SUBSCRIBE TO OUR MAILING LIST



index


tag /9


    •  

      Welcome in De Markten, Friday, 11th of June 2021.

      18-22h

      Subscribe for attendance. Or join us online. Details will follow.

      Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens

      will read, perform, discuss:

      a book as a prop for future performance, a poster that unfolds into a speculative discussion board game, a timed articulation in an archive that reiterates its own traces, a set of interviews that binds four generations of activism, a performative research method that paves the way for academic writing, and a collective online score that narrates how research interests were influenced by each others presence.

      *

      The researchers in Research Centre Cycle II — Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens — are ending their one year trajectory at a.pass with the launch of a series of (performative) publications.

      Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way. Rather than a book or printed matter as a finite goal, the researchers took publishing as a pretext to build ongoing social gestures, a space for the continued production of meaning and reverberance.

       


       

      Programme:

       

       

      Pia Louwerens presents the artistic research novel I’m Not Sad, The World Is Sad. I’m Not Sad, The World Is Sad is an autotheoretical, semi-fictional account of a performance artist who lands a part-time job as an Embedded Artistic Researcher in an art institution. Invested in queer theory and institutional critique, she sets out to perform the artist ‘differently’ through a process of negation and passivity, inadvertently causing her relationship with the institution’s curator to grow increasingly speculative and paranoid. Louwerens' labour as tour guide, security guard, artist, hostess and researcher at different institutions begins to overlap and blend under the name of ‘performance.’ I’m Not Sad, The World Is Sad is a fragmented story of paranoid and reparative reading, script and utterance, exposure and vulnerability.

       

      Pia Louwerens is a performance artist and researcher from the Netherlands, living in Brussels. Her research revolves around the becoming of the artistic subject, the I who writes, speaks and makes, in relation to the (institutional) context. From 2019 - 2020 Louwerens was working as embedded artistic researcher at a big research project, for which she was embedded in an art institution. Through this research she attempted to perform or practice the artist, and thereby the institution, differently. Her work usually takes the shape of a performance in which she speaks, switching between registers of the actual, the possible, the professional and the anxious artist.

       


       

       

      Pop-Fi poster is a “choose your own adventure” game, developed by Lili M. Rampre in collaboration with Júlia Rúbies Subirós. The game is tracing pre-public discourse, semi-private collections of thoughts that, once shared and circulated, can shift a wider agenda on what matters to artists the most. The game aims to popularise common fictions and pop the bubble of others. Collectivising half-digested thoughts potentially means bridging between personal and structural to effectuate change. Pop-Fi poster is part of Pop-Fi; a multifaceted project, that entails a performative workshop ventriloquising popular movie icons, video installations and script-readings. Pop-Fi foregrounds concerns of an artistic community, through variety of formats that act as discourse prism. Pop-Fi poster is both a visual aid for the workshop and an autonomous object. Pop-Fi’s next step is developing strategies to funnel from anecdotal to factual and think about data and its visualisation techniques informed by direct experience, commitment to action and intersectionality.

       

      Lili M. Rampre is researching strategies to highlight “off stage”; processes, practices and actors behind, off, under or above the stage. Her focus lies on power relationships and the dynamics of disparities in cultural capital (audience-performer, fan-star, producer-artist). Her work has often a role-reversal in its core proposal, ventriloquism of a kind, or unreliable narration. Most recently Lili is looking into fandom and fandom civic practices authorising fiction to affect political action as an artistic methodology, to re-articulate essential parts of artistic production and circulation as fictional or factual aspects.

       


       

       

      Esteban Donoso presents Mand/inga. Mand/inga is a performance that entails a reading of a script, and a screening of a film at once. It’s an instantiation of a collaborative process with Thiago Antunes in which we re-visit our own family stories, tracing along our relation to such issues as gendering, religion, spirituality and race. The script and film register an ongoing conversation between friends, as well as a conversation with our own lived memory. This process is also an attempt to trace out a methodology for working with self-narrated queerstories and their interconnected resonances. Mand/inga is a term that takes many colloquial meanings in Latin America, in Brazil it usually refers to ‘black magic’ whereas in Ecuador it denotes the racial mixtures between black, indigenous and white backgrounds.

       

      Esteban Donoso is a choreographer, researcher and Performance Studies fan living and working between Brussels, Quito and Toronto. Currently towards the end of a PhD in Performance Studies, he is juggling to put together a practice-based methodology, his interest in feminist cinema and the writing of a dissertation about dance narratives and cultural memory in Quito-Ecuador. He researches the medium of film as a self-narrative device and as an interface for collective writing. In as much as it enables our appearance in a virtual space, it also allows us to create a third space in which we can look at our shared entanglements.

       


       

       

      Davide Tidoni presents Where Do You Draw the Line Between Art and Politics, a series of interviews with individuals who have been active in various capacities at the intersection of art and politics. Between historical documentation, political memory, dialogic reflection, and motivational support, the publication examines the experiences, commitments and feelings that operate and inform aesthetic priorities in social spaces outside of art institutions; it’s a repository designed to inspire and encourage the politicization of aesthetics, as opposed to the aestheticization of politics.

       

      Davide Tidoni is an artist and researcher working with sound and listening. With a particular focus on direct experience, observation, and action, he creates works of different formats that include live performance, intervention, walk, video, audio recording, and text scores. He is interested in the use of sound and music in counter-culture and political struggles and has published a sound based field research on the northern italian ultras group Brescia 1911 (The Sound of Normalisation, 2018). Davide’s work can be accessed at: davidetidoni.name

       


       

       

      Breg Horemans presents Siting Discourse, a dialogical diary that explores the protocols, politics and accessibility of a digital architecture-as-archive (www.taat-projects.com). Breg shares the writing process through a recorded sequence of screen captures. Siting Discourse exposes the Live Archive´s digital spatiality and the implicit gestures, attitudes and coincidences of discourse making that it aims to facilitate. The title is a reference to the Live Archive as a (web-)site for discursive documentation and it addresses the academic citing mechanism as a form of ‘structural misquoting´. Siting Discourse is a collaboration between Siebren Nachtergaele (Social Sciences HOGENT, Theatre Studies UGENT, BE) and Andrew Filmer (Theatre Studies, Aberystwyth University, WA). Their first encounter was shaped by means of a drift.

       

      Breg Horemans is co-founder of TAAT, a liquid collective of artists working on the verge of performance, research and installation art. Since 2011, he renegotiates his relation to the architecture discipline through transdisciplinary collaborations. The desire of his research lies in shaping the spatial conditions for ‘sites of encounter’ that invite human and non-human entities to co-constitute each other. The projects initiated by TAAT generate spaces for co-activity and instigate fluid prototyping processes as ‘becoming spaces’. In the last two years, Breg is co-developing an online environment that enhance processes of open source writing, archiving and publishing.

       


       

      And last but not least:

      What your research did to me, a collective online publication by a.pass Research Centre Cycle II, with excerpts printed in *The Annex*. What your research did to me is an online assemblage of conversations, film clips, letters, autotheoretical writings and a storytelling/feedback game, produced in response to a self-defined score. Published on madewitholga.be
       
       

    • research center
    • associate researchers Cycle 2
    • block 2021/I
    • Printer's Devils
    • Printer's devils Research Center Cycle 2 Block III
      17 January 2021
      posted by: Kristien Van den Brande
    • Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Kristien Van den Brande
    • 04 January 2021
    • 04 April 2021
    • Printer's devils

      One publishes to find comrades! So says André Breton. The researchers in the current cycle of the research centre — Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre and Pia Louwerens — are ending their trajectories at a.pass with a block focused on publishing, and the myriad of relations implied in committing something to print. Publishing is rarely something that concludes a confined process of solitary thought. It is a social process that — abstractly and manifestly — involves collaboration along the way: sometimes with fellow interlocutors, sometimes with an editor or designer at the other end of the table, sometimes with abstract ideas of what readership might entail. Rather than aiming for a book or for printed matter as a finite goal, we will take publishing as a pretext to build relationships that last over time. How can a publication be set up as an ongoing social gesture, a space for the continued production of meaning and reverberance?

      This block has a weekly organization, whereby Tuesdays alternate between a technical-dramaturgical help-desk, and editorial-curatorial approaches. Help-desk Tuesdays are more loosely structured around practical needs of the collective and individual publications. How did you do this? Why would you do that? During the editorial-curatorial Tuesdays we work on a collective publication, addressing a breadth of concerns in publishing (commonplace books, performative publishing, the interplay between analogue and digital publishing, orality and transcription, co-writing, the power of address, self-writing, ventriloquism, reading as writing, distribution).

      The researchers' collective publication process is hosted by madewitholga.be, a virtual residency space, designed for research and experimentation. It is the sister-space of oralsite.be, a platform for digital artist publications, initiated by Sarma. The collective publication commences as a collective commonplace book, an inventory of what was found noteworthy during the shared research time at a.pass. How did epiphanic thoughts, ideas or observations materialize in notebooks, notepads, post-its, letters, etc; what kind of publicness is enacted at the outset of noting them down; and what operations or translations can we perform to enhance readability?

      Throughout the previous blocks the researchers have been assisted, respectively by Vladimir Miller and Nicolas Galeazzi. The upcoming three months are organized by Kristien Van den Brande, in collaboration with the researchers.

    • research center
    • associate researchers Cycle 2
    • block 2020/III
    • Hosting
    • Hosting Research Center Cycle 2 Block II
      22 September 2020
      posted by: Nicolas Galeazzi
    • Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Nicolas Galeazzi
    • a.pass
    • 01 September 2020
    • 12 December 2020
    • case of: Nicolas Galeazzi
    • Hosting


      There, we go on…

      The Associate Researchers are sitting together again physically. Sometimes masked, hands well disinfected and -as usually, hosted by the institutional care of a.pass. This care might be physical as never before. After several months under the lockdown's separating conditions and a half-suspended block, live meetings seem to be a real relief! It feels like re-starting the real. Of course, this feeling is not justified. However locked away from the real-'live' and however difficult the Corona-spring was, the productivity of the online collaborations was astonishing! A new online working-site has been filled with masses of texts, notes, and plans. It might be difficult to document live working processes with the same intensity. Last block ended with a residency in Zsenne Art Lab in July, when physical meetings were possible again. Workshops were proposed by each researcher as a way to share and exchange. This residency stayed contained within a small group of people, that for the first time came together physically. 

      Now, the autumn block has started with a new constellation of people and new conditions - the conditions of the post-lockdown-yet-infectious-city-life. The associate researchers Pia Louwerens, Breg Horemans, Davide Tidoni, Lili Rampre, Esteban Donoso, and block curator Nicolas Galeazzi meet again regularly. More or less every second Thursday one of us is hosting the others in their research 'field'.

      When we meet, half of the meeting, we are guests in the field of the other. We think-with, take part, and relate to whatever is proposed to be practiced. The second half of the meeting is explicitly not pre-conditioned by us. We relate to what is there, to what comes up, or what is needed at the moment. The possible plays of guest and host -  amongst bodies and viruses, parasites, and hosts - are multiple, and allow us to experience our relational dependencies. 


      There, we are again...

      Again and again, it is necessary to think through the relational field we are working with. Not only the forced physical distancing, the prohibited hugs, and the masked faces, but also the role of the institutional and individual responsibilities, the new urgencies for presence and absence, and a new mix of carefulness and caring, are tinted the relational questions at a.pass with the Corona crisis. 

      What and who are we to each other in a research group? What does the research group do for us? What does it mean to be Associate Researchers - what does it mean to be a host? What is the institutional framework - what does it allow, and what does it problematize? What kind of projections are made into the institutional, and what kind of speculations could we unleash on them? 

      The virus highlights these questions in a very special way. Bodily distanced, we are still physically related. It feels like a real-time training in relational ontology. Donna Haraway manifests it as  “beings do not pre-exist their relating" and therefore relations do produce us, not the other way round. This way to see ontology is into our face any time we have to say hello to somebody and hesitate whether to show the elbow, to hug, or just to stay still at 1,5m apart. Anyway, or specifically now, it’s worth putting the focus more on shaping relations around us rather than to shape ourselves. If this is true, attitudes of hosting, being it places, practices, contexts, and perspectives is an approach we will explore.

      "We are going"..

      Derrida starts his article on Steps of Hospitality / No Hospitality with this ontological statement about being guest, always! "We are moving around: from transgression to transgression but also from digression to digression." What does that mean in the contemporary context? "This step too many." These days we are crossing lines at any moment. Unavoidably. The lines of the subject are massively shaken, enforced, penetrated, and transgressed or at least put in question by a multitude of crisis - Crisis of trust (replaced by control), a crisis of care (replaced by security), a crisis of mattering (denied by ignorance). 
      Derrida invites us to practice unconditional hospitality and sets out the conditions for it: to go on, step by step, to put oneself in a constant not-knowing the lines guest/host-hood. 

      What can that mean with respect to Haraway’s relational ontology? 
      Probably we can explore this by speaking out invitations. Let’s challenge unconditional hospitality and ask how to shape relations as a conditioning factor to deepen our understanding of the specific relational fields we find ourselves in. 


      We are going on a walk..

      As a starting ‚seminar’ in this block, we invite ourselves for a walk in the Ardennes. We will be hosted by Elke Van Campenhout at her new residence and invite her to join our 'going on'.
      Originated in the wish to give attention to all the physical and social side-processes around our research in focus, which inform our relations, trajectories, and perceptions, we want to share an experience of time besides the habitual working patterns. A hike seemed to be a simple push out of habits into a habitat where we are guests per se. Let's see how this attention infects us and our research. 

       
    • research center
    • workshop
    • associate researchers Cycle 2
    • Spatial sound to movement 01 July 2020
      posted by: Vladimir Miller
    • Davide Tidoni
    • ZSenne Art Lab
    • 14 July 2020
    • 14 July 2020
    • Spatial sound to movement

      How sound-space perception and spatial listening can be used as a tool for developing movement and creating performance works?

      What knowledge/approach/way-of-doing do spatial listening and sound-space perception afford and how that can inform movement and performance work? How sound space awareness can turn or be translated into ways of moving, performing, and choreographing?

      Can we think of specific ways to develop/approach movement and performance which are led by the ear-situated-in-space? What are the differences compared to a more eye-determined approach to movement and performance? What are the intersections and common aspects? And eventually, what are the consequences of this approach on other aspects of performance work such as set design, sound design and the positioning of the sound sources, dramaturgy, costumes, and the role/position of the audience?

      My aim is not to work in praise of sound but to understand what knowledge we can extract from a spatial approach to sound in order to treat it as a resource for live performance work.

      Tue, July 14th 

      22h-02h

      Attention! In case of rain the workshop will be postponed to Wednesday the 16th, same hour.

      THE SUBSCRIPTIONS TO THE WORKSHOP ON JULY 14th ARE CLOSED

      please subscribe for the alternate date of July 15th, 10pm-02am

    • reading session
    • research center
    • associate researchers Cycle 2
    • Reading Session 29 June 2020
      posted by: Vladimir Miller
    • Lili Rampre
    • ZSenne Art Lab
    • 16 July 2020
    • aaa

      Lili Rampre's recent developments within RC involved repurposing works of popular culture and their most prominent characteristics of an epic story to help re-narrativise group and community concerns. Lili’s long term interest in (re)imagining an audience, especially within performing arts, found a strong resonance with current examples of collective action carried out by various fan groups. In Zsenne reading session, Lili is inviting you to delve into some of the texts on citizenship through fandom as a vehicle and examples of such performances. The reading will start by addressing the proposed questions:

      • how conflations between activism and fan self-aware agency can re-shape our understanding of the audience,
      • potentials for public participation, civic action,
      • how new civic practices of engaged audience members are defining joyous activism and with your participation move on to opening new ones, concerning your particular practices and angles, approaches to the topic.

      This should not be misunderstood as an extension of the already well developed sociology and anthropology of fandom, but rather as the critical reappraisal that emergent large popular assemblages of self-identifying communities are an under-utilized and under-recognized potentiality for “performance” proper.

      Reading Session will be held online (live participation limited to a.pass participants, due to corona measures)

      please sign up to receive the link on the day of the session

      Thu, 16th July

      14h

    • research center
    • workshop
    • associate researchers Cycle 2
    • What do you depend on, where you are? 29 June 2020
      posted by: Vladimir Miller
    • Breg Horemans
    • ZSenne Art Lab
    • 15 July 2020
    • 17 July 2020
    • What do you depend on, where you are?

      How can we share the performative potential of public space to explore ‘mutual vulnerability'? We invite you to think physically during a series of 'staged encounters' in the wider environment of Zsenne Art Lab, between July 15 and 17.

      Every encounter offers a space to negotiate proximity with a stranger, addressing the possibility for an intra-active (Barad) relationship. These encounters take shape as silent walks for two people on July 15, 16 and 17 (mornings, between 9 and 10 am). The endpoint of the walk is Zsenne Art Lab.

      Through this practice of physical thinking, we aim to configure a layered understanding of the relation between self- and social identity within the urban environment. We explore how the environment plays a role in the construction of an ‘environmental identity’ (Clayton). On Friday July 17th at 14pm, a public discussion will take place for the participants of the silent walks and external guests to share thoughts on the question: ‘how do our practices contribute to the construction of an environmental identity’?

      These activities are embedded in the long term research project HALL33, by TAAT. Between May and November we continue organizing 'staged encounters' as a form of social activism in Brussels (BE), Dundee (UK), Riga (LV) and Athens (GR). How vulnerable do we want to be towards strangers in a 'socially distant' society?

      More info

      • To participate in the silent walks, send an email to breg@taat-projects.com, including your name and the area where you live. You will be carefully matched with a stranger. The walk takes maximum 45min and will take place in a 3K-perimeter around Zsenne Art Lab, followed by a feedback moment.
      • The discussion on Friday July 17 is scheduled between 2 and 4 pm.
      • TAAT is a shared transdisciplinary practice that explores open ended trajectories by an open source methodology. Contributions to our research archive are highly valued and treated with care. http://taat-projects.com/
    • research center
    • workshop
    • associate researchers Cycle 2
    • Writing subtext 29 June 2020
      posted by: Vladimir Miller
    • Pia Louwerens
    • ZSenne Art Lab
    • 15 July 2020
    • Writing subtext

      During this workshop Pia Louwerens will test scattered yet corroborating ideas and exercises linked to her research, grouped into two sessions. The first part of the workshop will revolve around the notion of being "embedded" and ways of becoming embedded on the one hand, and on the other hand the workshop as a superstructure, an exoskeleton, which adapts itself to its participants. Would it be possible to rewrite the workshop during the event itself, and what kind of structure could serve this soft workshop? For the second part of the workshop Louwerens will introduce new elements; attempts to evoke events which occured during her research trajectory in collaboration with several institutions in the Netherlands. We will become a loosely organized speaking-reading-writing-machine to collectively document these instances and provide them with an embedded subtext.

      To participate in this workshop, please send an email to pia.louwerens1@gmail.com

      Wed, July 15th at 14h

      SUBSCRIPTIONS ARE CLOSED FOR THIS WORKSHOP

    • research center
    • workshop
    • associate researchers Cycle 2
    • Re- 29 June 2020
      posted by: Vladimir Miller
    • Esteban Donoso
    • ZSenne Art Lab
    • 13 July 2020
    • 14 July 2020
    • Re-

      How do we become visible? Within which frames? What are the conditions of that appearance? This workshop takes as points of departure objects and documents from our own archives as performance makers / thinkers, and creates a new environment for them. Via re-visiting their time, environment and our personal connections to them, we will open up a process of constant re-structuring of our own narrations. If we were to write a film script about these re-visited environments, what form would they take? How will we come to occupy the space of a film frame? Will there be enough space? How will our collective reflections and present tense entanglements become part of our fiction? How will we manage to exist and coexist within this commensurate space?

      This workshop is facilitated by Esteban Donoso, and will involve co-writing and thinking together to co-create a film script using a version of those documents, plus versions of our reflections, questions and dialogues. Please bring a document of your performance life, the documents can go from 'harder' materials like video or photos to an anecdote or a dialogue that we remember, a smell, a description of a space, etc.

      Duration: 2 x 4 hours

      More info: re-workshop@outlook.com

       

      Session 1

      Mon, July 13th

      14h

       

      Session 2

      Tue, July 14th

      14h

       

       

    • research center
    • associate researchers Cycle 2
    • RESEARCH CENTER CYCLE 2 BLOCK I and In-Between Block 19 January 2020
      posted by: Vladimir Miller
    • Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Vladimir Miller
    • 01 January 2020
    • 31 July 2020
    • case of: Vladimir Miller
    • RESEARCH CENTER CYCLE 2 BLOCK I and In-Between Block
      This January marks the beginning of the second one-year-cycle of the a.pass Research Center. Initiated out of a desire to be a shared platform of exchange, support and publicness for the Associate Researchers this year long initiative will continue to support and publish advanced research and investigate its trajectories within a.pass.  The Associate Researchers will be hosted and supported during Cycle 2  by the Research Center curators: Vladimir Miller (Block I+II/20).
       
      For the period of January to December 2020 we are happy to welcome following Associate Researchers to the a.pass Research Center:
      Breg Horemans, Davide Tidoni, Esteban Donoso, Pia Louwerens and Lili Rampre.
       
      During the upcoming block we will start and at the same time continue our work by imagining and negotiating the individual contracts between the researchers and the Research Center, which will speculate on the individual research process and the support needed during the year cycle. 




APPLY TO THE A.PASS PROGRAMMES

post-master program
pre phd-program
phd-program
to be discussed

Please enter your links to your Portfolio, CV and other documents here if they are aleady online.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

Maximum file size: 50 MB, maximum 5 files.

X  

add file..


SIGN UP TO EVENT
selected :
yes
no
ex-participant


ORDER