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BLOCK 08/III

1 September-31 December 2008

 

 

 

24-25 / 09/ 2008

‘(RE)CHANNELLING THE SINGULAR’

(The solo in contemporary dance and performance)

self-organised seminar by Kim Lien Desault and Sandra Noeth, University of Hamburg, Research Department, Performance Studies

Two days of theory following the doctoral research of Sandra Noeth about the philosophical and historical significance of the solo in dance.

Sandra Noeth and Kim Lien Desault invite the participants to ‘think’ the dance solo as an object of knowledge production.

 

 

01-08 / 10 / 2008

‘PEACE PROJECT’

self-organised project by Gable Roelofsen.

The participants take part in the Peace Conference “Utopia or Distopia’, organized by the philosophy department of the “Technische Universiteit” in Berlin. While they develop their own artistic researches to open  perspectives on the ‘question of peace’ and ‘what peace can mean in a contemporary society today’, the projects are archived and exhibited at the gallery Arttransponder.

The PEACE Project stands for the development of personal projects and of multiple collaborations between participants.

‘Mount Berlin’, the ‘Peace Walk’ through Berlin and the ‘Sleep Inn’ (a sleep-in initiative for the exchange of narrative) constitute the core of the researches.

 

 

 

09-10 / 10 / 2008

‘AROUND ALESSANDRA BERGMASCHI’

meeting and working with Alessandra Bergmaschi

self-organised and curated by Sara Manente

Alessandra Bergmaschi, a Brazilian photographer, and artist-researcher Sara Manente develop the project “Democratic Forest”.

who uses the camera?

who do you want to bring into the picture?

in what way?

what do you communicate?

Sessions alternate between presentation of Alessandra Bergmaschi’s work, documentary films screenings and texts readings.

 

 

 

03-07 / 11 / 2008

‘TRANSDISCIPLINARY IMPROVISATION’

self-organised workshop by Tristan Honsinger

curated by Kim Lien Desault

A group including dancers, actors, musicians and visual artists will work together on free jazz improvisation techniques to come to a common understanding of impro-building and group balance in transdisciplinary improvisation situations.




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