SUBSCRIBE TO OUR MAILING LIST



index


Kate Briggs /0


    • performative publishing
    • postgraduate program
    • workshop
    • Printer's Devils
    • LONG-ING 13 June 2023
      posted by: Kristien Van den Brande
    • Kate Briggs
    • a.pass
    • 05 July 2023
    • 06 July 2023
    • LONG-ING

      The purpose of this workshop is to explore together (through talk, writing, scoring and movement) some key compositional questions. The particular focus is on length, experienced as sequence and duration, and how to achieve it. Long-ing: how to make things that carry on? (If only for a short while?) Once initiated, how and when to make them stop? Our work will involve looking closely at transitions: the links or breaks between the smaller parts of a composition, as well as beginnings and endings, rises and falls in energy and interest. It will draw on the processes operational in our most immediate surrounds (the different durations of the bodies, objects and forces composing our work-space) and use these as both constraints and materials. It will also involve bringing in certain powerful shapes and positions -- social as well as aesthetic shapes such as the circle, the horseshoe or the line –, thinking about the work they do, then testing how to move from the one to other (from the clearing to the path, the scene to the summary). ‘I wish it were longer,’ it is written somewhere in Laurence Sterne’s Tristram Shandy, ‘for I like it truly.’ In the end, the project of long-ing might come down to this: to matters of feeling, liking or not liking, tensions producing curiosities or failing to, and we will consider these vital questions, too. 

      Working times: 11am- 1pm & 2-4pm

      Plus: July 6, 6pm: book launch 'the long form' at rile*

      a.pass is located on the 4th floor inside the Brussels Event Brewery building. The studio is wheelchair accessible via elevator.

    • workshop
    • block 2023/II
    • Printer's Devils
    • Printer's devils 27 April 2023
      posted by: Kristien Van den Brande
    • Sara Manente, Babak Afrassiabi and Nasrin Tabatabai, Kate Briggs
    • a.pass & rile*
    • 26 June 2023
    • 07 July 2023
    • Printer's devils

      One publishes to find comrades! So says André Breton. The last block of a.pass ends with a focus on publishing, and the myriad of relations implied in committing something to print. Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way: sometimes with fellow interlocutors, sometimes with an editor or designer at the other end of the table, sometimes with abstract ideas of what readership might entail, sometimes in dialogue with ordinary processes of living with, sometimes as a script with future enactment in mind, and most probably a bit of all of those at once. Rather than aiming for a book or for printed matter as a finite goal, we will take publishing as a pretext to build relationships that last over time. How can a publication be set up as an ongoing social gesture, a space for the continued production of meaning and reverberance?

      With guest workshops: Sara Manente & ROT magazine (June 26-27), Babak Afrassiabi and Nasrin Tabatabai & Pages magazine (June 29 - June 30), and Kate Briggs (July 5 - 6). More info will follow!

    • end presentation
    • performative publishing
    • postgraduate program
    • This is 1000 liter fuel. So - & Tectonic Friendship book launch 21 May 2018
      posted by: Lilia Mestre
    • Luisa Fillitz / Esther Rodriguez-Barbero Granado / Eunkyung Jeong / Marialena Marouda / Ekaterina Kaplunova / Shervin Kiarnesi / Lilia Mestre
    • 24 May 2018
    • 26 May 2018
    • case of: Lilia Mestre
    • This is 1000 liter fuel. So - & Tectonic Friendship book launch

       

       

      This is 1000 liter fuel. So-

      For this End-Presentations, six researchers come together in concepts of absence, invisibility, history and knowledge. They research in various ways to bring what seems to be ungraspable in the construction of subjectivities to the fore. Subjectivity here, not as an individual subjectivity, but one that collectively builds and positions (in transformation) outside of oneself. Subjectivities as constituted by cultural, economical, social and other interactions and seen as complex narratives that mediate our perception(s) of the world. How do we make sense of what is pertained as ‘real’ and how through the generalization of such a standpoint one is unable to connect with the singular, and its inherent complexities? What ethical utterances can appear from this way of addressing the world?
      Following up on the idea of co-making worlds a.pass positions itself as a collaborative environment for the investigation and expression of artistic research. The media of the research are multiple and often combined. The cross disciplines and their interaction forces each specific (or even disciplinary) methodology to break down and instigate the construction of singular ways of doing/ thinking. This approach orients artistic research out of a categorical way of understanding knowledge production in the arts as much as it opens up distinctive and particular forms of addressing relationality, we could call undisciplined.

      The work of the six researchers entails combined forms of research on what can be called transdisciplinary research in order to open up the complexity of the objects of study through combining experiential approaches.

      Luisa Fillitz's research positions itself on the relationship between physical and metaphysical realities and questions the predetermined borders of an effect we take as ‘real’. Esther Rodriguez-Barbero Granado works in the domains of architecture and body as constructors of space. Eunkyung Jeong, through a daily drawing practice, researches the idea of time within diverse forms of existence as the stone and the self. Marialena Marouda’s research on the ocean problematizes scientic knowledge as the single epistemology of nature. Ekaterina Kaplunova develops a systematic approach to family relations and cultural lineage in relation to the multifunctional artist. Shervin Kianersi Haghighi addresses the undocumented performance of everyday life as an invisible event produced within the confines of Art.

       

      SCORESCAPES BOOK LAUNCH

      Medium Score -Tectonic Friendship & End Presentations  Writing Score

      a.pass book launch @ Brew with a dialogue facilitated by Philippine Hoegen and chocolate cocktails by Shervin Kianersi Haghighi!

      We will engage in a collective discussion with Philippine Hoegen and will perform parts of the publication.

      This publication serves the SCORESCAPES research - scores as pedagogical tool by Lilia Mestre and the End-Communications of six a.pass researchers. Medium Score builds on the previous iterations of scores as tools to practice dialogue and intersubjective formats for exchange in artistic research.

      Before finishing the a.pass program in May 2018, the six researchers Luisa Fillitz, Esther Rodriguez-Barbero Granado, Eunkyung Jeong, Marialena Marouda, Ekaterina Kaplunova and Shervin Kiarnesi Haghighi worked for a month and a half in an adapted Writing Score to produce this publication.

      Design: Miriam Hempel www.daretoknow.co.uk

       

       

      END-PRESENTATIONS @ DecorAtelier 24 and 25 May from 17:30 till 22:30

      Rue de Liverpool 24, 1080 Molenbeek-Saint-Jean

      BOOK LAUNCH Medium Score -Tectonic Friendship & End Communications  Writing Score

      @ Brew 26 May from 17:30 till 19:30

      1 Rue du Pene, 1000 Brussels

       

    • postgraduate program
    • workshop
    • block 2018/I
    • Making / Conditions
    • Critical Administration Shaking down the entrepreneur
      30 December 2017
      posted by: Nicolas Galeazzi
    • Kate Rich
    • a.pass 4th floor
    • 30 January 2018
    • 03 February 2018
    • Critical Administration

      This workshop takes place in the devastated landscape of the Creative Economy. Dipping cautiously into realms of business and economics (in which artists are generally and probably wilfully unschooled), we will take a pigeon’s-eye view (scrappy, opportunistic, only occasionally vicious) of worn-out tropes such as entrepreneurialism, human capital and cultural enterprise.

      Weaving through dense territory from queer theory to open source organisation, radical shopkeeping and the role of economics in performing the economy, we will transit between theory and application to experiment on ourselves with new and wild shapes for enterprise and organisation, both at the level of the individual and at that of the collective. In the process we will also assess the case for administration as an art form; and business as a medium for artistic enquiry and meaning-making.

       

      Biography

      Kate Rich is a trade artist and feral economist, born in Australia and living in Bristol UK. She is co-founder of the Bureau of Inverse Technology (BIT), an international agency producing an array of critical information products including economic and ecologic indices, event-triggered webcam networks and animal operated emergency broadcast devices. The Bureau's work has been exhibited in academic, scientific and museum contexts. Since 2003 she has run Feral Trade, a long-range economic experiment and underground freight network, utilising the spare carrying capacity of the art world for the transportation of other goods, specifically groceries. Kate is senior lecturer in DIY and activist media at the University of the West of England; volunteer finance manager at Bristol's artist-run Cube Microplex; system administrator for the Irational.org art-server collective; and a founding member of the European Sail Cargo Alliance. Her ongoing preoccupation is to move deeper into the infrastructure of trade, administration, organisation and economy in the cultural realm. To this end she is currently establishing a Feral MBA for artists, positioned somewhere between the academy and the wild.





APPLY TO THE A.PASS PROGRAMMES

Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

Maximum file size: 50 MB, maximum 5 files.

X  

add file..


SIGN UP TO EVENT
selected :
yes
no
ex-participant


ORDER