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end presentation

29-30 May 2015 / aleppo.eu

volver_logo

performative conference and presentations by 

SAMAH HIJAWI, PHILIPPINE HOEGEN,
CECILIA MOLANO, SARA SANTOS, 
GOSIE VERVLOESEM & VERIDIANA ZURITA

29 (5-10pm) – 30/5 (12.30-11pm)

(click here for detailed program)

Aleppo Dexia Art Centre – Schildknaapstraat/Rue de l’Ecuyer 50, 1000 Brussel

For Volver, a.pass is a guest at Aleppo, a laboratory of experiments in performance and politics, in residency at the Académie Royale des Beaux Arts Bruxelles

In the frame of Aleppo‘s research project ‘Back to the Order’, six artistic researchers of a.pass will discuss, perform, exhibit and share their different takes on notions of ‘order’ and its simultaneous resonances of ease and discomfort, of political rigidity and potential, of aesthetic boredom and political reconsideration. Exploring the shifting territories of an order to be reconstructed, a.pass proposes ‘volver’ as an incentive to become involved, to revolve around recurring and shared interests, to recompose history in the aftermaths of an imploded revolution.

Departing from our individual projects we will dive into our researches, and approach concepts such as the domestic, evolving identities, (the act of) display(ing) and artistic production as the shifting ground on which the idea of order and its consequences can be explored and activated.

On Friday the 29th and Saturday the 30th of May, we invite you for performances, film screenings and installations, to share in the artistic research processes, participate in workshops and attend lectures and presentations by the guests of the researchers: Patricia Reed, Gonçalo Pena and Petra van Brabant.

 

 

program:

SAMAH HIJAWI
THE WANDERING SINGER OF TALES

performance lecture

This work is an exploration of the aesthetics of loss, and the images recreated – by the looser – of a place and a time that perpetuates through fragile narratives, utopic images, and nostalgic songs – tokens and emblems for preserving memory. Located in political and artistic histories around Palestine, ‘The Wandering Singer of Tales’ questions the temporality of images reproduced of lost places, and how these function in the present following a ruptured historical trajectory of dislocation, trauma and exile in the last century.

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CECILIA MOLANO
STORY LINES

one-to-one performative installation

Writing becomes trace. An unthinkable process of alchemy. Each word is, again, what it was before becoming a word: an image, a hesitation, a movement.

Narrative melts into drawings. Life remains there, in the paper, as a footprint. The diary is an invented document: the fiction of oneself.

In this work we turn back to the place of words before being articulated.

This installation is an experiment in co-writing, reading and (re)creating.

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PHILIPPINE HOEGEN
VERSIONS AND DISPLAYS 

Video Installation, Performative Interventions

Versioning – as in: regarding objects in the way they appear to us as versions of themselves – means that other versions are possible, probable. Different versions are present simultaneously and may become perceptible through a slight shift of perspective or a change in the gaze. The point of this exercise is a rearrangement of relations between things. Traits, qualities and characteristics that were assumed to be constitutive for ‘our’ of ‘their’ selves, are questioned and relativized; they may in fact simply be a consequence, an outcome, of the angle at which you are looking. This implies fluidity in the nature of relations, it destabilises presumptions and assumptions. It is a way to understand the constant flux in the order of relations between things.

Undergoing (Another Version, 2015), or trying to embody (Regarding David and Dividing David, 2 performances, 2015) are ways in which I attempt to see or experience things –objects, situations, myself- from more or other sides than the given frame allows. Unraveling through history different narratives about an object constructed and deconstructed through display (The Borneo Trophy, performance, 2015) or re-ordering the display (Arena, video installation, 2015) are strategies to shift or look beyond the frame, producing different objects, or more precisely different versions: the object as a different version of itself.

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SARA SANTOS
EXCAVATE

films

Excavate (‘ekska, veit) vb excavates, excavating, excavated. 1 to remove (soil, earth etc.) by digging; dig out. 2 to make (hole or tunnel) in (solid matter) by hollowing. 3 to unearth (buried objects) methodically to discover information about the past. (C16: from L. cavãre to make hollow, from cavus hollow).

The dead heroes are closer to a ruin-state than to glorious, tragic death. Putting aside the epic patina, ruin is a romantic process of decay. The hero itself is the embodiment of a zombie ideology, a living-dead, a transition. By ideology, I mean immaterial constructions (symbolic ‘texts’) that impact and condition our experience of the world, and ultimately become materialized in it.

Coming back to ‘an order’ unfolds a discussion about how the common experience of a crisis (war, uprising, revolution, disaster..) becomes inscribed, or eventually, cultural. My research focusses on the left-over materials of a given crisis, on the symbolic objects of those experiences, and their trajectory towards an eventual stabilization into oblivion.

How do they change into something else, or stay resilient? Resonating for decades, they appear as distortions of contexts long gone.

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GOSIE VERVLOESEM
TUPPERWARE

performance workshop

The answer on how to cope with the chaos in our daily lives lies at the bottom of a Tupperware box. ‘Recipes for Disaster / The Magazine/Tupperware Party’ cooks up crucial questions: how to argue for messy and less sterile life in times of Ebola? And, how to free ourselves from the quarantine of our own bathroom?

Everybody knows Tupperware, the handy plastic boxes to store and conserve food, for eternity. ‘Recipes for Disaster” uses the format of the Tupperware Party (women getting together around the kitchen table to attend demonstrations of shiny plastic boxes.) And at  the same time disrupts the idea that everything can be nicely stored away.

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VERIDIANA ZURITA 
TELEVIZINHO #1 

Talk 

For 3 months I have been working together with a riverside community in the Amazon on re-enactments of Brazilian soap operas. I spent 3 days with each family and used their house as the studio for filming. Eating what they eat, sleeping as they do, watching what we watch: soaps. Every night we looked at the soap and picked a scene to re-enact the next day. While re-enacting different logics of appropriation were inaugurated. The way soaps seem to order language and physicality were disturbed by those re-enacting it.

During a talk I will share some of the footage, the working methodologies, the context and ideas around the first edition of this ongoing project.

workshops & lectures

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PATRICIA REED
MOBILE ORDERS

lecture – Sat 4.45pm

‘Order’ in and of itself, is a structural proposition in which sets of functions, behaviours, relations and norms can play out (while making other operations impossible or extremely difficult to carry out). Within the ‘social’, order is largely cultural, meaning productively artificial, subject to infinite mutability. So to demand ‘order’ is not (necessarily) to seek to submit oneself to relations of authoritarian dominance, but to seize upon structural possibilities as a project for construction. ‘Order’, in this way, is mobilised as an affirmative project – a freedom to construct new systems of cohabitation (rather than simply a freedom from something).  read more

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GONÇALO PENA
DRAWING ASKEW

Master Class – Sat 12.30 to 3.30pm

Within a conscious danger of falling back into romanticist politics and trying to avoid this trap, I would take this idea of an ethical or even several ethical lines to think drawing as one of the tools we have to challenge politics of smoothing and soothing the collective body onto mindless consumerism. It is important to state that this collective body has still a human multitudinous and restless soul, from which the annoying and frequent twitches call for permanent police vigilance. Moreover this body comes from the box including with it technology and complete ecosystems. So it comes the time where this soul struggles and seem itself forced to draw her painful lines of choice, discovery, recovery of concepts and criticism. read more

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PETRA VAN BRABANDT
DISRUPTION IS STILL TO COME.

table talk – Fri 7pm

The disruptive movements of the last years were hardly a threat to the state of order. They might be the first signals of a disruption to come; therefore to entertain the idea of ‘back to an order’ is far too precocious, even pernicious to the imaginative process of unworking the order. I want to focus in this table-conversation on the order of Fort Europe, which hasn’t been radically contested. Our obsessions with order and stability seem to warrant the mass grave outside our safety gates. This is the horror of order showing its face, again. Inspired by the work of Gosie Vervloessem, I want to compare Fort Europa to the dynamics of fear of the kitchen, and question its order, hygiene, productivity and purpose





SuperPower

image

block information

Self-Interview & Peer-to-Peer mentoring

self interview
SELF / Throughout the block we develop a self-interviewing practice. PEER / On top of the dedicated mentoring and the self-interview practice you will also mentor - and be mentored by -a peer researcher.
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block information

BLOCK 15/II UNTOUCHABLE / UNACCEPTABLE / INTANGIBLE_ about the imaginative aesthetics of change

CURATED BY ELKE VAN CAMPENHOUT & NICOLAS GALEAZZI & PIERRE RUBIO

1 May-29 August 2015

In defence of the power of aesthetics this block tries to pry open the difficult paradox between criticality and imagination, between the power of the subject and the passive resistance of the object, between political critique and artistic re-imagineering strategies. Animating objects to animate our agencies. Fictionalising the real as a critique to produce alternatives to ideology. Speculating on the impossible to construct a possible. Considering imagination not as escapism but as an operative vehicle for change. The unacceptable reveals the limitations of the acceptable. The untouchable foreshadows the adventurous discovery of difference. The intangible offers a speculative sense towards the radically other.
Read more..

post-graduate program project, research center project

2015 BLOCK II

1 May-31 July 2015

2015 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

workshop

Nicolas Galeazzi BRICOLAGE

4-8 May 2015 / a.pass

a tool for opening the block

Bildschirmfoto 2015-04-03 um 21.49.02
Diving into this concept, described in Claude Levi-Strauss' 'The Savage Mind', we develop a practice to present, discuss and discover the momentary objectives of our researches. With the help of found and constructed objects, objects of personal importance and desire, daily objects and precious ones, or objects of thought and discourse, we will try to define the actual quality of each one's research model and methodology.
Read more..

block information, research

a.pass research centre The House of Spirits

10 May-24 July 2015

House of Spirits

The House of Spirits is a common space for the (re)collection, digestion and transformation of the traces of the individual researches and workshops. The House opens up a space for the shamans/conservators of the Research Centre, as well as some of the participants. Every week another shaman practices in the House of Spirits, working with the case objects of the participants or with left-overs of the workshop, developing a shared ritual for the a.pass group. The strategies of the shaman include reordering, cataloguing, magical transformations, ritual alchemy, displacement and fictionalisation.

Read more..

block information, research

Reading Circle

11 May-29 August 2015 / a.pass

Cover Illustration by Tammy Lu

As a red thread throughout the block the participants engage in a weekly communal reading practice of the book ‘Realist Magic – Object, Ontology, Causality’ by Timothy Morton.

Reading and discussing in-depth this one central text allows for the development of a common ground of reference and connection that functions as a backdrop to the workshops and practices that shape the block. The Reading Circle happens on Monday evenings from 6pm to 10pm.


Pierre Rubio / Geert Opsomer / Pierre Joachim ECOLOGY OF AFFECTS

25-29 May 2015

Studio 54, Halloween 1978, Hasse Persson
Every block, a.pass organizes ‘b-workshops’ that focus on the basic principles of a.pass as a collaborative artistic research environment. This b-workshop ‘Ecology of Affects’ wants to address critically the production of subjectivity. 'A revolution is as much a reorientation of our affective relations as it is of social relations and cannot be one without the other.' Jason Read, ‘Economies of Affect / Affective Economies’, 2013
Read more..

conference

volver program

29-30 May 2015 / aleppo.eu

volver_logo
Here you can find the detailed program of VOLVER; the a.pass end-presentations and conference on Friday and Saturday 29th/30th of Mai 2015
Read more..

lecture

Patricia Reed mobile orders

30-30 May 2015 / aleppo

‘Order’ in and of itself, is a structural proposition in which sets of functions, behaviours, relations and norms can play out (while making other operations impossible or extremely difficult to carry out). Within the ‘social’, order is largely cultural, meaning productively artificial, subject to infinite mutability. So to demand ‘order’ is not (necessarily) to seek to submit oneself to relations of authoritarian dominance, but to seize upon structural possibilities as a project for construction. ‘Order’, in this way, is mobilised as an affirmative project – a freedom to construct new systems of cohabitation (rather than simply a freedom from something).

Read more..

conference, event, workshop

drawing askew / gonçalo pena

30-30 May 2015

Master Class – Sat 12.30 to 3.30pm

The Proposal

The concept of the workshop is, after a careful reading of the text beneath, to devise a meaningful action focussing on the perceived gap in the flow of the current system politics and technics, which could lead to the premature extinction of life on this planet, our universe and every memory of it. This device should be thought as “meta-revolutionary”; i.e. attacking from within the revolutionary flow of the allied powers of technics and capital. This action, sabotage, construct, accusation is done as a dry run, a kind of dummy crash test.

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workshop

Sara Manente / Marcos Simoes THIS PLACE

1-5 June 2015 / a.pass

The workshop unfold a series of extra sensorial practices as tools for collaboration in groups, couples or with objects. The dispositives used, for example the telepathic approach, offer the possibility to create a third existence which is “a self”, “an entity” other than us, with own quality and ability to perform. Like an “experimental magic”: there will be magic without magicians. Can we create the magic by creating the situation for the magic to happen? We create the rules therefore we create the magic. Is it possible to empower an object, a person, a situation through speculation? With the stubbornness of “the idiot”, we will practice and question again and again opening up the creative process to the immaterial and the immaterial.
Read more..

workshop

Abu Ali * Toni Serra THE UNSEEN WORKSHOP

8-12 June 2015

Filmstill, Exodus OVNI 2008
For this workshop Abu Ali offers a selection of footage from the video archive O.V.N.I (observatori de video no idenitficat) based in Barcelona, which deals with the ‘Unseen’. Based on these projections Abu Ali will experiment with us on practices of not seeing. Challenging the relation between the gaze and action, vision and perception, the imaginary and the experienced, we will cruise through a network of text, video, and physical practices that open the vision for the unseen and the un-seeing.
Read more..

workshop

Oscar Parada TOWARDS A COLLECTIVE RITUAL

22-26 June 2015 / a.pass

circle
The objective of re-knowing and re-producing the sacred in connection with a performative ritual space is to operate a transformation and that is what we can call medicine. Medicine is everything that transforms us. The workshop proposes techniques and practices to open the body not only as an artistic tool but also as a medicinal tool. We will question and challenge the limits of what ‘self’, ‘presence’ and ‘relation’ mean. Hence, the workshop will also a research into creating individual and collective rituals in different ways.
Read more..

workshop

Peter Stamer / Luanda Casella SIX DEGREES OF SEPARATION

29 June-3 July 2015

Bildschirmfoto 2015-03-28 um 13.59.09

In 1969, the American psychologist Stanley Milgram designed a study to explore if two randomly selected individuals, strangers to each other coming from different American states, are nevertheless connected by acquaintances in between. Starting the test in Kansas/Nebraska, linking people to one individual in Massachusetts, the experiment suggested that an individual knows of any target person only by six degrees of connecting steps: Mr X from Kansas knows someone who knows someone who knows someone who knows someone who knows someone who knows Mrs Z, living in Massachusetts.

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event

MAGIC NIGHT

24 July 2015

This is the time to come together. To celebrate what we worked on. To transform our preconceptions of rituals, of magic, of transformation itself. A pilgrimage of the self into the common and back again.
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APPLY TO THE A.PASS PROGRAMMES

post-master program
pre phd-program
phd-program
to be discussed

Please enter your links to your Portfolio, CV and other documents here if they are aleady online.

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