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Spring Drink & Films

9 April 2024

with a.pass and nadine

image by apass - ©Amari ©Shelbatra Jashari ©Anna Lugmeier

April 9 at 20h00
rue de Manchesterstraat 17, Molenbeek

Spring comes with a fresh new wind: a.pass installs a temporary place in Manchesterstraat 17, Molenbeek, where artists and alumni can organise gatherings and presentations in the coming months. For this spring event, a.pass invited nadine to host together an inauguration drink and an evening with screening of three short films by independent makers living in Brussels. 

Join us, together with our friends of nadine, for a free drink and 3 short films!


FILM PROGRAM:

   – Memories of a Camera Perspective by Anna Lugmeier
   – Show Girl by Amari
   – shemortelle by Shelbatra Jashari

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information

The a.pass archive

apass archive

From now on the a.pass archive is part of the AMVB collection, which has many archives by Flemish cultural institutions in Brussels in their collection. In this way the a.pass archive, with the many publications made during more then 14 years, will be publicly accessible and preserved for future generations.

You can find AMVB here: Arduinkaai 28, 1000 Brussels or www.amvb.be


information

Towards Apartheid Free Zones

©AFZ

On the 21st of March, the day of Spring and the International Day against racism a.pass joined the TOWARDS APARTHEID FREE ZONES – Cultural Solidarity with Palestine campaign. By doing this we want to express, as an organisation, once more our solidarity with Palestine. We say NO to any form of discrimination, racism, violence and violation of human rights and international law. We say NO to anti-semitism, we say NO to islamophobia. And we say NO to any form of terrorism, including organised state terror like apartheid. 

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information

a.pass on the move…

While a.pass was having a winter sleep we have been working behind the scenes: cleaning out the old spaces, archiving what has been and moving to other places. From now on, until September, you can find a.pass on 3 different locations:   

At the same time we are also working on an open call for collective residencies. More news will follow very soon. Once we are ready, we’ll be happy to invite you for the a.pass’ Spring Drink at our new workspace in Molenbeek. Stay tuned!


information, performative publishing, project, workshop

AM I EVIL ?

Open Call for writers

©Bilal Kamilla Arnout

Am I Evil?* Brussels Edition 

by Simone Basani and Alice Ciresola with Els Moors

Can erotic writing become a place for decolonial and feminist exploration?How could one embrace the tools of erotic writing to unveil, investigate and question power processes of colonisation, discrimination, nanoracism, marginalization, exoticization, abuse and seduction from diverse perspectives?  

These questions are at the core of Am I Evil? process writers of all sorts are invited to embark upon.
On this journey the group of writers embrace erotic writing as a tool to investigate their own desire, and how this relates to the Other and the Unknown.

For the duration of the whole journey they stay in dialogue through a peer-to-peer editing methodology. Actually such a methodology is not ‘just’ editing. It is rather an intimate and radical way of dialoguing through re-writing.

Am I Evil? starts off with a-lecture introduction by Basani and Ciresola open to everyone about the legacy of Jeanne Walschot, the first white female dealer and collector of African art we know, active in Brussels from 1920s.

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-, information

The last one turns off the light…

31 December 2023

IMG_0750

With us an end
by caterina daniela mora jara
(excerpt from The Annex, Research Center Cycle IV)

“It is of the nature of the rule to desire the death of exception.” Jean-Luc Godard

From May 20 to July 26, 2023
Rotterdam, PAF, Brussels and Stockholm

Dear you:

These words are written with the knowledge the a.pass program will no longer exist. The end for the research program that a.pass was running for 15 years has come, and in your hands, you hold part of this end. It is the last annex of the Research Center, even though The Annex is not the end. It may seem dramatic, but do not forget that I grew up watching telenovelas in Fiske Menuco and Villarica, in the Argentinian and Chilean Patagonia, where I come from.

This letter is a sort of farewell to the Research Center Cycle IV and to a.pass, to which I’m part of, to where I belong. Therefore, the need for a farewell. But what is a farewell? Is it a space where we say, “Oh, goodbye, you have been so critical and helpful; we will miss you”? No, that’s silly on my part. I prefer to say: “With us an end.” A farewell in this case means that some people will lose their jobs, some books will no longer have a shelf, the rooms and offices that a.pass occupied will be empty. It’s crumbling around me right now, it is collapsing around us right now. Yet, we have to give an end to the format. It is not only sad, it is very exhausting and stressful. It is not only a pity, it is hard, it is a fuck you gesture with my finger on this paper, it is a wound because we are losing a space of discussion, a place that stores things of artists, personal stuff and professional stuff, an institution where credits are not determined by how much you read and how much you have demonstrated what you have learned. We lose an educational context in which there is no validation through grades, nor pass/fail course approval.

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information

THANK YOU!!!!

22 December 2023

DSCF2746 (2)

THANK YOU ALL for being present at a.pass Clearance Sale on December 9.
It was a tremendous pleasure to see all of you and to celebrate together the ending of an era. The end of a.pass as we all know it. The auction was for us a very pleasant moment, a ritual to say goodbye, but also a moment to gather and to support the people in Palestine. As we mentioned before, all proceeds from the liquidation will be donated to aid relief efforts in Gaza. And we are very happy to announce that we collected €4.677,50 !!!
The money has already be transferred to the Cultural Emergency Fund of HOPE foundation, this fund offers many local artists and teachers the opportunity to support children who are suffering the consequences of war and destruction. More info: HOPE foundation 

This wouldn’t have been possible of course without our excellent auction master Gary Farrelly, our special guest Elke Van Campenhout and the concept and scenography by Steven Jouwersma. And of course it wouldn’t have been possible without your presence and playing the auction game! THANK YOU!!


-, information

a.pass is looking for a new space

a.pass is at the moment in a transition fase, entering a period of reevaluation, reimagination, and ultimately reorganisation. At this moment we are using temporary spaces until September 2024. From September on we hope to find a new space. In case there are other organsiations looking for spaces, we would be happy to share space. All ideas are welcome!


information, project

a.pass Clearance Sale

9 December 2023 / a.pass

in support of Gaza relief, hosted by Gary Farrelly and special guest Elke Van Campenhout

IMG_0360 2 kopie

December 9 – Doors open at 11:00 for viewing, auction sale starts at 13:00 – Delaunoystraat 58-60 ** There will be soup and drinks.


a.pass Clearance Sale
           in support of Gaza relief
           hosted by Gary Farrelly and special guest Elke Van Campenhout

a.pass is entering a period of reevaluation, reimagination, and ultimately reorganisation. As part of this process, the institution is liquidating an overwhelming abundance of materials accumulated over the years. Items available for purchase include furniture, fixtures, lighting, art, office supplies, props, cables, electronics, artifacts, curiosities, catering supplies, mystery materials, not to forget the dance floor and much more. The sale will take the form of a garage sale, with larger, high-value items going under the auction hammer. Gary Farrelly will oversee the sale together with special guest Elke Van Campenhout. All proceeds from the liquidation will be donated to aid relief efforts in Gaza. The Cultural Emergency Fund of HOPE foundation offers many local artists and teachers the opportunity to support children who are suffering the consequences of war and destruction. More info: HOPE foundation 
 



 


information, performative publishing, project

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices

14 years of a.pass

In these circumstances

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices is a publication about artistic research as it is practiced within the co-learning environment of a.pass. This book brings together an assemblage of curatorial, artistic and pedagogical approaches emblematic of an institution that fosters collaboration, self-organisation and transdisciplinarity in research-based practices.

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information, lecture, performative publishing, project, reading session

a.pass, Moussem, SOTA, Lagrange Points A global reading of the Gaza Monologues

29 November 2023 / The Whirling Ear - Kunstberg, 1000 Brussels

International Day of Solidarity with the Palestinian People

GAZA EN

The ASHTAR Theatre in Ramallah is calling on theatres and artistic organisations around the world to perform the Gaza Monologues on Wednesday 29 November and share images of the performances on social media. The play, produced by the Palestinian theatre company in 2010, consists of 31 testimonies from children and young people who lived through the war in Gaza in 2008 and 2009. In short monologues they recount what happened to them during those weeks. As the violence in Gaza has viciously erupted again, the text is as relevant today as it was 13 years ago.
 
The United Nations General Assembly has declared November 29 as the International Day of Solidarity with the Palestinian People. That is why ASHTAR Theatre is calling for the text to be performed again on that day.
 
Several cultural houses and many artists in Flanders and Brussels are responding to this call, as well as organisations in 40 other countries. Together with SOTA, Moussem and Lagrange points, a.pass will organise a reading of these monologues in different langues in the public space: at the statue of Godfrey of Bouillon in the heart of Brussels.
 
In exchange for the use of the text, a financial contribution will be made to ASHTAR Theatre’s fund, which is dedicated to the psychosocial well-being of Palestinian children and trauma therapy.
 
By reading these monologues, we want to express our solidartity with the Palestian people. Reading can give a voice to those unheard, provide a platform to the voices that are currently being silenced. We have read, heard and seen many testimonies of the victims of the brutal terrorist attack on 7.10.2023. We got to see their faces in the newspapers; on television, we heard their stories and got to know their families. And that is undoubtedly how it should be.
 
When it comes to Palestinians, however, we only hear numbers: 5.000 killed, 10.000 killed, 15.000 killed. Reading these 31 monologues is a call for putting a face and a voice to the thousands and thousands people, children, who lost their lives. Those that simply can’t remain unheard and unseen.
 
Wednesday November 29
15h-17h at The Whirling Ear Fountain
between Koningsplein/place Royale & Kunstberg/Mont des Arts 1000 Brussels


information, performative publishing

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices

in_these_circumstances

 

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices is a publication about artistic research as it is practiced within the co-learning environment of a.pass. This book brings together an assemblage of curatorial, artistic and pedagogical approaches emblematic of an institution that fosters collaboration, self-organisation and transdisciplinarity in research-based practices.

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information

VACATURE administratief en financieel anker

 
administratief en financieel anker (60%)
m/v/x

 

a.pass is een artistieke onderzoeksomgeving die onderzoek ontwikkelt en ondersteunt naar performativiteit en scenografie, in een internationale artistieke en educatieve context.

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information

Steven Port

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information

short bio

Lili Rampre

Lili M. Rampre is researching strategies to highlight “off stage”; processes, practices and actors behind, off, under or above the stage. Lili’s research is focusing on power relationships and the dynamics of disparities in cultural capital (audience-performer, fan-star, producer-artist). Her work has often a role-reversal in its core proposal, ventriloquism of a kind, or unreliable narration. She tends to work from community to make a portrait of dissensus (is there a community, is it real?, portrayal of the limits) and is despite her sociologically coloured interest not employing quantitative methods of humanistic studies concerning analysis of the interviews with the audience which could provide a look into the language that said audience uses when they address the question of dance, but rather looks at the language as a live form that is used in the circle of (its) practitioners – dancers, dance teachers, art researchers and such.

 

https://lilimrampre.cargo.site


information

STREAMING


conference, information, research center

Research Futures Public Debate

10 July 2020 / online

Research Futures

July 10th 2020, 14h-18h, online

a.pass cordially invites you to join the workshop presentations and public debate of the conference Research Futures on the 10th of July at 14h (online )

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conference, information, research center

RESEARCH FUTURES

8-10 July 2020 / a.pass

Conference

The upcoming conference "Research Futures" will bring representatives from five institutions of artistic research together with professionals working in the field of education, arts, culture, artistic research, curation and activism to engage with a series of questions emerging from this comparative (self)-study. We want to understand better what is the range of educational and institutional strategies and practices operating in the field of artistic research today. Where do we see common struggles, pitfalls and current problematics with respect to our concerns with inclusivity, sustainable support structures, institutionalization of artistic research and politics of publication. And finally we would like to compare ourselves to the future: what are possible scenarios for artistic research to continue its contribution to the field of artistic production, and how can these contributions respond to the changing social realities of a challenging future?
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information, postgraduate program

Workshops and Companions

 

The workshops of this block will be ‘gardens’ – and therefore for once of spacial nature. I propose to ask these gardens to be our teachers, to learn from them, to let them put us at work, to ask them to suggest a practice to us, to make them structure our time and our collective research attempts etc. The gardens are the ‘education’ framework and the ‘atelier.’

 

For this, we need interpreters and people who have tools, figures or behaviours to engage, read and work within the workshops. These interpreters – probably we will call them ‚companions’ – will build a network, a web of knowledge, together with us and amongst themselves. I would like to invite quite some of them to accompany us – sometimes alone sometimes in couples or groups.

 

For further details watch out for following posts.

 

 

information, postgraduate program

Three Days a Week

29 April-28 July 2019

ö.
One day of relating to the environmental ecology by 'gardening'; one day of engaging giving seeds to the social ecology; and one day of diving into the mental ecology by composting the urgent knowledge.
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information

a.past


information, postgraduate program

Settlement 14 schedule

7-26 January 2019

 

MON 7th

14:00 meeting

17:00 cleaning, emptying the collective space

19:00 dinner

 

TUE 8th

10:00 Materials and Tools

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information

research center

AAA
 
The Research Center at a.pass is a platform for advanced research practices in the arts. It invites five to six associated researchers per one year cycle to develop their artistic research practice in a environment of mutual criticality and institutional support. In agreement with the individual research trajectory of the associate researchers the apass Research Center supports and facilitates forms of performative publishing (publications, presentations, exhibitions etc) experimental research set ups and collaborations.  The Center cohabits with the self-educational processes of the a.pass post-master program and functions as a resource for reflection on methodologies of collaborative research.

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Agenda

information, project

9 April 2024


Spring Drink & Films





information, postgraduate program

Nicolas Galeazzi Block overview

8 January-1 April 2018

plenum & forum

Fora&Plena
This post gives a sort overview over the organisation and schedule of the block 2018/I
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information

Documentation Handpad

2004-2010

Bildschirmfoto 2017-02-06 um 10.52.19
Featuring collective works with GASTSTUBE°performance and Berlin n@work as well as solo practices.
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information

newsletter2 september 2017

21-23 September 2017

An invitation to us visitors to temporarily observe and intentionally touch that ground we continuously step on. Landings brings together 7 a.pass researchers that started and finished their Post Master program at the same time.
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information

newsletter1

21-23 September 2017

An invitation to us visitors to temporarily observe and intentionally touch that ground we continuously step on. Landings brings together 7 a.pass researchers that started and finished their Post Master program at the same time.
Read more..

information, postgraduate program

Self-Interview & Peer-to-Peer mentoring

1 May-31 July 2015

self interview
SELF / Throughout the block we develop a self-interviewing practice. PEER / On top of the dedicated mentoring and the self-interview practice you will also mentor - and be mentored by -a peer researcher.
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information

Outline of the current block

9 January-30 April 2017

 

informations about the organisation and content of the current block here Block I:2017_Skeleton outline


information

Opening Days

9-20 January 2017 / a.pass

Presentations of everybody’s state of research. Presentation of the Research Center. Presentation of a.pass as institution. Presentation and practice of collective tools (website, administration, personal budgets…) Presentation of the curatorial principles of the current block.
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information

End Week Days

1-6 April 2017 / a.pass

The End Week Days are the last dedicated moments in the block for presenting our researches.
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information

Assemblies, Mentoring, Workshops, Ateliers

9 January-30 April 2017 / a.pass

This four months block gives you the opportunity to develop your research individually and collectively. The schedule is divided between mandatory days (30% of the time) as well as optional dispositives for you to compose as you wish what seems right for you and your research.
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information

half-way days

20-24 February 2017 / a.pass

The half-way-days are the second assembly gathering in each block.
Read more..

information, postgraduate program

Opening week Block II/2016

2-11 May 2016 / a.pass

Open up your practice to the others!
Read more..

information, postgraduate program

MENTORING STRATEGIES Block III/2016

5 September-4 December 2016

The dedicated mentors for this block are Femke Snelting, Kate Rich, Geert Opsomer and Philippine Hoegen.

According to your needs, you can choose for either 2 or 3 mentors.

In order to challenge you with a specific context and language of mentoring we would like to suggest for this block, that the team of mentors proposes one of those 2 or 3 mentors to you. We would like to experiment with this possibly confronting, contrasting, or specific support to your research.  With each of the 2 or 3 mentors you will have 4 hours of mentoring throughout the block.

Since the dedicated mentors will present themselves in the opening week and will attend all your presentations you will be able to decide on your mentors at the end of the first week.

To subscribe read more:

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information, postgraduate program

Lilia Mestre Block Focus: Sub -(e)ject

4 January-31 March 2016 / a.pass

The relation between writing and performance

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The proposal for this block follows up on scores as a tool to organize dialogical or intersubjective formats for exchange in artistic practice and research. In the past two years I developed in the frame of a.pass a score for writing practice, ‘Writing Scores’ and a score for performance ‘Perform Back Score’, both as discursive tools. Both scores created a platform for the different researches to co-habitate and to reflect back the methods and strategies each of us use in the making and thinking of our practices. The main questions are: How do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity in a collaborative environment? What does that do to our individual practices and to the collective itself?
Read more..

information

CONTACT LIST

Find here the contact list of all participants, mentors and team members of the current and past blocks.

Please keep it updated with the personal information you want to share.

 


information

call

for artistic research PROPOSALS

Due to the Ministry’s decision we have to put the Intakes on hold until further notice. 

Thanks for your interest in a.pass!

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information

scenography workshop

public workshops

a.pass regularly opens it doors to outsiders that are interested in the topic or in the workings of a.pass. To subscribe you just look in the menu: “public workshops“) and sign up to the event of your choice.

 


information, postgraduate program

HALF-WAY-DAYS

17-21 October 2016 / a.pass

Practice your practice with the others!
Read more..

information, postgraduate program

MENTORING STRATEGIES block 2015/III

1 September 2015

the new structure for dedicated mentorings and the interview sessions
Read more..

information

a.pass space

information

End Qualifications and Competences of the PhD researchers

Also on this level, we assume the same kinds of qualifications and competences in the PhD researchers as in the post-master researchers, but with some added qualities.

The PhD program aims to support researchers to become emancipated independent researchers in the fields of performance and scenography, or beyond. We support our researchers to think and work ‘out of the box’, or forget about the box altogether, and to become innovative practitioners and thinkers, that develop their work out of a (self-)critical ability to assess and relate their urgencies to a wider environment (the artistic and educational sector, society, the world). We encourage our researchers to think beyond the current value definitions of knowledge and to reappraise their own practices as precious contributions to society. We help our researchers to connect to the world, by supporting them to network, collaborate with external partners, and communicate their work to an outside audience of artists, public and professionals.

We expect our PhD researchers to have developed a thorough knowledge of the theoretical as well as artistic practice fields they address in their research, and to be capable of sharing the knowledge that has been developed throughout the research within the public realm throughout lectures, conferences, publications, performances or other experimental set-ups.

a.pass also expects its PhD researchers to have developed the social skills, broad societal interests, and pedagogical capacities to pass on the experimental spirit of research to upcoming researchers and interested groups, and to offer the research a public context in which to nourish itself and the world around it. As such, we count it among the end qualifications of the PhD students, that they will be capable to use their research competences later on in their professional life as a lever for change and reappraisal of the status quo of shared knowledge in any given circumstances.


information

Goals of the a.pass PhD program


information

Researching in Association

 
a.pass offers a collaborative environment for the development of artistic research. Five to six researchers join the Research Center for a one year cycle. They are accompanied by three Research Curators that consecutively take care of the center. The activities of the research center are organised around performative publishing, engagement with external research situations and peer reviewing/collective mentoring. Research is developed, shared and performed in public lectures, workshops, conferences, publications, performances and other experimental set-ups. The Research Center meets on a bi-weekly basis to self-organise and share processes. In addition, research curators are available for individual meetings.
 
Associated researchers are seen as partners of a.pass. They have access to the collective activities of the post-master program. a.pass provides technical support, workspace and supports performative publishing. Associated researchers do not pay a fee. a.pass can act as an institutional partner in applications for funding or academic research. The specific terms of the association will be formulated in an individual contract between the researcher and a.pass, delineating the research steps that will be developed within the a.pass environment and their possible public outcomes.

information

HOW TO BECOME ASSOCIATED AS A RESEARCHER

 
Associated researchers can apply three times per year for the upcoming cycle, ideally after an initial conversation with one of the a.pass curators. The next cycle begins in May 2021.
 
The research center invites associated researchers who:
– are involved in ongoing advanced artistic research
– have a practice-based understanding of artistic research
– are associated to multiple platforms of support
– have the ability to formulate and follow their own study trajectory
– are able to self-organise and contribute to collective processes
– have experience with making their research public, and are interested in contributing it to the public program of a.pass
 
An associated researcher involved in a PhD program can propose to develop their PhD research as a part of their trajectory within the a.pass environment. This can happen at any time during the PhD trajectory. Since a.pass can not formally grant or evaluate PhD certificates, the researcher has to be already associated with a university and a university supervisor.
 
Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.
 
 
 

information

Library

Please choose an item and send an email to production@apass.be with your request.


information

How to find a.pass

a.pass 
advanced performance and scenography studies
Posthogeschool voor Podiumkunsten vzw
Delaunoystraat 58-60 bus 17
1080 Brussels (Sint-Jans-Molenbeek)
Belgium

email us: office@apass.be

talk to us: +32 (0) 486 57 61 01

The office and meeting space are situated at GC Nekkersdal: Emile Bockstaellaan 107, 1020 Laken

The library and workspace can be found at Manchesterstraat 17, 1080 Molenbeek

 

 

 


information

Team

At the moment a.pass is in a transition phase, there is no Artistic Coordinator. For all your questions you can contact our general coordinator.

 

General Coordinator

Kristof Van Hoorde

kristof@apass.be

Responsible for finances, contracts, visa & attestation issues. On a more global level he deals with all legal matters such as the ministry, the board, the building, the insurance.

 

Scenographic and Technical support:

Steven Jouwersma

support@apass.be

Technician and practical advisor of scenographic, digital, infrastructural and material questions.



APPLY TO THE A.PASS PROGRAMMES

Unfortunately we no longer have applications. Both programs: the Postgraduate as well as Research Center have come to an end due to the decision of the ministry of education to stop financing a.pass. At the moment we look into new plans for the future. More news soon on our website.

Alternativly you can upload your Research proposal, Portfolio, CV and other documents here.

Maximum file size: 50 MB, maximum 5 files.

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Open Call



Contact person.


Every application will be offered a copy while stocks last of the a.pass publication In These Circumstances: a collection of methodologies, insights, experiences, ideas, researches from 15 years of a.pass. If you like to receive a copy then please provide an address below.




Please provide us with the following information:

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