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    • input
    • Workshop
    • Block 16/III
    • Ten New Practices of the Great Transition 18 September 2016
      posted by: Nicolas Galeazzi
    • Michael Bauwens / KaaiTheater
    • a.pass / KaaiTheater
    • 14 November 2016
    • 14 November 2016
    • Ten New Practices of the Great Transition

      Kaaitheater kindly invites us to participate in a one day Workshop with of the most experienced activist, philosopher and commons advisor in Belgium. Michale Bauwens is working on many levels for practicable solutions for structuring societies as commons. He is working as much with gras root  movements as he advises e.g. Ecuador in reorganizing parts of their state structure as a commons. 

      Which new social structure are we evolving towards? Michel Bauwens tries to work this out by looking at contemporary practices that address the challenges of the future in the most direct way. He identifies an exponential growth of civil initiatives that experiment both locally and globally with new models and solutions. Behind the scenes, an entirely new set of values is being built up, with discoveries such as new types of contributory accounting to manage common property, open logistics systems for the circular economy, and so on. Michel Bauwens and the network of researchers into the emerging commons-based economy  present a summary of 10 years of research.

      For more information see KaaiTheater.



      • Michel Bauwens is a Belgian cyber philosopher and founder of the P2P Foundation, which carries out research into peer-to-peer-networks and practices. In 2013, together with Jean Lievens, he published the book De Wereld Redden, met peer-to-peer naar een post-kapitalistische samenleving (‘Saving the World: towards a post-capitalist society with peer to peer’).

    • input
    • Workshop
    • Block 16/III
    • ECONOMY, AN INTRODUCTION 23 August 2016
      posted by: Nicolas Galeazzi
    • Kate Rich
    • 13 September 2016
    • 13 September 2016

      A one-day sortie into the darker macro arts of Economics, a field in which artists are regularly and perhaps wilfully unschooled. This session will draw on a wild expanse of economic theory, from mainstream to outlier, to sketch out the some of the larger context of the contemporary Economy, against which the resistent coordinates of the Commons (as collective endeavour) and the Artist (as either conscript or deserter) might be revealed. This exploration makes no pretense of discovering reality, but instead to draw out some of the fundamental truths which economists hold to be self evident.




      Kate Rich is a trade artist and feral economist, born in Australia and living in Bristol UK. She is co-founder of the Bureau of Inverse Technology (BIT), an international agency producing an array of critical information products. Since 2003 she has run Feral Trade, a long-range economic experiment and underground freight network, utilising the spare carrying capacity of the art world for the transportation of other goods, specifically groceries. Her work has been represented in the Whitney Biennial, Tate Modern, New York MoMA, Whitechapel Gallery and Museum of Modern Art in Warsaw. Kate is senior lecturer in DIY and activist media at the University of Western England, volunteer finance manager at Bristol's artist-run Cube Microplex, system administrator for the art-server collective, and a founding member of the European Sail Cargo Alliance. Her ongoing preoccupation is to move deeper into the infrastructure of trade, administration, organisation and economy in the cultural realm.

    • excursion
    • input
    • Workshop
    • A visit to the social cultural centers of Molenbeek 27 June 2016
      posted by: Vladimir Miller
    • Einat Tuchman
    • a.pass
    • 29 June 2016
    • 29 June 2016
    • A visit to the social cultural centers of Molenbeek

      Wondering around the community of Molenbeek we will enter four different social cultural centres. In each one we will get to know their activities , their aims and their relation to the political economical conditions of a community like Molenbeek. 


      prelimnary Schedule

      at 10:00 we meet at a.pass (gate)

      at 10:30 Raquel will receive us in the new space of maison des cultures 

      at 11:30 we  be hosted in GC de Vaartkapoen 
      at 12:30 we can eat in a kind of social restaurant in Centre  maritime 
      at 13:30 we will get a tour and explanation about Centre  maritime 
      at 14:30 we will go the maison de Quartier Liberateur 


    • input
    • Workshop
    • Block 16/II
    • Modifying the universal 20 April 2016
      posted by: Nicolas Galeazzi
    • Peggy Pierrot / Femke Snelting
    • a.pass
    • 30 June 2016
    • 30 June 2016
    • case of: Femke Snelting
    • Modifying the universal

      In 2015, after a public outcry against the perceived lack of diversity in emoji characters available on smartphones, the Unicode Consortium added five “Skin tone modifiers” to the set and considered the issue resolved.

      As an input to MOVING RESEARCH Femke will host a one day workshop, starting from the emoji modifiers case. We will discuss how and why mainstream communication infrastructures promote universalist values and at the same time provide means for separating users along fault lines of race, gender and age. While the “modifiers” function within the universalist belief-system of Unicode, they start to function as encoded means for segregation instead of a response to the increasing complexity of cross-device and cross-cultural computing, a situation that demands a re-imagination of compatibility in terms of difference.

      The workshop will be an occasion to discuss more generally what infrastructures of participation we can imagine that not only represent multiplicity but allow us to materialise it, beyond the Modern regime of universality. What universal(izing) assumptions creep into our own research and how could they be challenged? What tactics can we imagine for developing systems that are politically, aesthetically and ethically truly generative?

      Modifying the Universal is developed in the context of Possible Bodies, an ongoing collaboration between artists, programmers, performers and activists that are concerned with the specific entanglements of technology, representation and normativity that (re)-appear through renderings of the virtual.



      Peggy Pierrot works on projects linking information, media, activism, radio art and technology. She runs a publishing house, Venus Negra, publishing on popular cultures, Black Atlantic, music and science fiction. A sociologist by training, she holds a postgraduate degree in multimedia engineering. Peggy worked as a journalist (, Le Monde diplomatique, Minorité and as editorial/technical webmaster in media and non-profit projects. She lectures on African-American and Caribbean literature and culture, science-fiction or related topics.

      Femke Snelting investigates interrelations between digital tools and creative practice, and develops projects at the intersection of design, feminism and free software. She is a core member of Constant, an association for arts and media active in Brussels since 1997. The collective work of Constant is inspired by the way that technological infrastructures, data-exchange and software determine daily life. Femke co-initiated the design/research team Open Source Publishing (OSP) and coordinated the Libre Graphics Research Unit.


post-master program
pre phd-program
to be discussed

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