exposure in a curated frame.
 

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APPLY TO THE A.PASS PROGRAMMES

Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

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Every application will be offered a copy while stocks last of the a.pass publication In These Circumstances: a collection of methodologies, insights, experiences, ideas, researches from 15 years of a.pass. If you like to receive a copy then please provide an address below.




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