Nicolas Y Galeazzi
Nicolas Galeazzi uses performance as an instrument for research. The cross over through media, methodologies, materials and theories - working as actor, teacher, theater director, concept artist, and performance artist - provoked the need to search for a rethinking the economies of artistic practices and to develop new models for collaboration and dissemination of senses. Galeazzi works with Mise-en-Discourse - performative research frameworks where public can experiment with political and social conditions. Today he is focusing on the reorganisation of the self towards the society, on side-effects as an artistic practice, and Bricolage as a spiritual ideology. He workes as curator and mentor in tha core team of the post-master artistic research environment [a.pass] advanced performance and scenography studies in Brussels since 2010 and was it's program coodinator from 2013 to 2016.
forum, recent past
Alberto Cossu / Ronny Heiremans / Nicolas Galeazzi Reclaiming economy – it’s art anyway
16-16 March 2018 / a.pass / starting at 19:00
an evening on the self-governing of fairness
In the framework the current block in which we work on the making of condition, a.pass is inviting together with SOTA, Alberto Cossu and Ronny Heiremans to discuss the self-governing for cultural practices under the defaul of different surrounding systems. Alberto works as a researcher within the occupied theater MACAO in Milano, Ronny researches as an artist in Belgium labour conditions through the rewriting of the artist contract. Read more..
Critical Administration Forum
30 January-3 February 2018
Shaking down the entrepreneur
This page is a forum in it self! A forum to discuss, digest and document the content of the Critical Administration: Shaking down the Enterpreneur Froum with Kate Rich at a.pass. Please find the descriotion of the project here.
The page is a froum in the sense of a working place for exchange and the building of relations. The posts placed here are to be understood as a conversation! Read more..
forum, recent past
Nicolas Galeazzi pattern language for conditioning practices
19 January-23 March 2018
Bildschirmfoto 2017-12-19 um 15.28.20
In order to explore MAKING / CONDITIONS we will try to create a Pattern Language for conditioning practices in the arts. With reference to the same named concept, proposed by the architect and philosopher Christopher Alexander in the late 1970's, we will investigate the patterns that help us to cretate the conditions for our artistic research through this very same research practices. Read more..
block information, recent past
making / conditions
8 January-1 April 2018
block 18/I curated by Nicolas Galeazzi
This block combines institutional critique with a fundamental depiction of Performance in its various interpretations in economy, administration, performing arts, and sociology. Performance stands for productivity and efficiency as much as for presence, representation, and the transformative power of speech.
Investigating the interdependency between our artistic research practice and its surrounding adinistrative and economic supportstructures, we will develop a pattern language for conditioning practices in the arts - a pattern language as a set of tools for finding the 'institute' behind our research.
El quinto pajagero
Bildschirmfoto 2017-02-06 um 10.51.49
Documentation of a 2 month residency and exhibition project in LaPaz, Bolivia, 2009. Read more..
How to collaborate
Bildschirmfoto 2017-02-06 um 10.53.39
Diagrammatic article in dialogue with Nikolaus Gansterer for the publication "How to Collaborate?" edited by Peter Stamer and Silke Blaske, Passagen Verlag. Read more..
Bildschirmfoto 2017-02-06 um 10.52.19
Featuring collective works with GASTSTUBE°performance and Berlin n@work as well as solo practices. Read more..
Institut für Künstlerische Nebenwirkungen
Bildschirmfoto 2017-02-06 um 10.54.09
Observatory of Side-Effects at the Stromereien Festival 2010 Zürich. Read more..
Change Log of Common Things
14 September-4 December 2016
common thing - 1
This page is a log board for tracing the canges and alternations of common things (or 'item') that has be brought in to the common space as a common research good. Read more..
a.pass, KaaiTheater The Artist Commoner : Public Meeting
25-26 November 2016 / KaaiStudios - Onze-Lieve-Vrouw van Vaakstraat 81 // 1000 Brussel.
(self) Education of new subjectivities
the artist commoner
During a two day event, a.pass welcomes a gathering of researchers, artists, a.pass program participants and public to engage with the struggle of being an artist commoner today, and the role of (educational) institutions in bringing this subject about.
Two days of presentations, exchanges and commoning practices. Two days of ateliers, books launches, performances, workshops and discussions. Read more..
Nicolas Galeazzi Friday Open Space
16 September-25 November 2016 / a.pass
The Magna carta Manifesto
Every Friday of this block - from 16th September till the Common Conference - we will come together for a concentrated commoning session. In oder to concretely practice and practically inquire the general question of the block - what is created in common? - we try to establish an open space practice that allows pursuing the individual research interests while focussing at the same time on interrelations amongst these researches and the common interests. Read more..
Nicolas Galeazzi Opening week 2016/III workshop: Gathering things
5-14 September 2016 / a.pass
With this commoning workshop embedded in the opening week, we emphasise - and radicalize what normally the opening week is focussing on: we share our researches! Sharing this time, is not only a means to update each other about the actual state of our researches, but literally to make them to a common issue. Read more..
18 December-21 September 2014
Art as commons
The KunstAllmend is a collective project experimenting with alternative artistic economies to redefine conditions for artistic production. Reflective of the commons active in the Swiss Alps for centuries, the KunstAllmend transposes this traditional model upon contemporary discussions concerning the management of common resources, authorship and copyright – a position standing in opposition to that of the artmarket. The Allmend model functions as a promising problematic rather than a ready-made solution. The KunstAllmend is a project of the Dampfzentrale in collaboration with the Transnational Art’s Commons for the Bern Biennial. Read more..
Nicolas Galeazzi BRICOLAGE
4-8 May 2015 / a.pass
a tool for opening the block
Bildschirmfoto 2015-04-03 um 21.49.02
Diving into this concept, described in Claude Levi-Strauss' 'The Savage Mind', we develop a practice to present, discuss and discover the momentary objectives of our researches. With the help of found and constructed objects, objects of personal importance and desire, daily objects and precious ones, or objects of thought and discourse, we will try to define the actual quality of each one's research model and methodology. Read more..
29 September-3 October 2014
Occupation Precaire: one-euro-cents glued in public space
Luigi Coppola and Christophe Meierhans propose a research workshop where most components of its activities will have to be decided commonly with the workshop participants. Just the very basic conditions are determined: The workshop occupies a public space with only one person at the time - 24h a day. The rest of the group develops, discusses and observes the occupation from a distance and takes the relevant decisions. Read more..
7-18 May 2012
Some workshoping in economy for artists are due! Read more..
At latest since 2008 it became clear, that the economic system we are living in and with is wacky, unjust and not sustainable. Many of its instruments are either exaggerated, or exhausted. The bubbles it produces in different markets are getting out of control, and deregulated fiscal constructions are dramatically failing.