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research center

Research Center Cycle 1 Block IIII Reviewing emergence

1 September-30 November 2019

Cared by Nicolas Y Galeazzi

re-search in the woods

How is not keen about ‚dynamics ‘. Mechanics describes it as a concern for the “effects of forces on the motion of a body or system of bodies, especially of forces that do not originate within the system itself”. I’m wondering how mechanics define borders of a “system” – what belongs to its inside, and what does not. I imagine it as a possibly unavoidable but finally arbitrary process of deciding. However, I myself, I consider dynamics connected to vitality – or let’s call it breathing.

One year, six associates, three curators, several events and residencies, lots of contexts and thoughts, etc. – I think we can say, the research center was never as extensive as this new cycle. It was time for a.pass to come up to the promise of generating more publicly available content. The five associate researchers accompanied by three different curators have processed their contexts and brought them to a ripe state for publishing. Holding in, taking a breath, smelling the taste, enjoying the fill of the lungs, holding in again and softly pushing the are out – and so, the cycle can start again. What was here? What was nourished by the oxygen? What did come up by breathing the same air as five other researchers?

This block we take a breath. We are looking at what emerged. We are cleaning up, select what felt useful, archive and document, think about publishing, and try to evaluate the insights for the next cycle.
Of course, while wrapping up, the question comes, is this not what research anyway requires from us at any time? Isn’t wrapping up just another word for going on? Or is wrapping up possible anyhow in a research that is at the end never ending? Sure, close looking, reflecting, evaluating and sharing are intrinsic to research. It just takes place in a different light than pondering, discovering, curiosity, surprise etc.

Nothing against ‚Research ‘- but ‘search’ comes first!
This summer I was standing in a forest, next to my child. We listened, imagined, looked in the search for bears and libels, mushrooms and orchids. There was no direction, just forest, we entered where it was possible, and continued where that forest opens vision. The structures are given but inscrutable. We learn, we wonder, we wish, we compare, and things fall into our memory to be linked to other memories. Search is big. Search is following the order of the woods – not the trees.
Research feels a bit like hide-and-seek. Everything takes place within a certain convention – the rules of the game. That’s what the fun is about it. I exactly know what I’m searching for and what I have to do, I just don’t know how it will happen, and when. We collect, we document, we reorganise, we create an overview, we create vision. Research is messing up the order. Research is taking perspective, so we don’t see the whole woods for the trees.

***

The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass.  After being initiated as a platform for individual research trajectories, the Research Center shifted to welcoming a group of advanced researchers for a period of one year.

This winter block marks the closure and thinking back of the first cycle of the a.pass Research Center through publishing.

 

Cycle I – Associated Researchers

Adrijana Gvozdenović is an artist who notes, talks, writes, and collects. She is interested in anecdotal and peripheral art, the conventions of exhibition making, artists’ motivations, and responsibility in the general context of art and art-related politics.

Sina Seifee researches as an artist in the fields of narrative, performance and knowledge production. He has been working on the question of technology and storytelling in the arts and sciences of the middle ages and the past-present of material reading practices in collective life. He studied Applied Mathematics in Tehran, received his master in Media Arts in KHM Cologne and in 2017 finished an advanced research program in performance studies in a.pass.

Rob Ritzen works as a curator with a background in philosophy, museum studies, art and architectural history. His curatorial practice is focused on self-organised and co-operative formats in close association with cultural practitioners — consciously positioned on the margin of established institutions and outside of market oriented spaces, but in the middle of communities of cultural practitioners. Most recently he co-initiated That Might Be Right, an attempt to reconfigure the politics of making art and alternative forms of production and presentation.

Isabel Burr Raty is a performance artist based in Brussels interested in the ontological crack between the organic and the artificially engineered, between the unlicensed knowledge of minority groups and the official facts. Her research interweaves new media, body art, lectures, installations and participatory performance to propose hybrid narratives and bio-autonomy practices that play with synthetic magic and compose in situ Sci-Fi.

Sara Manente lives in Brussels and works as a choreographer and performance artist.
Her projects start from an understanding of dance as a performative language and exist at the limit of the choreographic: texts, dance pieces, films, workshops, experimental performances, artistic researches and collaborations.
At the a.pass Research Center she is gathering knowledge on fermentation techniques in order to consider her research from a perspective of bacterial/interspecies ethics and aesthetics.

Antye Guenther, born in former East Germany, has a theory based visual art practice dealing with epistemological questions within the realms of technology, post-humanism, science fiction and fictionality of science. Since her fellowship at the Jan van Eyck Academy in 2015-2016, Guenther, who has a background in medicine, is investigating neuroscientific research and imaging, particularly in its entanglement with neoliberal corporate structures and ideologies.

 

 

 




performative publishing, research center

Adrijana Gvozdenović archiving artistic anxieties

archiving artistic anxieties
This online publication is part of the research project Archiving Artistic Anxieties, by Adrijana Gvozdenović
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research center

Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER Cycle 1 Block I

3 September-30 November 2018

Curated by Vladimir Miller

IMG_7259

This September marks the beginning of the first one-year-cycle of the a.pass Research Center. After being initiated as a platform for the individual research trajectories of the a.pass Associate Researchers, starting this year the Research Center is shifting to welcoming a group of advanced researchers for a shared one-year period.

The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass.

Read more..

research center

Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER CYCLE 1 BLOCK II

7 January-31 March 2019 / a.pass

CURATED BY ALEX ARTEAGA

screen-shoot from disclosing an architectural object. MUA (an essay on planes). Alex Arteaga

The a.pass Research Center is dedicated to supporting advanced artistic research and to collecting and making public methodologies of artistic research developed at a.pass. 

The block II in the cycle 18/19 is focused on two intertwined fields of inquiry: aesthetic research practices in the medium of written language and architecture understood as intervention in the emergence of environments through construction and related practices.

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research center

Adrijana Gvozdenović, Sina Seifee, Isabel Burr Raty, Sara Manente, Rob Ritzen, Antye Guenther RESEARCH CENTER Cycle 1 Block III

29 April-28 July 2019 / a.pass/ ZSenne ArtLab

Co-Curated by Pierre Rubio

"Watches, Wristwatches, Collection, Clocks, Time, Hours"
The a.pass Research Center is dedicated to supporting advanced research and to collecting and making public methodologies of artistic research developed at a.pass. This summer block marks the end of the first one-year-cycle of the a.pass Research Center. After being initiated as a platform for individual research trajectories, the Research Center shifted to welcoming a group of advanced researchers for an one-year period. This last block of the first cycle is co-curated by the whole group.
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research center

a.pass Research Center Associates in residence victories over the suns

24 June-14 July 2019 / ZSenne ART Lab / Brussels

dissolving totalities, usurping orders, inventing new materials

In our residence, each process is designed individually and in common, in order to share a fiction of sharing. We aim our experimental tools at each other, ourselves and at you. They are directed at a viewer, curious-anxious about modes of reparation who can put together the research trajects that she finds in a process of performing-publishing of difficult-makings of different objects and positions. We are hungry and angry: at our bodies, at assemblages, at more stories for other histories, for different exhibits, for fresh cultures. It is an experiment in organizing and presenting what appears to be fundamentally unorganisable and unpresentable. When all is lost why not go for broke, victorious over the sun?
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research center

a.pass Research Centre Associates in residence victories over the suns

24 June-14 July 2019 / ZSenne ART Lab / Brussels

projects / events / agenda

get informations and agenda about the residence here
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performative publishing, research center

Isabel Burr Raty, Antye Guenther, Adrijana Gvozdenović, Sara Manente, Rob Ritzen, Sina Seifee and a.pass PUBLISHING ARTISTIC RESEARCH

35 euro = 4 publications + Annex

1 February 2020

research center associates Cycle 1

annex2
Documenting, archiving, and publishing are intrinsic to the ongoing practices of a.pass. They are seen as research tools that enable critical reflections through their exposure of artistic research processes. The program seeks to find public formats or outlets for research in the course of its ongoing development, and facilitates an understanding of the politics of such processes. With these concepts in mind, the a.pass Research Centre (RC) began a new program in 2018 that hosts six Associate Researchers in cycles of one year as a platform for exchange in artistic research. Cycle I hosted Isabel Burr Raty, Adrijana Gvozdenović, Antye Guenter, Sara Manente, Rob Ritzen and Sina Seifee. They contributed to the platform through concerns, concepts and “ways of doing” inherent to their practices.
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performative publishing, research center

ROT

14 Euro

1 February 2020

Sara Manente

SARA MANENTE ROT

ROT is a publication reflecting the research “Wicked technology/Wild fermentation,” by Sara Manente that focuses on forms and practice of fermentation as ways to rethink bodies and their making. This glossy magazine performs research, aiming to infect the reader, and questioning how to spread, publish, and help the work survive.

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performative publishing, research center

Forms of life of forms

12 euro

1 February 2020

Rob Ritzen

Rob_nlet

FORMS OF LIFE OF FORMS brings artistic research into form – not merely as an aesthetic question but as a social and political one. Indeed, there are no politics without form! With Forms of Life, Rob Ritzen curated several “Moments” that assembled works, collective readings, and other references into a single installation. This publication reshuffles documentation of these “Moments” as a visual reflection of the trajectory of this research.

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performative publishing, research center

Sina Seifee ZOOLOGICAL VANDALISM

7 euro

1 February 2020

Sina Seifee

ZOOLOGICAL VANDALISM by Sina Seifee

ZOOLOGICAL VANDALISM by Sina Seifee in collaboration with editor Renan Lauran and designer Foad Farahani, is immersion in the compiling and composing of Seifee’s notes on medieval bestiaries, and placing them in sequential order. It is the first chapter of a series that creates context and opens small descriptive steps towards (what Latour might call) “knowing interestingly” about bestiaries. It is a speculative adventure in bio-techno tales and old styles of knowing. As an “ecology of obligation” with Iranian sensuality and its ardent materiality, somewhere in the menagerie of found and feral animal videos on Whatsapp and Telegram, is Seifee’s undisciplined grounding in visual crafts.

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performative publishing, research center

NEOCORTEX

155 euro

1 February 2020

Antye Guenther

antye_nlet

NEOCORTEX is a textile poster publication. It can be used as a head or neck scarf, a hairband, a veil, a belt, a table cloth, an arm sling, a disguise in political demonstrations, a laboratory sieve, or a tool for receiving and transmitting alien thoughts. This scarf is the second materialization of ongoing research on neuroscientific visualization practices and questionable conceptualizations of our brains. Referring to the current trend in the scientific community to print posters on textiles rather than on paper, it combines reconstructed MRI data of the artist’s brain with various text fragments from science and science fiction.

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performative publishing, research center

Isabel Burr Raty BEAUTY KIT – AN ECO-EROGENOUS ART

10 euro

1 February 2020

Isabel Burr Raty

beauty kit isabel

by Isabel Burr Raty

with contributions by Kristin Rogghe, Elke Van Campenhout, Gosie Vervloessem, Pablo Diartinez and Tim Vets, is an experimental catalog summarizing Isabel Burr Raty’s research on conceptualizing and manufacturing eco-erogenous para-pharmaceutical products. It tells the story of the BKFF, a mobile farm where she and other females harvest their orgasmic juices to produce beauty bio-products, used for treatments in the BK Spa, critically discussed in the BK Focus Group and moving forward into becoming a village, where every-body harvests each other. The catalog comes with contributing text, “Harvesting bodies – The Farm as Paradox” by Elle/Elke Van Campenhout, and other reflections on the project.

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postgraduate program, reading session, workshop

Not in the Mood

3 May-31 July 2021

Isabel Burr Raty, Adrijana Gvozdenović, Antye Guenther, Sara Manente, Rob Ritzen, Sina Seifee

notinthemood

a.pass Block 2021 II curated by Isabel Burr Raty, Adrijana Gvozdenović, Antye Guenther, Sara Manente, Rob Ritzen, Sina Seifee –

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APPLY TO THE A.PASS PROGRAMMES

Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

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