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    • Launch
    • Research Center
    • CYCLE I: PUBLISHING ARTISTIC RESEARCH LAUNCH with: Isabel Burr Raty, Antye Guenther, Adrijana Gvozdenović, Sara Manente, Rob Ritzen, Sina Seifee and a.pass
      17 February 2020
      posted by: Steven Jouwersma
    • @ Level5 – RUE PAUL DEVAUXSTRAAT 5, 1000 BRUSSEL (5TH FLOOR) at 18:00
    • 29 February 2020
    • 29 February 2020
    • case of: Guido Lucassen
    • CYCLE I: PUBLISHING ARTISTIC RESEARCH LAUNCH

      Documenting, archiving, and publishing are intrinsic to the ongoing practices of a.pass. They are seen as research tools that enable critical reflections through their exposure of artistic research processes. The program seeks to find public formats or outlets for research in the course of its ongoing development, and facilitates an understanding of the politics of such processes.

      With these concepts in mind, the a.pass Research Center (RC) began a new program in 2018 that hosts six Associate Researchers in cycles of one year as a platform for exchange in artistic research. Cycle I hosted Isabel Burr Raty, Adrijana Gvozdenović, Antye Guenther, Sara Manente, Rob Ritzen and Sina Seifee. They contributed to the platform through concerns, concepts and “ways of doing” inherent to their practices.

       

       6 PUBLICATIONS + 1 ANNEX 

      with: Isabel Burr Raty, Antye GuentHer, Adrijana Gvozdenović, Sara Manente, Rob Ritzen, Sina Seifee and a.pass

      29th February 2020 

      @ Level5 – Rue Paul Devauxstraat 5, 1000 Brussel (5th floor)

      Doors open at 18:00

      We will read, perform, discuss and open the bar at Level5. Rile* bookshop will open its doors. 

       


       

       

      ROT is a publication reflecting the research “Wicked technolo- gy/Wild fermentation,” by Sara Manente that focuses on forms and practice of fermentation as ways to rethink bodies and their making. This glossy magazine performs research, aiming to infect the reader, and questioning how to spread, publish, and help the work survive.

      Sara Manente is a performance artist, dance maker and researcher born in Italy and living in Brussels. She is interested in narrowing the distance between the performer, the audience, and the work. Her research starts from a dance practice that problematizes perception, translation, and ways of doing. Her work comes out in hybrid forms: book launch, 3Dfilm, written text, interview, choreographic piece, workshop, telepathic experience, collaboration, et al.


      FORMS OF LIFE OF FORMS brings artistic research into form – not merely as an aesthetic question but as a social and political one. Indeed, there are no politics without form! With Forms of Life, Rob Ritzen curated several “Moments” that assembled works, collective readings, and other references into a single installa- tion. This publication reshuffles documentation of these “Mo- ments” as a visual reflection of the trajectory of this research.

      Rob Ritzen works as a curator with a background in philosophy. His curatorial practice is focusing on self-organized and cooperative formats. Consciously positioned at the margins of established institutions and outside of market-oriented spaces, his practice is placed in close association with communities of cultural practitioners. His initiatives are attempts to reconfigure the politics of making art and alternative forms of production and presentation.

      ZOOLOGICAL VANDALISM by Sina Seifee in collaboration with editor Renan Lauran and design- er Foad Farahani, is immersion in the compiling and com- posing of Seifee’s notes on medieval bestiaries, and placing them in sequential order. It is the first chapter of a series that creates context and opens small descriptive steps towards (what Latour might call) “knowing interestingly” about bestiaries. It is a speculative adventure in bio-techno tales and old styles of knowing. As an “ecology of obligation” with Iranian sensual- ity and its ardent materiality, somewhere in the menagerie of found and feral animal videos on Whatsapp and Telegram, is Seifee’s undisciplined grounding in visual crafts.


      Sina Seifee researches as an artist in the fields of narrative, performance, and knowledge production. He has been working on the question of technology and storytelling in the arts and sciences of the middle ages and the past-present of material reading practices in collective life. He studied Applied Mathematics in Tehran, received his MA in Media Arts in KHM Cologne. In 2017 he finished an advanced research program in performance studies in a.pass.


      NEOCORTEX is a textile poster publication. It can be used as a head or neck scarf, a hairband, a veil, a belt, a table cloth, an arm sling, a disguise in political demonstrations, a laboratory sieve, or a tool for receiving and transmitting alien thoughts. This scarf is the second materialization of ongoing research on neuroscientific visualization practices and questionable concep- tualizations of our brains. Referring to the current trend in the scientific community to print posters on textiles rather than on paper, it combines reconstructed MRI data of the artist’s brain with various text fragments from science and science fiction.


      Antye Guenther is a visual artist and artist-researcher, born and raised in Eastern Germany. Drawing from her background in medicine, photography, and in the military, her artistic practice treats themes like (non)biological intelligence and supercomputing, scientific representations of cognitive processes and mind control, body perception in techno-capitalist societies and fictionality of science. Guenther studied at the art academies of Leipzig and Karlsruhe, and at the Jan van Eyck Academie in Maastricht. In 2019 she received the first Mingler Scholarship for Art and Science.

       

       

      www.archivingartisticanxieties.me by Adrijana Gvozdenović in collaboration with Sina Seifee, Pia Louwerens, Kristina Gvozdenović and Goda Palekaite, is a noisy visual archive and online publication that takes the form of an essay. This platform is a way to reflect and diffract from the different activities and events realized in the past year. The writing and editing processes are exposed and show the different steps of the collaboration and their constructive agencies.


      Adrijana Gvozdenovic has been for the last two years a researcher at a.pass. She proposes activities that push the borders between research, mediation and production as well as examine new formats of publicness. Naming these activities ‘Otherwise Exhibiting’, is an attempt to shift the focus from the object to relations. During the last year, her research project “Archiving Artistic Anxieties” was supported by the Royal Academy of Antwerp, which resulted in this online publication in collaboration with a.pass Research Center.

       

       

      BEAUTY KIT – AN ECO-EROGENOUS ART PROJECT by Isabel Burr Raty with contributions by Kristin Rogghe, Elke Van Campenhout, Gosie Vervloessem, Pablo Diartinez and Tim Vets, is an experimental catalog summarizing Isabel Burr Raty’s research on conceptualizing and manufacturing eco-erogenous para-pharmaceutical products. It tells the story of the BKFF, a mobile farm where she and other females harvest their orgasmic juices to produce beauty bio-products, used for treatments in the BK Spa, criti- cally discussed in the BK Focus Group and moving forward into becoming a village, where every-body harvests each other. The catalog comes with contributing text, “Harvesting bodies – The Farm as Paradox” by Elle/Elke Van Campenhout, and other reflections on the project.

      Isabel Burr Raty is a Belgian-Chilean artist, filmmaker, and Media Art History teacher in ERG (École de Recherche Graphique), living between Brussels and Amsterdam. She is currently developing her second feature film, about the colonial impact on Easter Island, and creating live art and new media installations that queer production understandings, such as the Beauty Kit Project. Her works have been shown internationally.

       a.pass
      p/a de Bottelarij
      Delaunoystraat 58-60/p.o. box 17
      1080 Brussels/Belgium

      tel: +32 (0)2 411.49.16
      email: lilia@apass.be
      web: www.apass.be

       
    • Recent Past
    • Research Center
    • Research Center Cycle 1
    • RESEARCH CENTER Cycle 18/19 - Block III Co-Curated by Isabel Burr Raty / Antye Guenther / Adrijana Gvozdenović / Sara Manente / Rob Ritzen / Pierre Rubio / Sina Seifee
      29 April 2019
      posted by: Lilia Mestre
    • a.pass/ ZSenne ArtLab
    • 29 April 2019
    • 28 July 2019
    • RESEARCH CENTER Cycle 18/19 - Block III

      The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass.

      This summer block marks the end of the first cycle of the a.pass Research Center. After being initiated as a platform for individual research trajectories, the Research Center shifted to welcoming a group of advanced researchers for a period of one year. The last block of the cycle 2018/2019  is co-curated by the group of Associated Researchers. For a three week period - June 24 / July 14 - the work will be developed at Zsenne ArtLab.

      We are happy to work with the following Associate Researchers:

      Adrijana Gvozdenović is an artist who notes, talks, writes, and collects. She is interested in anecdotal and peripheral art, the conventions of exhibition making, artists’ motivations, and responsibility in the general context of art and art-related politics.

      Sina Seifee researches as an artist in the fields of narrative, performance and knowledge production. He has been working on the question of technology and storytelling in the arts and sciences of the middle ages and the past-present of material reading practices in collective life. He studied Applied Mathematics in Tehran, received his master in Media Arts in KHM Cologne and in 2017 finished an advanced research program in performance studies in a.pass.

      Rob Ritzen works as a curator with a background in philosophy, museum studies, art and architectural history. His curatorial practice is focused on self-organised and co-operative formats in close association with cultural practitioners — consciously positioned on the margin of established institutions and outside of market oriented spaces, but in the middle of communities of cultural practitioners. Most recently he co-initiated That Might Be Right, an attempt to reconfigure the politics of making art and alternative forms of production and presentation.

      Isabel Burr Raty is a performance artist based in Brussels interested in the ontological crack between the organic and the artificially engineered, between the unlicensed knowledge of minority groups and the official facts. Her research interweaves new media, body art, lectures, installations and participatory performance to propose hybrid narratives and bio-autonomy practices that play with synthetic magic and compose in situ Sci-Fi.

      Sara Manente lives in Brussels and works as a choreographer and performance artist.
      Her projects start from an understanding of dance as a performative language and exist at the limit of the choreographic: texts, dance pieces, films, workshops, experimental performances, artistic researches and collaborations.
      At the a.pass Research Center she is gathering knowledge on fermentation techniques in order to consider her research from a perspective of bacterial/interspecies ethics and aesthetics.

      Antye Guenther, born in former East Germany, has a theory based visual art practice dealing with epistemological questions within the realms of technology, post-humanism, science fiction and fictionality of science. Since her fellowship at the Jan van Eyck Academy in 2015-2016, Guenther, who has a background in medicine, is investigating neuroscientific research and imaging, particularly in its entanglement with neoliberal corporate structures and ideologies.

      For this co-curated current block the Associate Researchers will be supported by Pierre Rubio as the Research Center curator.

      Pierre Rubio (France, 1962) works as an artist, dramaturge, and independent researcher. His practice at large aims at re-negotiating habitual modes of individuation by using displacement and speculation as a methodological principle. He often uses ‘as if’s’ processes -alone or in collaboration- to investigate technologies, cosmologies and ideologies of artistic and research practices in relation to the production of subjectivity. Rubio is currently co-curator of the postgraduate artistic research institute a.pass (Advanced Performance and Scenography Studies_a platform for artistic research)

    • Research Center
    • Talk
    • Close Encounters
    • Semiotics of the Uncanny Dr. Dalila Honorato / Isabel Burr Raty
      13 October 2017
      posted by: Pierre Rubio
    • Close Encounters series
    • a.pass 4th floor studio
    • 21 October 2017
    • Semiotics of the Uncanny

       

       

      a.pass Research Center and Isabel Burr Raty invite special guest Dr. Dalila Honorato.

      The talk will be followed by a discussion.

      Saturday October 21st 2017, 16h-19h @ a.pass , 4th floor

       

       

      'Semiotics of the Uncanny'

       

      'Semiotics of the Uncanny' will approach alternative bodies in art, sexuality and pop culture, that conjugate body alteration, medical fetish, disability aesthetics and creative ritualistic behavior, touching on subjects such as: phobia, paraphilia, teratology, prosthetics and acrotomophilia.

      If the body is defined as the sum of all physical parts then individuality is composed by the uniqueness of this structure and the qualities of its elements. In a time when plastic surgery is considered a commodity within the cosmetic industry and the hype for symmetry has reached post-standardized levels, the borders between mass production and eccentricity, in what beauty is concerned, become more obvious. But it is when health issues occur that the equation changes. How can a body be defined if a physical part is missing or if it is supernumerary in the sum? Unlike some types of lizards, starfish, sea cucumbers, earthworms and salamanders, humans have a very limited capacity of self-healing. What happens to a physical part that is removed from a body separated either due to an accident or due to its dysfunction? And how does one cope with this separation as an individual and as a social being?

       

      After Dalila’s talk, Isabel Burr Raty, performance artist, independent filmmaker and associated researcher in a.pass Research Center, will offer some tea and will support a co-learning conversation.

       

      At first, the focus of the conversation will be on the Hybrid Art contemporary positioning, a phenomenon that mixes multiple art forms crossing borders between art, science and technology, contributing to hybrid narratives in performing arts and creating new alternative technological materials and objects aimed to serve as empowering tools for resisting the high-tech capitalist imperialism. Then, Isabel and the public will prolong the discussion with Dalila to bring her approach to a broader artistic research context.

       

      Dr. Dalila Honorato’s research focuses on embodiment at the intersection of performing arts and new media and, as a curator, she is interested in exploring the outlines of art and biology. Dalila is currently Assistant Professor in Aesthetics and Visual Semiotics at the Department of Audio and Visual Arts of the Ionian University in Corfu, Greece. She is one of the founding members of the Interactive Arts Lab where she coordinates the Art & Science Research Group. She is the head of the organizing committee of the conference "Taboo-Transgression-Transcendence in Art & Science" and conceptor-developer of the Corfu Summer School in Hybrid Arts. She is a guest faculty at the PhD studies program of the Institutum Studiorum Humanitatis in Alma Mater Europaea, Slovenia, and a guest member of the Center of Philosophy of Sciences of the University of Lisbon, Portugal.

      ionio.academia.edu/DalilaHonorato

       

      Isabel Burr Raty explores the ontological crack between the engineered and the native, between the official facts and the unlicensed knowledge of the resettled, the relocated; in order to think about the memory of the future and dig out chapters left out of scientific and history books. Her artistic research  is design based and semiotic, interweaving live/body art, participatory performance, biology and DIY technologies, and is based on the question of how to write in situ Sci-Fi narratives that remain alive, alive as they rely on the participative audience’s faculty to propose dispositives of liberation from a commodified life/body.

      www.isabel-burr-raty.com

       

      When: Saturday October 21st  from 16:00 h to 19:00 h

      Where: a.pass fourth floor studio.

      Free entrance

      Directions: https://apass.be/contact/

      Please confirm your participation by sending an email to <isabelburr.raty@sacrofilms.com> !

    • Recent Past
    • UNDER )o( MINING : end presentations 27 September 2016
      posted by: Nicolas Y Galeazzi
    • Isabel Burr Raty; Thiago Antunes; Esteban Donoso
    • Zsenne Artlab
    • 27 September 2016
    • 30 September 2016
    • UNDER )o( MINING : end presentations

      "BEAUTY KIT FOCUS GROUP"

      ISABEL BURR RATY

      Isabel will be presenting bio-products that she fabricates
      from a variety of substances collected from her womb

      "WELCOME and please do NOT turn the page"
      THIAGO ANTUNES 

      A reading game performance around authority, obedience and participation,
      inspired by civic integration programs.

      "TABLE MOVIE"
      ESTEBAN DONOSO

      Esteban hosts a moment of collective fiction; to create an imaginary film
      using our senses as recording devices.


       

      DOOR OPENING AT 18.30 : 20 PEOPLE PER NIGHT - INSCRIBE BELOW !!!

       
      Due to the intimate nature of our performance event, we will be hosting up to 20 people per night, so it is first come first served, or alternatively  we kindly ask you to sign up and reserve a place using the doodle link above (highly recommended!!)   

      We have designed an experience that offers you finger food with interactive installations at 18h30 and then we will be guiding you through a series of participatory performances.

       


        

      pics_emailer_isabel

      Isabel burr raty
      Bio Autonomy practice

      “I conceive of the Planet as a womb. I make the sacred plastic to reveal its nature. I bring my insides out, performing bloody rituals with machines mimicking the dichotomy of life as it becomes transgenic, engineered in the temple of science. I’m a sculptural thought. Before the womb microarchitecture ends up being a metal box, I become a pharmaceutical sculpture animating a dimension that queries the place of spirits and souls. I’m anatomy. I body dig cyclically. I'm a medical container and I use my uterus to prove it. I excavate the inner geology of this persona to practice my fabrications. I deconstruct to construct bringing the discharged abject to our every day. I re-acknowledge bio-autonomy. I build a bridge. I use the system, the metaphor of industry and its mind gap game apparatus hoping to free us from the mechanical and systematic customized gesture”. 

      "BEAUTY KIT FOCUS GROUP"
      Participatory performance. 

      pics_emailer_thiago

      Thiago antunes
      Civic intimacy games

      My plan was to create a political role playing game that could address migration and integration. After realizing the limits of playable games to disrupt hegemonic discourses, I started to investigate manners of encouraging the players to play against the game itself. A game that never starts, or never ends, and peculiar rules that lead to paradoxical achievements became possibilities for concretely investigating the contradictory hospitality of Europe.

      In my decolonizing fantasy, I imagine Amerindian shamans running an immigration office in Europe, imposing their fleshly notion of integration under the drapery of the bureaucratic civic integration courses. These games demand resourcefulness from the players in coping with physical proximity, smelling and touching the other, sharing drinks and food, enhancing intimacy, as basic requirements for acquiring citizenship. The colonised eventually teaches the coloniser “what a body can do”.

      "WELCOME and PLEASE DO NOT turn the page"
      participatory performance

      pics_emailer_esteban

      esteban donoso
      Scenes of naration

      “During this period I have created distpositifs that alter/displace self-narration and narratives; opening up the gap that lies in-between the thinking and the speaking, the speaking and the doing. This in-between space unfolds slowly and simultaneously to our conscious speaking / doing and allows for a thinner, more fluid membrane between reality, fiction and memory. There is also the in-betweenness of the speaker and the listener, of the speaker and the spoken about, of the person speaking and the others that speak through him/her. A scene of narrating that welcomes the fragmentary, the phantasmatic and the poetic”.

      "TABLE MOVIE"
      participatory performance


       

      UNDER )O( MINING

      “… the playful dystopia of the domestic raw. The displaced archive woven through a membrane that digs fictional technologies…”

      “….is to playfully dig into archives, fabricating technologies that challenge dystopian perspectives through the displacement of domestic membranes, weaving new fictions for ourselves…”

      “… through raw technologies, weaving membranes of fictions, digging in the playfulness of a dystopian archive, creating domestic displacements of ourselves…”


      Home

      Rue Anneessens 2, 1000 Bruxelles

      http://www.zsenne.be/ 

       





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