In cultural institutions like a.pass, digital tools are used for communication, archiving, administration and production. These computational infrastructures depend more often than not on the services of tech giants and are put to use without too much space for reflection on how they actually work. If we want to bring technology within reach of interrogation and critique, how to break the spell of those paralysing regimes? How to shift the relationship from efficiency to curiosity; from scarcity to multiplicity and from solution to possibility?
Sessions are hosted by Seda Guerses, Martino Morandi, Sina Seifee and Femke Snelting.
Dates
Monday 15 January: Text processing (with Martino Morandi)
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Monday 5 February: Local server (with Martino Morandi)
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Monday 26 February: Encoding + compression (with Martino Morandi)
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Monday 19 March: Key cards (with Seda Guerses)
Monday 16 April: Databases (with Sina Seifee)
These events can be attended for free
Hosts
Seda Guerses studies conceptions of privacy and surveillance in online social networks, requirements engineering, privacy enhancing technologies and identity management systems. Recently, she started two new research projects. The first focuses on the implications of current cybersecurity research and development on technical solutions for privacy. The second looks at paradigmatic changes in software engineering practices with the shift from shrink wrap software to services and agile programming.
Martino Morandi wrote this bio text on a QWERTY keyboard on a Lenovo laptop on a seat of a Trenord train moving on the italian RFI rails, running on electricity from state hydro-electric power plants on the Alps. He researches the tangle of and our entanglements with these elements and is interested in the politics involved in our interactions with technology at different scales, from power plants to bio texts.
Sina Seifee researches as artist in the fields of narrative, performance and knowledge production. He has been working on the question of technology and storytelling in the arts and sciences of the middle ages and the past-present of material reading practices in collective life. He studied Applied Mathematics in Tehran, received his master in Media Arts in KHM Cologne and in 2017 finished an advanced research program in performance studies in apass.
Femke Snelting works as artist and designer, developing projects at the intersection of design, feminism and free software. In various constellations she has been exploring how digital tools and practices might co-construct each other. She is member of Constant, a non-profit, artist-run association for art and media based in Brussels. With Jara Rocha she currently activates Possible Bodies, a collective research project that interrogates the concrete and at the same time fictional entities of "bodies" in the context of 3D tracking, modelling and scanning.