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    • Conversation
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    • Talk
    • Boundaries do not sit still
    • Close Encounters
    • Conditions for the work Sofia Caesar / Femke Snelting
      23 April 2018
      posted by: Femke Snelting
    • Close Encounters series
    • a.pass, 4th floor
    • 05 May 2018
    • 05 May 2018
    • Conditions for the work

      Image: detail of Spaghetti plot, vinyl on wall, Sofia Caesar, 2018. Photo: Gilles Ribero

      Saturday May 5 2018, 15h-18h @ a.pass , 4th floor

       

      For this episode of Close encounters, Sofia Caesar and Femke Snelting have invited each other for an afternoon of conversation about contracts as propositions and elements as conditions. Both are involved in related but very different practices that they will present and bring into discussion with each other and the public.
       
      Sofia shares two recent works, Worker leaves the factory (Conditions for the work) a permanent installation at PAV, Turin (IT), and the video Excess Lines to talk about her artistic methods that involve re-enacting found footage produced by car manufacturer FIAT in the last 100 years, appropriating techniques of motion analysis, and creating open structures for the re-writing of contracts.
       
      Femke discusses her work with the Codes of conduct in the context of Free/Libre and Open Source software communities. Codes of Conduct address on- and off-line behaviour of community members, acknowledge the possibility of harassment explicitly or euphemistically and provide guidelines in case something happens. These self-regulating practice function in an environment that is particularly sensitive to the ways words can be made flesh, both as code and as law.
       

      Close Encounters is a series of presentations and public conversations organized by the a.pass Research Centre. They take place whenever (associated) researchers feel the need to communicate publicly about their research. These informal events are designed to take the time to meet, listen and evaluate an idea, a project, a research, or a specific point in a research trajectory. Even if free-formed and singularly appropriated by its protagonists, the format is a dialog that expands the presented research. The Close Encounters get a closer look at things while trying to respond to three key questions in relation to artistic research: What to study? What to research? What to practice?
       
      Femke Snelting works as artist and designer, developing projects at the intersection of design, feminism and free software. In various constellations she has been exploring how digital tools and practices might co-construct each other. She is member of Constant, a non-profit, artist-run association for art and media based in Brussels. Since 1997, Constant generates performative publishing, curatorial processes, poetic software, experimental research and educational prototypes in local and international contexts. With Jara Rocha she activates Possible Bodies, a collective research project that interrogates the concrete and at the same time fictional entities of “bodies” in the context of 3D tracking, modelling and scanning. She co-initiated the design/research team Open Source Publishing (OSP) and formed De Geuzen (a foundation for multi-visual research) with Renée Turner and Riek Sijbring. Femke teaches at the Piet Zwart Institute (experimental publishing, Rotterdam) and is currently curator of the Research Centre at a.pass.
       
      Sofia Caesar is an artist and choreographer. Her works rearrange the power relations present in structures that act on the body, such as architecture, language, surveillance, or the camera. Her propositions, performances, installations, videos, and sculptures take us to the surreal, impossible, and complex layers of our relation to the language that surround us. Her oeuvre is developed in search of moments in which the body exceeds the forces that attempt to control it. Caesar's poetic and political strength lies in how she reveals that structures can be both controlling and generative, on the one hand tools of violence and power, and on the other the very means for the creation of new structures for the body. Caesar has participated in exhibitions and residencies in institutions such as A Tale of a Tub, Rotterdam (NL), Parco d'Arte Vivente, Turin (IT); La Maudite, Paris (FR); SFMOMA, San Francisco (USA); Casamata, Parque Lage, Capacete, Oi Futuro RJ, Galeria A Gentil Carioca, Rio de Janeiro (BR); CCBNB-BR, Fortaleza (BR); Tomie Othake, São Paulo (BR), and others. She holds an MFA from the School of Missing Studies, Sandberg Instituut, in Amsterdam (NL).
       
    • end communication
    • LANDINGS end presentation 2017
      12 January 2017
      posted by: Nicolas Y Galeazzi
    • SOFIA CAESAR VARINIA CANTO VILA CHRISTIAN HANSEN BRENDAN MICHAL HESHKA ANOUK LLAURENS ARIANNA MARCOLINI AGNES SCHNEIDEWIND
    • Morpho, Rue Gallaitstraat 80, 1030 Schaarbeek, Brussel
    • 20 January 2017
    • 21 January 2017
    • LANDINGS

       

       

      Landings (definition by the M-Webster dictionary): an act of returning to the ground or another surface after a flight. This is an invitation to us visitors to temporarily observe and intentionally touch that ground we continuously step on. Landings brings together 7 a.pass researchers that started and finished their Post Master program at the same time.

      Their research engaged in varied practices and tackled different concerns that are inherent to the relationship between the rules of a given habitat and the experiencing of being in it. The 7 trajectories were explored individually and collectively within the a.pass environment for the past year and crossed paths on several occasions. They all share the sense of place as a meeting point where their research questions are practiced through singular interactions with the viewers. The affinities that these encounters propose can be seen as points of reflection for this end presentations, and can be the guidelines for you, dear visitor, to join in.

       


       
      Performances and Installations:
       
      Fri 20/1 - 18:00 to 22.00h
      Sat 21/1 - 13.00 to 17.00h + 18:00 to 22.00h
      + landings party
      door opening one hour before start
       
       
       
      Breathing archive practice with Anouk LLaurens:
       
      Fri 20/1 - 11:00 to 13:00 + 14:30 to 16:30
      Sat 21/1 - 10:30 to 12:30 + 14:30 to 16:30
       
       

       

      DSC_0020 (1)_small

      "THE BREATHING ARCHIVE"
      ANOUK LLAURENS

      The breathing archive sends us back to the basic life’s movement that is an oscillation between concentration and expansion, like the movement of cells breathing and heart beating. The practice invites visitors to edit collectively a poetic and ephemeral document.  

       

      A Room from his Conceptual House - The Cabinet of Psychosculpture

      "A ROOM FROM HIS CONCEPTUAL HOUSE: THE CABINET OF PSYCHOSCULPTURE"
      BRENDAN MICHAL HESHKA

      A quick artist-guided tour through a single room from The House of the Wandering Joyce.

       

      newsletter pic

      "CARTOGRAPHERS"
      VARINIA CANTO VILA

      In seeing laws and norms as a matrix that creates divisions and borders –physical and existential – this work attempts to map a territory through choreography. In this legal territory, gesture and movement become the cartographers, making visible how the legal and the normative are preset frames for our paths.

       

      MonkeyMan,take13

      "CORRIDORS"
      CHRISTIAN HANSEN

      Possible Landscapes -
      What happens in them and what happens when they’re not there
      Earthquake glue and tectonic contrasts - Wildlife

       
       

      wring gesture_ari_small

      "REGULAR CLEANING"
      ARIANNA MARCOLINI

      is a performative setting to play with the intersection between care-taking gestures and the outcome of a Radical Cleaning session. Radical Cleaning is a practice that addresses the circulation of affects involved in the relations we establish with spaces, things, and other people. This time the outcome of the session takes the form of texts. They are performed in the Regular Cleaning, triggering the experience of the affective layer of an environment.

       

      web bed A 1_small

       "LONG WE AHEAD & WORLD HAS GONE KOOKOO"
      AGNES SCHNEIDEWIND


      A performative erasing practice investigates the rest: the resting body that lies down horizontally, and also the rest that we leave behind as a trace.
       
       

      Screen Shot 2017-01-02 at 21.42.16 (2)

      "I AM WELTON SANTOS, 2016"
      SOFIA CAESAR

      Visitors enter the backstage of an interview set. In between cameras, sound equipment, and lights, they find books. These contain texts based on transcripts and descriptions of an interview with geo-bio-architect Welton Santos.

      By collectively reading the books, the visitors are invited to a generative reconstruction of the interview, a space for rewriting the operation of documentary and narrativity and its tools, tropes, and methods.

       

       





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