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    • In the course of the upcoming two weeks the a.pass researchers of this block will each propose an excursion coming out of their current research focus. You are cordially invited to join. Please sign up on the a.pass main page on the detail page for each of the proposals. 


      26. Okt

      Eleanor Ivory Weber

      The World Today / All In The Mind

      "“…a 100% probability of nothing happening, and that’s often when it’s more interesting…”
      – Peter Ryan, ABC Senior Business Correspondent, 2 October 2017
      On Monday 23 October 2017, several todays, today. An instruction-based, public yet solo, listening & reading exercise, derived from radiowaves. Thinking about the public mind and testing what is produced from chance and structure. How language functions on different registers, at once, in time, and beyond us.
      //// Please bring ID for library registration, a smartphone/laptop (with charger) and head/earphones. "


      24. Okt

      Pia Louwerens

      From I to we - Excavating reality together, at home

      From I to we serves as an introduction into my practice inside its subjective core: my own home at Rue Blaes 244. After a performance the audience is invited to rewrite the script, rewarded with a warm meal cooked by the artist herself.

      25. Okt 

      Hoda Siahtiri

      If the past is really passed?! An introduction to co-experincing the others' trauma.

      The city of Brussels is holding a part of my past, I take you to one of the most traumatic places of Brussels for me.



      Geert Vaes

      La Flandre Profonde/Into The Heart Of Flanders

      Visiting and interrogating theatre amateurs rehearsing 'Het Gezin Van Paemel', a flemish classic and theatrical mask for a flemish identity. The 'interrogation' consists of a group constellation + witnessing the rehearsal + an interview.


      27. Okt

      Sven Dehens

      Untitled Excursion 

      Critical voicing, reading, enactment of Alien (1979). Process of audio-visual documentation. Generation of a subtext to the script.


      30. Okt

      Shervin Kianersi

      For to Know Nothing Is Nothing

      Imagine natural daylight, the best kind of light to see things clearly. Then imagine the light getting brighter and brighter, until it becomes so blindingly white that you are filled with anxiety. The information overload that we experience in our everyday lives is similar to that blinding light. Its origins date to the early 90s, when computer networks attained critical speeds and scales. Today, each of us yearns to be informed 24/7. The dictatorship of information creates in us a desire for round-the-clock information. We have become the organic components of an integrated global data and information system. Yet this yearning we feel is about our search for the Real, which a never-ending stream of information, that informs us only of the reality of facts, can neither satisfy nor fulfil. Because information is always directed at you. Information informs but is no guarantee of getting any closer to the truth. In fact, information sometimes operates as an obstacle to the truth. Instead, what if we started to filter out what we could of the information, in order to better understand the truth? What if we ignored information about the given facts and instead tried learn about something or someone for ourselves? 



      Elen Braga

      The masters meeting: A Journey to the unpromised land and the magic balls

      You shine through my atmosphere. And when you show up, my mountains move like bushes in the wind, and the rocks are scattered on all sides. I hear you. I hear amazing bang like a storm to come. I hear the noise of thunder, the voice of demons, the winds, the monsters. The whole earth rises, dilating like the waves of the sea and my surface breaks down. My own ground seems to be subside, and... Take your hand car and come with me. We need to find another ground to walk by: the unpromised land and the magics balls...



      Leo Kay

      The time it takes to think

      How can we think together? How can we make Space for deep reflection on complex issues? How can we come close enough without intruding? How can we engage in group dialogue and take the time that is needed to think before producing more, contributing more to the system we are locked within?

      A day of observing, listening, walking, kneading, thinking, talking and baking, as we navigate a critical socio/political issue that effects us all and will continue to affect us in the forceable future. 


      2. Nov

      Luisa Filiitz

      A collection of Impressions

      Coming together in a place. Where and how do our perceptions, according to the surrounding/the place and the situation where we are, manifest themselves? Where and how can we locate them in our body? How is our intuitive reaction? Linked together in groups, we would then — following a score-proposal — try out how everybody`s own intuitional desire of where and how he/she wants to move is affecting the movement of the others in the group as well as their movement is affecting each one. Afterwards everybody is invited to create a zine in any form – according to ones wish – trying to remember the different impressions and the thoughts, feelings, that they provoked.



      Eszter Némethi

      War-/-Lace and Vertigo

      An excursion is a military term to describe a short entry to enemy territory without formal announcement of war. This excursion is an invitation to explore the ways in which spaces and materials can become instructions and how this relates to participation in complex systems. What is the the agency of things, participants and also the host. Can we listen to things in order to decipher their fictions? And can we remain complicated to each other? You will visit the Kantcentrum in Brugge and the NATO Headquarters in Evere . I will do my best to host you. You will be largely following instructions, reading, making, observing, walking and looking for gaps. You will then return to a playground for discussion at a.pass. I will make you dinner.


      17. Nov

      Marialena Marouda

      Flemish Marine Institue: Marine Station Ostend (MSO)

      A tour of the Marine Station Ostend and its research vessel Simon Stervin by marine biologist Dr. Andre Cattrijsee. My interest is to get a glimpse of the tools that the research institute uses in order to study the ocean. What language is used and what are the measurement instruments in the laboratories? What kind of ocean is produced through them?







    • postgraduate program
    • research center
    • block 2017/III
    • 2017 BLOCK III 01 September 2017
      posted by: Pierre Rubio
    • 01 September 2017
    • 30 November 2017
    • 2017 BLOCK III




      Researchers Participants in the Postgraduate Program

      Adrijana Gvozdenović
      Eleanor Ivory Weber
      Elen Braga
      Eszter Némethi
      Eunkyung Jeong
      Geert Vaas
      Hoda Siahtiri
      Leo Kay
      Luisa Fillitz
      Pia Louwerens
      Shervin Kianersi
      Sven Dehens


      Research End Presentations

      Esta Matkovic
      Lili Mihajlovic Rampre
      Maarten Van den Bussche
      Sina Seifee
      Xiri Noir

      Research Centre Researchers

      Adriana La Selva
      Adva Zakai
      Isabel Burr Raty
      Mala Kline
      Ricardo Santana



      Koninklijke Academie voor Schone Kunsten
      Middelheim Museum
      Kunsthal Extra City
      Departement Cultuur, Jeugd, Media


      Contributors for workshops

      Dalila Honorato
      Eleanor Ivory Weber
      Elen Braga
      Eszter Némethi
      Geert Vaas
      Hoda Siahtiri
      Isabel Burr Raty
      Leo Kay
      Luisa Fillitz
      Marialena Marouda
      Nico Dockx
      O.S.P. (Gijs de Heij, Ludi Loiseau, Sara Magnan)
      Pascal Gielen
      Pia Louwerens
      Pierre Rubio
      Shervin Kianersi
      Sven Dehens
      Vladimir Miller


      Coordinators a.pass

      Lilia Mestre
      Pierre Rubio
      Vladimir Miller


      Caroline Godart
      Heike Langsdorf
      Pierre Rubio
      Peggy Pierrot


    • postgraduate program
    • block 2017/III
    • Excursions
    • Uninvited Research
      21 April 2017
      posted by: Steven Jouwersma
    • 01 September 2017
    • 30 November 2017
    • case of: Vladimir Miller
      This block is concerned with the processes and questions of a mobile, displaced, untethered research practice. We will use the methodologies of moving out, taking a trip, going for a walk to reconsider the building blocks of our research and discover new ones.
      As a collective practice for this block each a.pass participant will propose a trip or an excursion to a place that resonates with the topics of their research. The excursions will be maximum one day or night long and  be attended by the a.pass participants (and will be in most cases be open to the general public on a sign-up basis). Some of them will be collaborative experiments, some will address a specific question from a current research of the a.pass participant. All proposals will work with a specific practice of being on the move together, of doing research on site and of documenting and publishing.
      In collaboration with the Research Center we will explore the process of zine-ing (or making a zine) as a collective and nomadic publishing machine throughout the block and specifically towards it end. 
      On the theoretical and critical side of things we will take this opportunity to re-examine mobility of research practices in the context of de-colonial and feminist discourse on space and its social production. How do notions of power and privilege figure into this academic exploration of the presupposed „outside“ of the institution? With our colonial histories, what does it mean today to go on an excursion, to go looking „elsewhere“ for knowledge? Which gestures of power and othering are we replicating by using these methods of (ad)venture in our research? This block will be guided by an attempt to apply de-colonial thinking to the very idea of research itself, to unlearn its innocence and to insist that coloniality and its critique apply as soon as we open our doors and step outside, and as soon as we think towards „other“ places and discourses. 
      To work on these themes the excursion practice will be supported by several external inputs from the areas of de-colonial theory, urbanism and feminist critique. More detailed information about those events you will find on our webpage soon.
      The preparation of, the excursions and the documentation will be done in three collective periods throughout the block. 

      Part one: Reading, Inspiration and Preparation 
      Sept 4th-30th

      OPENING WEEK : Sept 4-8th
      We will take this week to welcome the new researchers to apass and to meet the mentors. During the opening week we will present our researches to each other and get to know each others work in its current state. We will frame the presentations through a collective mis-reading of the zine of the previous excursions block and the themes and problems established there. 
      WORKSHOP Making Public Domain : 11th - 15th September  - Middelheim Museum - Antwerp 
       (free of charge for apass researchers)
      Summer School #2 ‘MAKING PUBLIC DOMAIN’ will examine how public domain can be made and what role art can play in this. The starting point is that public space does not actually exist, but must constantly be created and activated. Which strategies then - artistic, civil, activist, social, political, legal, etc - are able to generate public space?
      Artists, experts, policy-makers and academics (art academics, jurists, urbanists, media specialists and so on) will tackle a different theme every day. By means of workshops, lectures, artistic interventions and case studies, summer school participants will be actively involved in a 5-day exchange between artists and experts unravelling the concepts and practice of ‘making public domain’.
      The 5-day Summer School opens up an interdisciplinary network of professionals, knowledge and expertise, creating a shared scenario allowing for a collective and individual learning process. During the day an inspiring selection of relevant cases connected to the theme of the day will be introduced, allowing anyone to participate and contribute to the discussion from their own perspective. In the evening the Summer School offers insights on the topic to a wider public of stakeholders.
      PREPARATION : Sept 18-30th
      We will spend those two weeks reading, discussing and preparing our respective excursions with each other.  We will read on decolonial perspectives on research, ethnography and geography.  In addition to that several artists will join us for one-day inputs on research ontology, brussels lore, and spatial practice. The artist researchers Pierre Rubio (apass Research Center block 3 2017), Peggy Pierrot, David Helbig, the architect Miriam Rohde and the writer Luanda Casella have been asked to inform our preparation process. during those two weeks. 
      Part two: Excursions and Feedback
      EXCURSIONS: 23rd Okt - Nov 4th
      This will be the second big collective moment of the block. We will join each-others proposals. Each researcher will be responsible for organising one  (max one day) excursion for the others. We are planning for mentors to join some of the excursions, and we will facilitate two collective moments with the apass artistic team to start the week off and to engage in a collective feedback moment towards the end. 
      Part three: Documentation, Collective Zine-ing, PAF
      WRITING WORKSHOP Forged Theory
      with Peter Stamer and Vladimir Miller
      This workshop will engage in playful methods of writing theory by using methods of dialogue, stream of consciousness and combining them with a structural/analytical approach to reading theoretical texts: how are they made? Which rhetoric figures and structures of support of an argument are used? Can we use them as playful toolkit to make up our own theories in fragile support of our practice?
      COLLECTIVE ZINE-ING: 20-24th Nov
      As a documentation, reflection and review process we will engage in a collective process of making a zine or several zines together. We will tackle the Zine-ing in relation with and supported by a.pass Research Center to nurture a general concern around methodologies of documentation.  How will the documentation process of Zine-ing the excursions will affect our practices and experiences? And how the Zine-ing can constitute a model for experimental documentation? At large a.pass Research Center will focus on problematising the Zine-ing process as well as the Zine-ing will problematise some of the key concerns of a.pass around the nature and operativity of forms of documentation.
      ENDWEEK: 26th Nov-2nd Dec
      Performing Arts Forum - St Erme - France. 
      only for apass participants. 
      Caroline Godart 
      Heike Langsdorf
      Pierre Rubio
      Peggy Pierrot

      More information about the block soon!


Postgraduate program
Research Center program
To be discussed

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