Eric Thielemans REPERTOIRE
5-9 January 2015With the workshop on 'Repertoire', proposed by Eric Thielemans, will not only bring us close to the background of each our’s researches, but confront us with the question what the self-built conditions of our practices are.
Perform Back Score
14 January-31 March 2015
how to document performance?
WEEKLY MEETING WORKSHOP:
Proposed by Lilia Mestre for the Block 2015/I (January-March)
This score was a proposal to communicate through performance throughout the block. It focuses on performance as a tool for the transformation of thought, intuition, desire, referentiality, practice into a communication medium. How to introduce exposure, playfulness, risk, generosity, exchange, fuck fear, contamination and precision in our way of communicating? How does this communication produce desire? To whom, where and how is this desire directed? What is the intensity/quality of it? What is the political agency of it?Read more..
a.pass basics workshop
Pierre Rubio, Elke Van Campenhout Performance / Performativity / Objects / Subjects
19-23 January 2015
Ana Hoffner Tools for artistic research – Beckett
2-6 February 2015
Nikolaus Gansterer Choreographic figures, deviations from the line
23-27 February 2015
Daniel Blanga-Gubbay Conditions for something to happen (latent performances)
2-6 March 2015How is it possible to go beyond the idea of creating something to suddenly create a space ready for the emergence of something unspecific to happen? By merging theory and practice - working both through interventions in given and constructed space - Daniel Blanga-Gubay let the participates of this workshop investigate not only the question "what are the condition for the emergence of an action", but eventually "what does it mean to create (and abandon) a space filled with unforeseen possible actions?"
Antonia Baehr “When this you see remember me.” *
9-13 March 2015In this workshop, we will investigate how scores can function as a constitutive factor for kinship relations. We will write scores as gifts to each other, and I will share some of ‚ “make up productions‚” working methods with you. This workshop examines the boundaries between score/interpretation, rehearsal/performance, director/performer, and audience/presentation. This workshop’s focus is an investigation through praxis.