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postgraduate program, research center

2017 BLOCK II

1 May-31 July 2017

 

 

 

Researchers Participants in the Postgraduate Program


Ekaterina Kaplunova
Elen Souza Braga
Esta Matkovic
Esther Rodriguez-Barbero
Eszter Némethi
Hoda Siahtiri
Leo Kay
Luisa-Marie Fillitz
Maarten Van den Bussche
Marialena Marouda
Shervin Kianersi
Sina Seifee
Sven Dehens
Xiri Noir
Zoumana Meïté

 

Research End Presentations

Juan Duque
Luiza Crosman
Sana Ghobbeh
Sébastien Hendrickx

Aela Royer

 

Research Centre Researchers

Adriana La Selva
Adva Zakai
Esteban Donoso
Isabel Burr Raty
Mala Kline
Ricardo Santana

 

Partners

La Bellone
PAF performance Arts Forum

 

Contributors for workshops

Lilia Mestre
Jennifer Lacey
Caroline Godart
Marialena Marouda
Vladimir Miller
Anouk Llaurens
Sofia Caesar
Femke Snelting
Olga de Soto
Vincent Meessen
Agency (Kobe Matthys)

 

Coordinators a.pass

Kristien Van den Brande
Lilia Mestre

 

Mentors

Kobe Mathys
Nicolas Galeazzi
Tine Van Aerschot
Veridiana Zurita





postgraduate program

The problem of the score

Block curated by Lilia Mestre / May > July 2017

IMG_2964


From May till July 2017 the a.pass post-master program questions how structures pre-determine singular outcomes, and to what extent they imply relationality. Every system is a network of connections and the way the system is set to operate defines forms of relation which reveal ideological standpoints. In other words modes of interaction are formatting forces that construct worlds. If we think that way, what kind of problems do our research structures entail?  And if we can think a polyphonic world , constituted by multiple models, how do we consider our own structure as a relational one? What kind of technologies are we putting into place? What kind of invitation are we making? And to whom?

The notions of ‘apparatus’ and ‘tentacular thinking’ will be key to understanding and experiencing the problem of score in contextual ecologies. Apparatuses, as coined by Foucault and Agamben, are systems of governance that enable relationships between beings and structures through which the subject is constructed. During former block Donna Haraway  introduced us to tentacular thinking as a place from which one can build relations to economical, biological, philosophical, productional, institutional, etc orders. Together with the a.pass researchers, workshop givers and guests we reflect on them, challenge our practices and relate to other authors and art makers.

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postgraduate program, workshop

Vladimir Miller SETTLEMENT (11)

artistic research environment

III-4.Vladimir Miller settlement 7 BW


During the days of May 22nd – June 4th 2017 a.pass will come together and host an open workspace called SETTLEMENT. In the course of these 14 days we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass SETTLEMENT and sharing some of your ideas, practices or works with others. The materials and structures available at a.pass will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these two week will be developed on site by its participants and shared online here:

Settlement 11 Collective Schedule

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postgraduate program, workshop

Lilia Mestre The Medium Score

Thinking making together apart

IMG_2968

The proposal for this block follows on previous iterations of scores as tools to practice dialogue or intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing.

If artistic research is an active and methodological search for ways to keep the viability of our relation with the world, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen phenomenological relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself?

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performative publishing, postgraduate program

THE MEDIUM SCORE / Sina Seifee

ajayeb popup book
ajayeb popup book

 

There has been a shift in humanities scholarship:

(feminist science studies, the post humanities, the ecological humanities, animal studies, queer theory,) humanities scholars have represented their matters of care with an aesthetic (and therefore political) commitment to narrating stories with an emphasis on the relationality among agencies, forces, phenomena, and entities usually kept separate, in the background, or out of the story altogether

–> redistribution of agencies

political stake ==> aesthetic tactics

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postgraduate program, reading session

Caroline Godart and Marialena Marouda Feminist Benjamin Reading Group

"Arcades Project" copyright Judith Wechsler
"What does it mean to read as a feminist? The question may seem odd, or even trivial, but it engages the very ground of our work as artists and thinkers. Indeed, how is our reflection oriented, if not by the very way in which we turn to the text? And yet, when we think about methodologies and epistemologies, we rarely interrogate the practice of reading itself. We want to propose another form of feminist reading: instead of the critical, distrustful distance, we suggest that closeness and intimacy may form an equally powerful approach. In this reading group, we examine what feminist thinking can become when it takes the shape of a lover’s response to a text’s seduction, and when refutation and penetration are replaced by a mode of reading that is founded in an ethics of proximity."
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postgraduate program, workshop

Anouk Llaurens Sensation as score

9 May-31 July 2017

Movement Practice

1709947u

Every Thursday we’ll meet for movement practice and reflection practice will follow.

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project

THE MEDIUM SCORE

15 May 2017

IMG_2968
MEDIUM SCORE follows on previous iterations of scores as tools to practice dialogue or intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing.
Read more..

postgraduate program, workshop

Settlement 11 Collective Schedule

22 May-3 June 2017 / a.pass

Day 4
11:00 Play-ground Eszter Nemethi 13:00 Planning a.pass block III/2017 Vladimir Miller 15:00 Dialoge with Alex Arteaga 17:00 Feminist Benjamin Reading Group Caroline Godart and Marialena Marouda
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conference, seminar, workshop

The Document Transformed + Book Launch Dirty Room /Juan Dominguez

22-24 June 2017 / La Bellone, Brussels

a.pass seminar and master classes

Agency : thing 001678


Curated by Sofia Caesar and Lilia Mestre, the public program “The Document Transformed” invites four practitioners that offer very distinct questions, methods, and proposals to problems related to documentation. Join Femke Snelting, Olga de Soto, Vincent Meessen, and Agency (Kobe Matthys), and others, for three days of presentations, screenings, performances and conversations. How does the document affect practices, bodies, histories, and experiences? The event brings together practices that not only give sight to the power relations engendered by apparatuses of documentation, but also move towards the transformation of the systems in which we produce history, law, art, and the body. Held in the context of The Problem of the Score, block curated by Lilia Mestre in the a.pass post-master research program and supported by a.pass.

This seminar is organized in collaboration with La Bellone – Brussels

To inscribe to the master-classes please send an email to production@apass.be


JUNE 22-23-24 @ LA BELLONE
Rue de Flandre 46
Brussels

Detailed program:

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postgraduate program, workshop

Jennifer Lacey Dance Workshop

10 July-14 June 2017

jennifer lacey " american realness"
The base line of dance is perhaps understood as the body but mostly it is bodies ( minds implied) together someplace, deciding to work in a certain way . The how of the work, the process, is something that is always to be reinvented and renegotiated. Each dispositif of dance making already contains a nascent content, one that will inevitably be more influential than any idea or concept in the production of the form. So, in imagining how to design the making of a dance, the translation of the concept or content into a thing-which-can-be-done is a crucial, poetic and political task. The base line of dance is perhaps understood as the body but mostly it is bodies ( minds implied) together someplace, deciding to work in a certain way . The how of the work, the process, is something that is always to be reinvented and renegotiated. Each dispositif of dance making already contains a nascent content, one that will inevitably be more influential than any idea or concept in the production of the form. So, in imagining how to design the making of a dance, the translation of the concept or content into a thing-which-can-be-done is a crucial, poetic and political task.
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postgraduate program, workshop

Sina Seifee Little Fables of Practice Workshop

24-25 July 2017 / a.pass 4th floor

Sina Seifee - Moon index in Sa'di world refraction poetics
In this two days workshop I like to propose the notion of keyword seen as a site where one formulates concepts and narratives that reorient one within one's own research practices. We will (re)animate our keywords as fables, which are operational metaphors that shape subjects and objects of knowledge. How can we participate in (re)shaping our objects of knowledge in terms of little fables?
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APPLY TO THE A.PASS PROGRAMMES

Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

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Every application will be offered a copy while stocks last of the a.pass publication In These Circumstances: a collection of methodologies, insights, experiences, ideas, researches from 15 years of a.pass. If you like to receive a copy then please provide an address below.




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