In these two complementary workshops we explore the practical and theoretical implications of working with the concept of the “With” (Nancy) with-in the affective relational space between singularities. In the process of co-articulation of singularities to be “with” is to be exposed, at the limit of oneself, entangled with another singularity and distinguished from it. We examine this concept as a tool in relation to related concepts like “singular plural” (Nancy), “exteriority of singularities” (Agamben) and “composing common world(s)” (Latour). Taking the “with” as a pivotal notion of “community to come”, we play with “relation” as a common, through which the potential "(in-)operative communities" may take place (Nancy).
19 - 22 September 2016
These relational concepts are explored through practical use and application of tools for communal dreaming. Improvisation and real-time composition procedures that engage body and imagination in the practice of dreaming serve as tools for “temporalizing of affective and relational singularities” (Manning). The aim is to provide the participants with a common toolbox for improvisation and composition, which they can apply within the “common pool” in the process of composing “common world(s)”, as singular events that occur in the passing between fields of immanence and actualization.
15-17 November 2016
Reading excerpts from theoretical texts that give insight into these concepts enable us to look back at the used tools for “being together”. The aim is to look back and reflect upon these relational commons and the common tools used in a “common pool” over the months, to rethink and further articulate the common strategy with which this temporary collective can contribute to the conference on the Commons.
Mala Kline is a performer, choreographer and writer. She holds MA in theater (DasArts, Amsterdam) and PhD in philosophy (UL, Ljubljana). Her PhD on the problem of ethics in contemporary performing arts was written in affiliation with a.pass research centre. Currently she is a post-doctoral researcher at Faculty of Arts and Philosophy (UG) and member of S:PAM research center in Ghent. She is a certified practitioner and teacher of Saphire™ practice (SOI, NYC). All her artistic and theoretical work is embedded in the practice of dreaming. In her author-based choreographic works she uses Saphire™ to facilitate individual and communal dreaming in order to create unique singular worlds weaved from and generated through the language of our dreaming. She has a private practice in Brussels and teaches Saphire™ internationally, in diverse educational, research and production contexts and settings.