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postgraduate program, research center

2009 BLOCK III

1 September-30 November 2009

 

 

 

Researchers Participants in the Postgraduate Program

Agnese Cornelio
Alejandro Petrasso
Ana Casimiro
Charlotte Bouckaert
Dianne Weller
Fanny Zaman
Fien Wauters
Heike Langsdorf
Iuliana Varodi
Jozef Wouters
Julie Pfleiderer
Kurt Van Overbeke
Marcelo Mardones
Maria Lucia Correia
Sara Vilardo
 

 


Research End Presentations

Ariane Loze
Constanze Schellow

 


Partners

Theaterfestival
De Singel
CIFAS
Bourla Theater
PAF (Performance Art Forum, Reims, France)

 

 

Contributors for workshops

Arco Renz
Benjamin Verdonck
Hans Op de Beeck
Laurent Liefooghe
Lotte van den Berg
Meg Stuart
Moritz Kuhn
Nicolas Y Galeazzi
Rabih Mrouéh
Renée Copraij
Stefan Heinric
Stijn Bussels
Timothy De Paepe

 


Coordinators a.pass

Bart Van den Eynde   

Elke van Campenhout

 

 

Fall 2009

‘THEATERFESTIVAL’

‘Performance in public Space’ : reading sessions & artist talks by de Singel and a.pass

The Theaterfestival offers a perfect occasion to make the a.pass training more visible. Three participants show their researches in the context of the festival ( Ariane Loze, Michel Yang and Jozef Wauters) and the reading sessions are open to outsiders. Several artists will be invited to discuss the theme of ‘performance in public space’ with the participants (Benjamin Verdonck, Moritz Kuhn and Lotte van den Berg), combined with a close reading of theoretical texts.  

 

Fall 2009

‘CONCEPT & DESIGN III’

workshop by Arco Renz  and Stefan Heinrich

A scenography workshop with a choreographer seems a necessity for a.s. Working on a new project, Arco Renz works with the participants on the development of a – hypothetical – stage design for his choreography. Without the help of a ‘performance text’ the participants will enter his world and find connections with their own interests, measure up the artistic and practical limitations of the project and find a scenographic vision which inscribes itself in Arco Renz’ universe.  

 

Fall 2009

‘THE ART OF MISUNDERSTANDING’

workshop by Nicholas Y Galeazzi

Nicolas Y Galeazzi’s workshop ‘The art of misunderstanding’ explores the different ways in which artistic research is or can be organized. In a very practical setting, the participants will develop one (room-sized) ‘paper’ on artistic research, using their own attitudes and methodologies for a more thorough mapping out of the field. The workshop both challenges the imagination of the field of knowledge production, as offering a lot of theoretical texts explorations, introducing artistic examples and opening up a lot of discussions.

 

Fall 2009

‘VENICE BIENNALE’

journey to art biennale by a.pass 

The visit of the Venice Biennale is a possibility for a focussed confrontation with the referential current visual arts context. Hybridity and the confrontation of cultures, identities and art languages are at the heart of the festival and the context of a cultural event of that proportion, exposure and ‘fame’ is in itself an important issue of discussion. Parallel with the Biennale there will be also other major exhibitions in Venice: the opening of  Punta della Dogana Art Museum and In-Finitum in the Palazzo Fortuny. There will be no organized workshop and there will be no fixed itinerary, participants will be free to completely self organize through the four days in Venice.

 

Fall 2009

‘ART AS DOCUMENT / DOCUMENT AS ARTRABIH MROUÉ’

Two weeks workshop with artist Rabih Mrouéh, in the framework of the RITS research project Art as a document/The document as art. Participants will join in first instance in day-long discussions on central topics within the working field of Mrouéh: what is history, what is fiction? can you create your own history? what is latency? when does your personal history become shared? how to create documents? how do documents function? how can you be your own actor?

In a second phase, the participants will work with the material in a performative way.

 

Fall 2009

‘ARTIST TALK / MEG STUART’

Choreographer Meg Stuart discusses her development as an artist, the evolution of her work and how she relates to other art forms than dance. Being very aware of the artistic research context of a.pass, she will elaborated on working processes and tools for collaboration as well as the dramaturgy of her performances. 

 

Fall 2009

‘RADICAL HOPE’

An hybrid program of reading sessions, discussions with guests and practical interpretation of the concept of Hope, ending by the preparation of a ‘hope dinner’ in a.pass kitchen.

‘Radical Hope, Ethics in the face of Cultural Devastation’, Jonathan Lear

‘Hope, New Philosophies for Change’, Mary Zournazi: interview with Brian Massumi and Isabelle Stengers

Guests : Renée Copraij: choreographer, dancer and curator of Huis aan de Werf, Utrecht and Laurent Liefooghe: architect, performance maker

 

Fall 2009

‘ARTIST TALK / HANS OP DE BEECK’

Visual artist Hans Op de Beeck discusses his development as an artist, the evolution in his work and how he relates to other arts. Using a lot of visual material from his installations and models and fragments of his videoworks, he will sketch an artistic process and an evolution through trial and error. Also elaborating on the practical circumstances of his life as an artist: economics, reception, education, the relation with critics and galleries and museums, etc..

 

Fall 2009

‘CONTAMINATE THE CITY’

artistic practices in public space

For this workshop we will join the workshop program of CIFAS in Brussels. ‘Contaminate the city’ is a workshop on artistic practices in public space, trying out different practices and actions, and gradually developing individual projects within the city.

 

Fall 2009

‘AN HISTORY OF DANCE’

reading sessions by Katie Verstockt

Starting with a minimal historical introduction from dance as a ritual to the dance history in Europe (focusing on the act of seeing and the scenographic performativity), dance theoretician Katie Verstockt will discuss mainly the important 20th century movements (Modern Dance, Ausdruckstanz, Ballet Russes, Ballets Suédois, Post Modern Dance, Butoh, Contemporary dance, …) in their more general cultural context. 

 

Fall 2009

‘BAROKTHEATERS’

lecture by Timothy De Paepe at Bourla Theater

Scenography researcher Timothy De Paepe will give a lecture on theatre architecture, stage machinery & scenography in the baroque era 1600-1750 based on his research and reconstruction of theatre buildings and stages out of the area of Antwerp. With an historical introduction on the evolution and social context of theatre and illustrated with an impressive visual documentation, this presentation will a perfect introduction to a visit of the Bourla Theater.

 

Fall 2009

‘THEATRICALITY’

lecture-workshop by art historian Stijn Bussels around the term ‘theatricality’. 

Following Collins Dictionary it means ‘of or related to the theatre or dramatic performance’, but also ‘exaggerated and affected in manner or behaviour’. How the theatre is related to society? How the theatre is used as a concept that explains conduct outside the norm? However, this negative connotation is historically determined. In the Renaissance, the metaphor of theatrum mundi became a dominant model to show that society is fashioned by role play and scenario’s. This view, however, was not primarily put in a negative context. There is a clear shift in eighteenth-century thought. In this period, our contemporary use of the term ‘theatrical’ comes into being.

The lecture will focus on the early modern era. By doing so, it will try to make clear how the theatre is divergently appraised in its representational aspect. The theatre is evaluated as reprehensible deception, but also as revealing deeper truth. This evaluation can be linked with views on historical societies where artificiality is not always predominantly coupled with dishonesty, but with skill and learning. 

 

Fall 2009

(IN) VISIBLE 

workshop-research by Maria Lucia Cruz Correia and Bart Van den Eynde

“The reality: “The Giant Scenario”? Are we participants in a scenario created by humans? Is our reality a scenario built in real scale? Does the space feel that we are there? Does our existence depend on the space, or is it the space that depends on us?” Starting from the distinction between what is “visible” and what is not the participants are invited to join a research of the city in the city. Together with coordinator Bart Van den Eynde a syllabus is proposed (Simmel on ‘Metropolis’, Debord on ‘Derive’ and Marc Augé on ‘non-places’) and the creation of a context for city walks and consequent mapping and reporting. 

 

 

 





postgraduate program, research center

2008 BLOCK I

1 January-31 March 2008

2008 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, research center

2008 BLOCK II

1 May-31 July 2008

2008 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, research center

2008 BLOCK III

1 September-31 December 2008

2008 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

performative publishing, postgraduate program, research portfolio

Sara Manente DEMOCRATIC FOREST

1 January 2009

a publication by a.p.t. / a.pass
Read more..

postgraduate program, research center

2009 BLOCK I

1 January-31 March 2009

2009 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, workshop

Tom Plischke & Kattrin Deufert CONSEQUENCES

2-6 March 2009

The most important element of our working process is writing and transference
Read more..

performative publishing, postgraduate program, research portfolio

Marcos Simoes THE LAUGHING BODY

research publication

1 May 2009

 

Marcos-Simoes_the-laughing-body.pdf


postgraduate program, research center

2009 BLOCK II

1 May-31 July 2009

2009 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

performative publishing, postgraduate program, research portfolio

Ed. by Constanze Schellow 56 Ways (not) to

research publication

1 September 2009

 

 


performative publishing, postgraduate program, research portfolio

Ariane Loze Môwn (movies on my own)

DVD and booklet; research publication

1 September 2009


postgraduate program, research center

2010 BLOCK I

1 January-31 March 2010

2010 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

performative publishing, postgraduate program, research portfolio

Josef Wouters What is it that I have done?

research publication

1 January 2010


performative publishing, postgraduate program, research portfolio

Fanny Zaman Song Mountain Area, The Centre Direction

booklet + DVD; research publication

1 January 2010


postgraduate program, workshop

Tom Plischke & Kattrin Deufert CONSEQUENCES II

1-6 March 2010

The most important element of our working process is writing and transference
Read more..

postgraduate program, research center

2010 BLOCK II

1 May-31 July 2010

2010 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, research center

2010 BLOCK III

1 September-30 November 2010

2010 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

performative publishing, research center

texts by: Elke Van Campenhout, André Lepecki, Christophe van Gerrewey, Nele Wynants; ed. by Mokum, a.pass It, Thingly Variations in Space

1 January 2011

IT

This book explores the position of the object in contemporary performance.

price: 15

Read more..
Order this publication.

performative publishing, postgraduate program, research portfolio

Katrin Lohmann On Some Things

comic strip

1 January 2011


postgraduate program, research center

2011 BLOCK I

1 January-31 March 2011

2011 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

research center

Elke van campenhout tools for research

1 January 2011

resarchtools1

 

 

Thinking about tools in the research environment of a.pass is a tricky ‘thing’. When we think about tools in everyday language, we think about ‘things that do something’. But not whatever. Tools are things that have their function inscribed in them, that are optimized for achieving a certain goal, like the radically specified instruments IKEA offers you in its DIY packages. In an artistic research environment the question thus to ask in the first place is: what kind of tools do we need to do what we do?

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postgraduate program, research center

2011 BLOCK II

1 April-31 July 2011

2011 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
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postgraduate program, workshop

Pierre Rubio ARTIFICIAL REALITIES #1

30 May-3 June 2011

Displacements and Attachments

The basic idea is that if one takes distance from one’s own project by ‘moving’ it in unexpected contexts or by ‘translating’ it in non familiar languages, this will allow the discovery of new components and new ‘attachments’ that will enrich and stimulate the ‘original’ project. Or, in other words: developing an otherness by experiencing and exploring “as if's” to get out the over-territorial and locked perception of “our” projects.
Read more..

postgraduate program, research center

2011 BLOCK III

1 September-30 November 2011

2011 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, workshop

Pierre Rubio ARTIFICIAL REALITIES #2

10-23 October 2011

Magical Materialism

The magical world is not a fascinating ethnographic object but “a mode of existence” to which individuals, as well as collectives, (and also artistic research projects...) can come back, if they endure the ordeal of disindividuation. “Disindividuation is a lack in structure” that happens when organisations that make us see, think and act break up, making us paradoxically available to invent other ways of seeing, thinking and acting. Welcome to the post-rational shamanistic academia!
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postgraduate program, research center

2012 BLOCK I

1 January-13 April 2012

2012 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
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postgraduate program, research center

2012 BLOCK II

1 May-31 July 2012

2012 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
Read more..

postgraduate program, project, workshop

Higher Performance!

7-18 May 2012

pic

Some workshopping in economics for artists is due!
At latest since 2008 it became clear, that the economic system we are living in and with is wacky, unjust and not sustainable. Many of its instruments are either exaggerated or exhausted. The bubbles it produces in different markets are getting out of control and deregulated fiscal constructions are dramatically failing.

Read more..

postgraduate program, workshop

High Performance! Glossary

8 May 2012

workshop day 1

The current economic crisis is not only a result of some major failures in speculating practices, but the outbreak of a constant crisis inherent to the system. Exploitation of the society and the environment through a reliance on constant growth, the possibility of infinite creation of money for some through the creation of debt for the majority, and the binding of most life-procedures to procedures of money are creating a precarious and dangerous economic climate.

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