LILIA MESTRE (Lisboa 1968) is a performing artist and researcher based in Brussels, working mainly in collaboration with other artists. Lilia works with assemblages, scores, inter-subjective set ups and other chance induced processes as an artist, curator, dramaturge and co-learner. She is interested in forms of sociability created by artistic practice and she composes with semiotic agencies to explore these in her choreographic work. From the black box, to the white cube, the classroom, the auditorium, to the public space, she has been developing performative strategies to engage in the questions of what is present, how does it manifest itself and what kind of sociability it proposes. More specifically, what kind of singularities appear between the individual, the collective, the material and the environmental. She was co-founder of Bains Connective Art Laboratory in Brussels (1997), an artist run, trans-disciplinary working place for experimental practices where she took the role of project dramaturge in 2006 and artistic coordinator between 2009 and 2016. Since 2008 she has been mentor, workshop facilitator and curator at a.pass (advanced performance and scenography studies), a platform for artistic research practices in Brussels, where she has been developing a research on scores as pedagogical tool titled Scorescapes. She edited in with Elke Van Campenhout the House on Fire publication, Performing Urgency #2: Turn Turtel! Reenacting the Institute. In 2019 - 2021 she’s collaborating with Prof. Jill Halstead and Prof. Brandon LaBelle in Social Acoustic, a research project supported by the University of Bergen, Norway. Since 2017 Lilia is artistic coordinator and co-curator of a.pass.
performative publishing, postgraduate program, reading session, seminar, workshop
Autotheory Gathering at ZSenne ArtLab: Public Program
gathering, seminar, performance
27 June-9 July 2022 / ZSenne ArtLab
In the context of Block II 2022: Scoring Intimacy of Discursive Others
File:Christine de Pisan and Queen Isabeau (2).jpg - Wikimedia Commons
For two summer weeks (June 27 – July 10) a.pass is moving to ZSenne ArtLab in downtown Brussels, where it organizes a gathering around autotheory that brings together several approaches to the term and its relation to artistic research practices. The program includes several working sessions, a reading group, a programme of performances, and is curated by Lilia Mestre and Goda Palekaitė. To set a theoretical framework, a two-day workshop will be offered by Maria Gil Ulldemolins who will facilitate a selected library and methodological tools to be further explored during the two weeks. Associated researchers of a.pass Research Center – Gosie Vervloessem, Simon Asencio, Rareş Crăiuţ and Vijai Maia Patchineelam – will present their current processes. Finally, a.pass alumni who engage with autotheory in their practice will present their recent work in a series of performances and conversations open to the public: Chloe Chignell, Aubrey Birch, Eleanor Ivory Weber, Pia Louwerens, Marialena Marouda with Charlie Usher, Flávio Rodrigo and Philippine Hoegen, Vladimir Miller, Gary Farelly and Adrijana Gvozdenović. Read more..
postgraduate program, workshop
12 May-21 July 2022 / a.pass
Scoring intimacy with discursive others
Kinsscore will be practiced every Thursday of block 2022 II titled “Scoring intimacy with discursive others” (see block post)
The proposal for this score follows on previous iterations of Scorescapes as a tool to practice intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing in collective settings.
If artistic research is an active and methodological search for ways to keep the viability of one’s knowledge in relation with others’, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself?
The specificity of Kin(s)score is on the fact that we will participate in the score with our research kinships. We will speak with them, through them and us about the questions that our research make apparent. We will discuss and practice what are the political implications of authorship, collectivity and the other. Read more..
Scoring intimacy with discursive others
2 May-31 July 2022 / a.pass
Block II 2022 (May - July)
Movie still Goda Palekaite
The Block II 2022 proposes to exercise a personal, immediate and performative relation with discourse – through autotheory, speculative history, conversation and collectivity – embodied in a weekly Score. It feeds upon the tension between one’s practice and the other, often absent other who is yet unescapable like one’s ancestor, lover, kin or friend. In other words, we are interested in how discursive beings – those that we encounter only through language – can guide us through our practices? Read more..
-, performative publishing
List of publications – Lilia Mestre (2011 -2022)
Thematics – Bains Connective
La Zone, 2011
Micro Histories, approaching art & ethnography paradigms, 2012
-18/+65 Politics of the un-aged, 2012
Art Land, rural & urban landscapes, 2012
Come Together, 2013
Writing Scores – 2014
Perform Back Scores -2015
Bubble Scores – 2016
Medium Scores – 2017
Performing Urgency #2: Turn Turtle! Reenacting the Institute, 2016
Edited by Lila Mestre and Elke Van Campenhout
Choreographic figures deviation from the line – 2017
Published in the series “Edition Angewandte” by Walter de Gruyter, Berlin/Boston
A/R N2 – 2019
… Through Practices, 2021
edited by Alex Arteaga & Heike Langsdorf (eds.) Choreography as Conditioning
Making Matters – 2022
edited by Janneke Wesseling, Florian Cramer and Klaas Kuitenbrouwer, designed by Anja Groten with the Hackers & Designers collective, published by Valiz, NL
Radical Sympathy – 2022
Edited by Brandon Labelle. Errant Bodies Press, Berlin
Block 2020/II: The In-Between Block
4 May-31 July 2020 / home
The current In-Between Block is a simple infrastructure of extended mentoring that supports the a.pass researchers in the development of their work during the Coronavirus measures.
a.pass supports the researchers in using the current situation to reflect on the resonance of their practices within the contemporary social, ecological, artistic, political and economical discourses. A series of scores are being developed and practiced to keep the contact and the exchange going between the researchers . This shared practice over distance allows us to reflect on the crisis and support each other through it.
The mentors for the In-Between Block are Elke Van Campenhout, Philippine Hoegen, Krõõt Juurak and Sara Manente.
We are looking forward to the moment when we can come together again!
performative publishing, research center
Parallel Parasite Timeline Repository – Web Publication
Research Center Document
Parallel Parasite Timeline Repository
As a way to register our process during the Parallel Parasite, three weeks residency of the a.pass Research Center at SZenne ArtLab in 2018, we filmed and recorded all the public encounters. This interface created on top of the video allows to complement the document with other collected materials and to add continuously a-posteriori reflections. Viewers can scroll through and find points of interest. Read more..
postgraduate program, project
A looming score – we share your politics of damage
2 September-1 December 2019
Block 2019/III curators Lilia Mestre and Sina Seiffee
titanus scylla by ladalbarran2000
Why loom? We were thinking about the loom’s invocation of the closeness of the textile sense, fabrics that bind our desires and bodies. The loom means also the threatening feeling of an inevitable terrible thing as it approaches. And the possibility of b-looming, from the rest, waste, residue, remainders of the storm. Furthermore, loom echoes a gendered practice of writing textile; in the making of fabric like Arachné, that talented mortal weaver who challenged the god of wisdom, as well as Penelope, who weaved and weaved (a mournful making and unmaking fabrics) to postpone her arranged marriage. The loom is a metaphor that invites us to think of reality as something deeply embedded within context, like “the weaver’s loom that is discerned within the cloth it weaves” (Veena Das). That means, modes of knowing constitute the objects of knowing in a manner that profoundly affects how one comes to inhabit a new reality.
That is just the conceptual backdrop for us. In this block we want to focus on a support structure that will help each other research and continue what has been initiated in the past block, ‘Troubled Gardens.’ We transport what has been found out there and elsewhere into looming (transposed into weaving + feeling the darkness of it). That is to sustain being immersed in the subjects of ecology, feminism and their possible political agency in this unpredictable and precarious world we are living in. In the coming block, we’ll take these lines thought while going back “home” (we will land somewhere in a.pass studios hosting three scenographies from Laura, Maurice and Caterina for their End-Communication). We would take the movement of going inside as the one to prepare for winter: gather, digest, tell stories, imagine futures. As a curatorial approach we are not interested in obsessing on these concepts per se, but working in and through the particular challenges of our researches. Read more..
conference, project, research center, seminar, workshop
4 June-30 September 2018
Research center 18/II curated by Lilia Mestre
From the 4th till the 30th of June the a.pass Research Centre (RC) will be in residency at ZSenne ArtLab and will constitute itself as people meet, as thematics emerge, as the environment conditions, as the weather manifests, as the bodies form, as toxicity persists, as we drive ourselves towards multiplying perspectives for thinking and experiencing phenomena emerging from artistic research practices. The RC will function as a meeting point for the convergence of concerns, interests and the pleasures of learning together. It will research itself and its modus operandi in terms of hospitality, dissensus and criticality through the various research practices proposed. Read more..
end presentation, performative publishing, postgraduate program
Luisa Fillitz / Esther Rodriguez-Barbero Granado / Eunkyung Jeong / Marialena Marouda / Ekaterina Kaplunova / Shervin Kiarnesi / Lilia Mestre This is 1000 liter fuel. So – & Tectonic Friendship book launch
24-26 May 2018
For this End-Presentations, six researchers come together in concepts of absence, invisibility, history and knowledge. They research in various ways to bring what seems to be ungraspable in the construction of subjectivities to the fore. Subjectivity here, not as an individual subjectivity, but one that collectively builds and positions (in transformation) outside of oneself. Read more..
research center, workshop
Lilia Mestre Fragile Community Score + Score for entering a place / Lilia Mestre
11 June-15 May 2018 / Zsenne ArtLab
SCORESCAPES: Thinking Scores as Pedagogical Tool is an ongoing research in the context of a.pass.For this occasion the score will serve the question of 'being in an (other) place' which is not home, which is semi-public, which will constitute a composite body and which will be in the 'here' of the public space and of the a.pass Research Center. Which tender social formation will take place? What will appear from the rubbing between institutional paradigms and the discourses that resist? The score wants to make appear narratives localized in that time/place frame work. We will work with writing and physical forms of presence and we'll go in between inside and outside, the individual and the group, in between the here and there, between being part of and being other. Read more..
research center, seminar, workshop
The Way of the Anarchive
18-29 June 2018 / Zsenne ArtLab
a residency with Erin Manning in the frame of parallel parasite
sense-lab Erin Manning
From the 18th till the 29th of June the a.pass Research center will engage with Erin Manning on the practice of the Anarchive developed in SenseLab. For the last weeks of June a group of a.pass researchers and guests will work during the day and will open up to public discussions almost every evening at 19:00. **************************
Some of the days during this period public encounters with Erin Manning, Brian Massumi, Alex Arteaga, Nico Docks, Adva Zakai ... will take place. Please check schedule bellow!!!!! Read more..
research center, workshop
School of Love Instead of Needing to Know
4 June-9 May 2018
School Of Love @ Parallel-Parasite
Residency at a.pass/ Zsenne gallery, Brussels
4 – 9 June (except for June 6th), 2018
If both Love and School engaged in the practice of being open to change through encounters with others, we might develop sensitivities to deal with unknown paths better. Maybe we would be better off improvising through, with and within the unknown, instead of needing to know. Maybe improvisation today can be approached as a mode of resistance to a life dedicated to an anticipated and defined future.
Please inscribe here : https://bimestriel.framapad.org/p/VoV7C6HGQX Read more..
reading session, research center
Monday Readings Streaming media
16 June 2018 / Szenne Artlab, Anneessensstraat 2
on demand, content-delivery, broadcast
This extra edition of the Monday reading actually takes place on a Saturday in Szenne artlab. In the context of Parallel-parasite, a residency of the a.pass Research Center, we will focus on the shape-shifting nature of streaming media. After sessions on text processing, local servers and key cards, we will continue with an exploration of streaming, a coverall term for the dominant way that audio and visual content is being delivered on the Internet today. We will read into the different technical protocols that are regulating those flows, and the diverging economies that software like Torrent trackers and companies like Youtube, Netflix construct. By considering how the continuous experience of streaming relies on various politics of separation, re-ordering discrete elements on delivery, we will observe how the production, sharing and consumption of media is radically changing. Session organised with Martino Morandi. Read more..
conference, seminar, workshop
The Document Transformed + Book Launch Dirty Room /Juan Dominguez
22-24 June 2017 / La Bellone, Brussels
a.pass seminar and master classes
Agency : thing 001678
Curated by Sofia Caesar and Lilia Mestre, the public program “The Document Transformed” invites four practitioners that offer very distinct questions, methods, and proposals to problems related to documentation. Join Femke Snelting, Olga de Soto, Vincent Meessen, and Agency (Kobe Matthys), and others, for three days of presentations, screenings, performances and conversations. How does the document affect practices, bodies, histories, and experiences? The event brings together practices that not only give sight to the power relations engendered by apparatuses of documentation, but also move towards the transformation of the systems in which we produce history, law, art, and the body. Held in the context of The Problem of the Score, block curated by Lilia Mestre in the a.pass post-master research program and supported by a.pass.
This seminar is organized in collaboration with La Bellone – Brussels
To inscribe to the master-classes please send an email to firstname.lastname@example.org
JUNE 22-23-24 @ LA BELLONE
Rue de Flandre 46
Detailed program: Read more..
postgraduate program, workshop
Lilia Mestre The Medium Score
Thinking making together apart
The proposal for this block follows on previous iterations of scores as tools to practice dialogue or intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing. Read more..
If artistic research is an active and methodological search for ways to keep the viability of our relation with the world, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen phenomenological relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself?
The problem of the score
Block curated by Lilia Mestre / May > July 2017
From May till July 2017 the a.pass post-master program questions how structures pre-determine singular outcomes, and to what extent they imply relationality. Every system is a network of connections and the way the system is set to operate defines forms of relation which reveal ideological standpoints. In other words modes of interaction are formatting forces that construct worlds. If we think that way, what kind of problems do our research structures entail? And if we can think a polyphonic world , constituted by multiple models, how do we consider our own structure as a relational one? What kind of technologies are we putting into place? What kind of invitation are we making? And to whom?
The notions of ‘apparatus’ and ‘tentacular thinking’ will be key to understanding and experiencing the problem of score in contextual ecologies. Apparatuses, as coined by Foucault and Agamben, are systems of governance that enable relationships between beings and structures through which the subject is constructed. During former block Donna Haraway introduced us to tentacular thinking as a place from which one can build relations to economical, biological, philosophical, productional, institutional, etc orders. Together with the a.pass researchers, workshop givers and guests we reflect on them, challenge our practices and relate to other authors and art makers. Read more..
performative publishing, research center
Juan Domínguez DIRTY ROOM
1 January 2017
dirty room front2
CLEAN ROOM is the name of a performance project created by Juan Domínguez and several collaborators that was developed as a three-season series with six episodes in each season. Its name refers to a spotless space, with low levels of external pollutants and controlled environmental parameters that guarantee minimum interferences in the developments of experiments.
price: 16 euro
Read more..Order this publication.
BUBBLE SCORE / Lilia Mestre
1 January 2017
BUBBLE SCORE – The Relation between Performance and Writing is the third book of the ScoreScapes publications series. The book contains texts by a.pass researchers, collages as well as Scores for the Reader inserted at the back of the book.
price: 10 euro
Read more..Order this publication.
Perform Back Score / Lilia Mestre
The book Perform Back Score is the result of 3 months of performed, sketched and written dialogue produced within a group of artistic researchers, each plunging into a study about the Conditions for the Emergence of Poetics. Poetics used here as ‘acts’ that transform our ways of perceiving, as situations that invite another understanding of ‘things’.
price: 10 euro Read more..Order this publication.
conference, postgraduate program, research center
a.pass, KaaiTheater The Artist Commoner : Public Meeting
25-26 November 2016 / KaaiStudios - Onze-Lieve-Vrouw van Vaakstraat 81 // 1000 Brussel.
(self) Education of new subjectivities
the artist commoner
During a two day event, a.pass welcomes a gathering of researchers, artists, a.pass program participants and public to engage with the struggle of being an artist commoner today, and the role of (educational) institutions in bringing this subject about.
Two days of presentations, exchanges and commoning practices. Two days of ateliers, books launches, performances, workshops and discussions. Read more..
postgraduate program, workshop
Lilia Mestre Bubble Score for performance and writing
11 January-25 March 2016 / a.pass
This is a score to explore the different notion of presence in performance and writing. It is acted out as a weekly meeting throughout the block between January and March 2016. The practices of the score alternate between performance and writing as modes of the performative. All people attending the score meetings have to share work. There is no audiance. Read more..
information, postgraduate program
Lilia Mestre Block Focus: Sub -(e)ject
4 January-31 March 2016 / a.pass
The relation between writing and performance
The proposal for this block follows up on scores as a tool to organize dialogical or intersubjective formats for exchange in artistic practice and research. In the past two years I developed in the frame of a.pass a score for writing practice, ‘Writing Scores’ and a score for performance ‘Perform Back Score’, both as discursive tools. Both scores created a platform for the different researches to co-habitate and to reflect back the methods and strategies each of us use in the making and thinking of our practices. The main questions are: How do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity in a collaborative environment? What does that do to our individual practices and to the collective itself? Read more..
postgraduate program, project
Perform Back Score
14 January-31 March 2015
how to document performance?
WEEKLY MEETING WORKSHOP:
Proposed by Lilia Mestre for the Block 2015/I (January-March)
This score was a proposal to communicate through performance throughout the block. It focuses on performance as a tool for the transformation of thought, intuition, desire, referentiality, practice into a communication medium. How to introduce exposure, playfulness, risk, generosity, exchange, fuck fear, contamination and precision in our way of communicating? How does this communication produce desire? To whom, where and how is this desire directed? What is the intensity/quality of it? What is the political agency of it? Read more..
conference, performative publishing, research center
1 October-30 November 2014
Pharmakon: whitch culture?
‘Pharmakon: whitch culture?’, was a Thematics artistic research residency project, taking place in Brussels from the 15th of October until the 15th of December 2014. This residency was one of the stages in the development of the broader, transnational ‘Pharmakon’ research project undertaken by Institut Nomade. The ‘Pharmakon: whitch culture?’ conference (28-30/11/2014) lasted three days and explored the theoretical and artistic approaches to deal with an increasingly toxic economic, ethical and cultural environment, in search of other techniques by which to connect, share and imagine the fabric of our togetherness. As a ‘performative conference’, this meeting involved artists as well as theorists, dissolving the boundaries between ‘specialists’ and ‘public’, and between ‘performers’ and ‘theorists’, and opens up a space for desire and reflection.
Thematics was organized by Bains Connective, in collaboration with Institut Nomade, the a.pass research center and Kaaitheater. Read more..
Writing Scores / Lilia Mestre
19 September 2014
The book Writing Scores is the result of 3 months of written dialogues produced within the group of artistic researchers of a.pass. Read more..Order this publication.
Lilia Mestre BLOCK FOCUS 2015/I
5 January-30 April 2015
CONDITIONS FOR THE EMERGENCE OF POETICS
The proposal is to plunge into the conditions for the emergence of poetics. Poetics used here as acts that transform our ways of perceiving, situations that invite another understanding of ‘things’.
If we think performance as the coming-forth of those acts, as a framed re-actualization of what is there (a part of the world) we can give focus to the relations Read more..