conversation, research center, talk
Close Encounters series A conversation-on-exhibition
25 January 2018 / Manchesterstraat 17 - 1080
Marcelo Rezende / Adrijana Gvozdenović
Adrijana Gvozdenović, "Who is Adrian Lister? or Уметник работник роботник", publication, 2016
Close Encounters @ a.pass End-Communications
This month, two Close Encounters take place during the a.pass End-Communication event, an event dedicated to a.pass researchers presenting their research at the end of the post-masters program.
Thursday January 25th, 15:00-18:00 @ Manchesterstraat, 17 – 1080
A CONVERSATION-ON-EXHIBITION WITH MARCELO REZENDE AND ADRIJANA GVOZDENOVIC
In this episode of Close encounters your host is the artist Adrijana Gvozdenović, who has invited the exhibition-maker with great experience Marcelo Rezende for a late afternoon conversation about the practice of exhibition making. From the different positions they occupy, within the art system mainly powered through the conventions of exhibition making, they will share their stories and experiences, while inviting a live audience to interact generously. The talk is programmed to place an emphasis on the controversial and sensationalistic questions: How can you produce meaning and experience that matters? Why do we still believe in reality?
Marcelo Rezende (Brazil, 1968) is a researcher, critic and exhibition-maker. He was director of the Museum of Modern Art of Bahia (2012-2015), artistic director of the 3rd Bahia Biennial (2014) and was part of the curatorial group of the 28th São Paulo Biennial (2008), amongst other projects and occupations. He is the author of the novel “Arno Schmidt” (2005), associate curator of the Museu do Mato (Scrubland Museum) in Bahia, and he prepared for the Johann Jacobs Museum (Zurich) the exhibition “Utopischer Beigeschmack” (summer, 2017). He is currently the director of the Archiv der Avantgarden (ADA) in Dresden, Germany.
Adrijana Gvozdenović is an artist living and working in Brussels, and is currently a researcher in a.pass – advanced performance and scenography studies and a member of the Institute of Contemporary Art in Montenegro. She is interested in the anecdotal and peripheral in art, in the performative aspects in the conventions of exhibition making, as well as artists’ motivations and their responsibility in the general context of art and art related politics. Her focus is on writing and collecting that often result in artist publications. She performed and presented her publication in Alexander Rodchenko’s “Worker’s Club” in 2015. She holds a Master of Free Arts (Luca-University College for Sciences & Arts, Brussels, 2014) and a Master of Research in Art and Design (St-Lucas Antwerp, 2015)
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