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workshop

Ana Hoffner Tools for artistic research – Beckett

2-6 February 2015

Beckett_Score

The workshop starts from the assumption that the work of Samuel Beckett can offer a variety of tools for contemporary forms of artistic research. In the workshop we will focus on absurdity, melancholy, exhaustion, sense/nonsense and emptiness as main signifiers of Beckett’s work for stage, TV and film. We will watch and analyse selected scripts, dialogues, spatial set-ups and performances in order to transform them into our own experiments, exercises and techniques using body, space, camera and text. The challenge of the workshop will be to make those categories mentioned above appear as twofold: as artistic concepts from the past but also as embodied experiences and potential tools for our own artistic research.

 

Biography:

Ana Hoffner is an artist and theoretician working  in the fields of queer and postcolonial/migratory politics. Her interest lies in creating conditions for recognizability of non-normative forms of life through a performative practice consisting of reenactment and lecture performance. Ana Hoffner researches currently as a candidate of the PhD in Practice program and a lecturer at the Academy of Fine Arts Vienna.

Artistic research projects: Reenacting Intervention – Intervening in Reenactment/PhD in Practice; Queer Perspectives in and on Europe/Künstlerhaus Büchsenhausen.

Last publication: “Was ist Kunst – a Product of Circumstances?” in: Private Investigations, Ed.: Andrei Siclodi, Büchs’n’Books, Volume 3, Innsbruck.

Upcoming performance: „Wissensdramatisierung – Sprechstück“, Critical Voices, Platform3/Munich, Künstlerhaus Stuttgart.





block information

Lilia Mestre BLOCK FOCUS 2015/I

5 January-30 April 2015

CONDITIONS FOR THE EMERGENCE OF POETICS

webpics_apass14
The proposal is to plunge into the conditions for the emergence of poetics. Poetics used here as acts that transform our ways of perceiving, situations that invite another understanding of ‘things’. If we think performance as the coming-forth of those acts, as a framed re-actualization of what is there (a part of the world) we can give focus to the relations
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workshop

Eric Thielemans REPERTOIRE

5-9 January 2015

With the workshop on 'Repertoire', proposed by Eric Thielemans, will not only bring us close to the background of each our’s researches, but confront us with the question what the self-built conditions of our practices are.
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project

Perform Back Score

14 January-31 March 2015

how to document performance?

PBScore
This score is a proposal to communicate through performance throughout the block. It focuses on performance as a tool for the transformation of thought, intuition, desire, referentiality, practice into a communication medium. How to introduce exposure, playfulness, risk, generosity, exchange, fuck fear, contamination and precision in our way of communicating? How does this communication produce desire? To whom, where and how is this desire directed? What is the intensity/quality of it? What is the political agency of it?
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workshop

Pierre Rubio, Elke Van Campenhout Performance / Performativity / Objects / Subjects

19-23 January 2015 / a.pass

USA. Florida. Cape Kennedy. Space center. 1967.
Pierre Rubio and Elke Van Campenhout give will give time to discuss the basic concepts addressed in the block: Performance and Performativity.
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workshop

Nikolaus Gansterer Choreographic figures, deviations from the line

23-27 February 2015

Bildschirmfoto 2014-11-25 um 15.08.43
Choreo-graphic Figures - Deviations from the Line is an interdisciplinary collaboration involving artist Nikolaus Gansterer, choreographer Mariella Greil and writer-artist Emma Cocker. The project unfolds through two interconnected aims: we are interested in the nature of ‘thinking-feeling-knowing’ operative within artistic practice, and seek to develop systems of notation for sharing and reflecting on this often hidden or undisclosed aspect of the creative process.
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workshop

Daniel Blanga-Gubbay Conditions for something to happen (latent performances)

2-6 March 2015

How is it possible to go beyond the idea of creating something to suddenly create a space ready for the emergence of something unspecific to happen? By merging theory and practice - working both through interventions in given and constructed space - Daniel Blanga-Gubay let the participates of this workshop investigate not only the question "what are the condition for the emergence of an action", but eventually "what does it mean to create (and abandon) a space filled with unforeseen possible actions?"
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workshop

Antonia Baehr “When this you see remember me.” *

9-13 March 2015

In this workshop, we will investigate how scores can function as a constitutive factor for kinship relations. We will write scores as gifts to each other, and I will share some of ‚ “make up productions‚” working methods with you. This workshop examines the boundaries between score/interpretation, rehearsal/performance, director/performer, and audience/presentation. This workshop’s focus is an investigation through praxis.
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