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    • Info
    • research center 13 January 2018
      posted by: Elke van Campenhout
       
      The Research Center at a.pass is a platform for advanced research practices in the arts. It invites five to six associated researchers per one year cycle to develop their artistic research practice in a environment of mutual criticality and institutional support. In agreement with the individual research trajectory of the associate researchers the apass Research Center supports and facilitates forms of performative publishing (publications, presentations, exhibitions etc) experimental research set ups and collaborations.  The Center cohabits with the self-educational processes of the a.pass post-master program and functions as a resource for reflection on methodologies of collaborative research.
       
      Rather than consolidating the existing discourse around the notion of artistic research, a.pass is committed to accumulating different understandings of artistic research through practicing its frameworks, archives and vocabularies. By bringing together differently practiced notions of artistic research, apass is assembling an intense reflection on modes of study, knowledge production and knowledge sharing within the artistic field. a.pass is interested in the actualisation of performing knowledge because it considers artistic research as a situated, contextual practice which is the consequence of the ongoing negotiation between its stakeholders, contextual fields and discourses. a.pass interacts with academic, activist, practice-based fields and methods of research, and supports the development of rigorous, inventive forms of artistic research on the intersections between those fields and in tension with academic artistic research as a developing discipline.
       
      The center itself is not a solid institutional body with its associate researchers as satellites, it is rather constructed as a support structure that brings different trajectories and fields of research to a multitude of temporary overlaps.  It's institutional and long term structures work towards a  repository of methodologies, forms of archive and making public of artistic research practice.
       

      a.pass offers a collaborative environment for the development of artistic research. Five to six researchers join the Research Center for a one year cycle. They are accompanied by three Research Curators that consecutively take care of the center. The activities of the research center are organised around performative publishing, engagement with external research situations and peer reviewing/collective mentoring. Research is developed, shared and performed in public lectures, workshops, conferences, publications, performances and other experimental set-ups. The Research Center meets on a bi-weekly basis to self-organise and share processes. In addition, research curators are available for individual meetings.
       
      Associated researchers are seen as partners of a.pass. They have access to the collective activities of the post-master program. a.pass provides technical support, workspace and supports performative publishing. Associated researchers do not pay a fee. a.pass can act as an institutional partner in applications for funding or academic research. The specific terms of the association will be formulated in an individual contract between the researcher and a.pass, delineating the research steps that will be developed within the a.pass environment and their possible public outcomes.
    • Info
    • Opening Days 03 January 2017
      posted by: Pierre Rubio
    • a.pass
    • 09 January 2017
    • 20 January 2017
    •  

       

      everyone will introduce the state of her research,

      a.pass will introduce her new team and organisation,

      the curatorial proposal of the current block will be presented and appropriated,

      the four dedicated mentors will introduce themselves and present their practice,

      we will establish¬†a ‚Äėblock research plan‚Äô to decide what to discriminate¬†between all the possible options in a dialogue with us and the group.

       
       

       

      Prepare for the 9th of January a written text about you and the current state of your research.

      A written synthesis of your research, and of you as a researcher, ‚Äėat time t‚Äô.

      This text -one to two pages long- will be very useful during the opening days as part of your individual presentation but as well as a communication device to introduce your work to your mentors.

       

       

      Score:

      Imagine yourself in a desirable future some 20 years ahead and imagine the present from there:

      who were you?

      where did you come from?  

      what was your research about?

      what was the problem/question you wanted to pose with this research?

      what was the current state of your research?

      what did you want to achieve during that block in a.pass?

      what were you speculating for within this period of time?

      what were you angry about the world and or your environment?

      what did give you hope?

      …?

       

       

    • Info
    • End Week Days 03 January 2017
      posted by: Pierre Rubio
    • a.pass
    • 01 April 2017
    • 06 April 2017
    • ¬†

      The End Week Days are the last dedicated moments in the block for presenting our researches and for constructing a vision for the rest of our research trajectory. These days are the times for analysing the current block and come up with plans for the future. Beyond individual presentations and feedback sessions everyone is invited to propose other activities in relation to her/his/your/our research(es).

    • Info
    • Assemblies, Mentoring, Workshops, Ateliers 03 January 2017
      posted by: Pierre Rubio
    • a.pass
    • 09 January 2017
    • 30 April 2017
    •  

       

      This four months block gives you the opportunity to develop your research individually and collectively.

      We organise a very diverse series of activities and possible involvements into a large range of practices for you to deepen your research.

      The schedule is divided between mandatory days (30% of the time) as well as optional dispositives for you to compose as you wish what seems right for you and your research.

      What is mandatory?

      Assemblies (opening week, half-way-days, and end week)

      Mentorings (4 dedicated mentors practice days, 2 dedicated mentors individual sessions, 1 a.pass art coordinator individual session)

      Workshops (1 workshop on the three which are proposed for this block)

      Curated Ateliers (4 days participation in the Trouble on Radio Triton dispositive)

       

       

       

    • Info
    • half-way days 03 January 2017
      posted by: Pierre Rubio
    • a.pass
    • 20 February 2017
    • 24 February 2017
    • The half-way-days are the second assembly¬†gathering in each block. It is the moment where the exchange of practices include the direct involvement of the others into our own practices. This intense week of exchanges is a practical research moment and a chance to test and develop our methodologies.

       

    • Info
    • CONTACT LIST 21 April 2015
      posted by: Nicolas Y Galeazzi

      Find here the contact list of all participants, mentors and team members of the current and past blocks.

      Please keep it updated with the personal information you want to share.

       

    • Also on this level, we assume the same kinds of qualifications and competences in the PhD researchers as in the post-master researchers, but with some added qualities.

      The PhD program aims to support researchers to become emancipated independent researchers in the fields of performance and scenography, or beyond. We support our researchers to think and work ‚Äėout of the box‚Äô, or forget about the box altogether, and to become innovative practitioners and thinkers, that develop their work out of a (self-)critical ability to assess and relate their urgencies to a wider environment (the artistic and educational sector, society, the world). We encourage our researchers to think beyond the current value definitions of knowledge and to reappraise their own practices as precious contributions to society. We help our researchers to connect to the world, by supporting them to network, collaborate with external partners, and communicate their work to an outside audience of artists, public and professionals.

      We expect our PhD researchers to have developed a thorough knowledge of the theoretical as well as artistic practice fields they address in their research, and to be capable of sharing the knowledge that has been developed throughout the research within the public realm throughout lectures, conferences, publications, performances or other experimental set-ups.

      a.pass also expects its PhD researchers to have developed the social skills, broad societal interests, and pedagogical capacities to pass on the experimental spirit of research to upcoming researchers and interested groups, and to offer the research a public context in which to nourish itself and the world around it. As such, we count it among the end qualifications of the PhD students, that they will be capable to use their research competences later on in their professional life as a lever for change and reappraisal of the status quo of shared knowledge in any given circumstances.

      • a.pass wants to offer a critical and collective practice-based environment for the development of the understanding of the Phd in the Arts.
      • a.pass wants to develop tools for the evaluation and assessment of the knowledge that is not developed on the basis of academic or scientific criteria, but that takes seriously the qualities and values of knowledge as developed throughout artistic methodologies, attitudes and frameworks of research.
      • Since often the end result in this case is not necessarily the most eloquent part of the research, a.pass wants to stimulate the exchange of methodologies, practices and work sessions in-between researchers and with a larger group of interested ‚Äėoutsiders‚Äô as a fundamental part of the PhD communication and assessment process.
      • a.pass wants to support radical and experimental PhD-trajectories that critically challenge the status quo of the knowledge production within other environments, and value the transindividual richness of a shared knowledge processing environment.
      • a.pass wants to develop PhD trajectories that are self-critical and relating the research to larger economic, political, academic, social, or other realities. a.pass wants to stimulate researchers to step out of their self-referential framework of discourse, professional ambitions and specialization and take on a more challenging position towards the construction of the PhD as a tool in a greater societal reality.
      • a.pass wants to support researchers in their ambition to become engaged mentors in the development of tools for sharing of knowledge, and the facilitation of critical research for others, out of a spirit of generosity, interest, experimentality, criticality and artistic sensitivity.
    • ¬†
      a.pass offers a collaborative environment for the development of artistic research. Five to six researchers join the Research Center for a one year cycle. They are accompanied by three Research Curators that consecutively take care of the center. The activities of the research center are organised around performative publishing, engagement with external research situations and peer reviewing/collective mentoring. Research is developed, shared and performed in public lectures, workshops, conferences, publications, performances and other experimental set-ups. The Research Center meets on a bi-weekly basis to self-organise and share processes. In addition, research curators are available for individual meetings.
       
      Associated researchers are seen as partners of a.pass. They have access to the collective activities of the post-master program. a.pass provides technical support, workspace and supports performative publishing. Associated researchers do not pay a fee. a.pass can act as an institutional partner in applications for funding or academic research. The specific terms of the association will be formulated in an individual contract between the researcher and a.pass, delineating the research steps that will be developed within the a.pass environment and their possible public outcomes.
    • ¬†
      Associated researchers can apply three times per year for the upcoming cycle, ideally after an initial conversation with one of the a.pass curators. The next cycle begins in May 2021.
       
      The research center invites associated researchers who:
      - are involved in ongoing advanced artistic research
      - have a practice-based understanding of artistic research
      - are associated to multiple platforms of support
      - have the ability to formulate and follow their own study trajectory
      - are able to self-organise and contribute to collective processes
      - have experience with making their research public, and are interested in contributing it to the public program of a.pass
       
      An associated researcher involved in a PhD program can propose to develop their PhD research as a part of their trajectory within the a.pass environment. This can happen at any time during the PhD trajectory. Since a.pass can not formally grant or evaluate PhD certificates, the researcher has to be already associated with a university and a university supervisor.
       
       
       
      or have a look at the post-graduate program
       
       
    • Info
    • How to find a.pass 25 February 2015
      posted by: Nicolas Y Galeazzi

      a.pass 
      advanced performance and scenography studies
      Posthogeschool voor Podiumkunsten vzw
      Delaunoystraat 58/17
      1080 Brussels (Sint-Jans-Molenbeek)
      Belgium

      email us: office@apass.be

      talk to us: +32 (0) 2 411 49 16

      Our office is situated on the 3rd floor of the main building of the Bottelarij - Brussels Event Brewery.

       

       

       

       

    • Info
    • Team 25 February 2015
      posted by: Nicolas Y Galeazzi

      Curators:

      Nicolas Galeazzi
      Lilia Mestre
      Vladimir Miller
      Pierre Rubio

       

      Artistic Coordinator:

      Lilia Mestre
      lilia@apass.be

       

      Production Coordinator:

      Joke Liberge

      production@apass.be

      She is the production manager and responsible for the general co-ordination between the artistic & the practical.

       

      Administrator:

      Michèle Meesen

      office@apass.be

      Responsible for contracts,visa & attestation issues, payments and reimbursements. On a more global level she deals with all legal matters such as the ministry, the board, the building, the insurance.

       

      Scenographic and Technical support:

      Steven Jouwersma

      support@apass.be

      Technician and practical advisor of scenographic, digital, infrastructural and material questions.

    • Info
    • a.pass programs 18 December 2014
      posted by: Elke van Campenhout
    • test
    • a.pass organizes two programs (the post-master and PhD program) with slightly different goals and end qualifications, which are both sustained, fed and communicated through the efforts of the a.pass research center. In this point we will clarify the organization of the different cells and their aims, and define their specific research goals that are addressed on all these levels.

    • Info
    • ABOUT MENTORING(S) 18 December 2014
      posted by: Nicolas Y Galeazzi
       
      In a.pass researchers are individually supported by different mentors. 
       
      1. Dedicated Mentors are mentors proposed by a.pass. Researchers can choose two mentors out of four and are expected to attend four sessions of +/- two hours per block.
       
      2. Researchers meet twice a block the coordinator to evaluate their research plan and trajectory.
       
      3.  Personal mentors are chosen by the researchers themselves in discussion with the coordinator.
      (Researchers have an individual research budget for external engagements with the personal mentors.)

       

    • ¬†
      In the apass co-learning environment and within most of the program activities some space is systematically dedicated to discussing, sharing and feed-backing formats. These formats  are being created and revisited as part of the a.pass self-educating trajectory and they continuously inform the program development. Feedback, critique and discussion within a.pass are living tools of research that organically emerge out of the practices of the researchers, curators and mentors.
       
      The a.pass institute aims to build a culture of discussion in which we ‚Äėagree to disagree, rather than one of argumentative oppositions or of convenient politeness. Resisting the reproduction of established research culture, the feedback and exchange sessions develop a space for ‚Äėagonistic debate‚Äô: an open field for supporting, complementing, challenging and even re-routing each others‚Äô positions.
       
      The collective co-learning environment of a.pass opens a platform for the development of stronger, more grounded and more critical positions for artistic researchers, which in turn contribute to the common practices and knowledge processings. Discussion and feedback formats simultaneously strengthen, sharpen and delineate what can be said. . Experimental  formats for communication and sharing  create hospitable conditions for the emergence of different logics, procedures and discourses. 
       
      A.pass often borrows techniques from different environments (critical theory, therapy, activism, political organization, technology,  and so on...) to create critical discursive dispositives as such as ritual practices, object constellations, tarot cards readings, concept mapping, walking discussions, silent communication, speed dating, cooking sessions, family constellation discussions, mind-mapping, dragon dreaming, score writing, fanzine-ing, radio programing, etc….  
       
       

       

    • Event
    • Info
    • Performance
    • PHARMAKON 10 December 2014
      posted by: Elke van Campenhout

       

      ‚ÄėPharmakon: whitch culture?‚Äô, was a Thematics artistic research residency project, taking place in Brussels from the 15th of October until the 15th of December 2014. This residency was one of the stages in the development of the broader, transnational ‚ÄėPharmakon‚Äô research project undertaken by Institut Nomade. The ‚ÄėPharmakon: whitch culture?‚Äô conference (28-30/11/2014) lasted three days and explored the theoretical and artistic approaches to deal with an increasingly toxic economic, ethical and cultural environment, in search of other techniques by which to connect, share and imagine the fabric of our togetherness. As a ‚Äėperformative conference‚Äô, this meeting involved artists as well as theorists, dissolving the boundaries between ‚Äėspecialists‚Äô and ‚Äėpublic‚Äô, and between ‚Äėperformers‚Äô and ‚Äėtheorists‚Äô, and opens up a space for desire and reflection.

      Thematics was organized by Bains Connective, in collaboration with Institut Nomade, the a.pass research center and Kaaitheater.

      full description of the project here.

       

    • Info
    • researchers 10 December 2014
      posted by: Elke van Campenhout

      The associate researcher joins a.pass for one year, and in that time develops and ‚Äėexemplary artistic research‚Äô: a research that challenges the notions of practice-based methodologies and knowledge to its limits, and questions the values of knowledge developed in artistic research contexts. The associate researcher is financially part-time supported for one year, and gets production¬† support for the development of the public phases of the research, as well as mentoring support.
      Between 2014 and 2015 Veridiana Zurita initiated three ongoing artistic research projects; ‚ÄėDon‚Äôt Eat the Microphone‚Äô: a weekly session developed together with the residents of the psychiatric hospital Dr. Guislain in Ghent, ‚ÄėTelevizinho‚Äô: a series of re-enactments of Brazilian soap-operas with no-actors of the river side community Santa Isabel in the Amazon (BR) and ‚ÄėMommy, Daddy, Me‚Äô: a letter trialogue about love relationships between herself and her parents. www.veridianazurita.com

      The independent researchers are only loosely connected to the research center, and are selected on the level of the interest of their already existing research trajectory. Current independent researchers are for example visual artist Alexis Destoop and his research into ‚Äėlandscape scenographies‚Äô in the framework of the Anthropocene, and musician Eric Thielemans and his research on the ‚Äėensemble‚Äô as instrument for the development of shared cosmologies and artistic instrumentarium. These researchers are only minimally and punctually supported at the moment of the publication (live or in writing) of their research results.

      The research coordinator (Elke Van Campenhout) also develops her research within the research centre, which partly consists in analyzing, publishing, and making accessible a.pass research results and methodologies (through publications, outside workshops and lectures, conferences, etc‚Ķ) and partly also consists of her own collaborative research trajectory Bureau d‚ÄôEspoir, that looks into a contemporary and performative redefinition of ‚Äėhope‚Äô through the lenses of political philosophy, choreography and spiritual body practices.

       

      webpics_apass16

    • Info
    • organization 10 December 2014
      posted by: Elke van Campenhout

      The a.pass research centre works on different levels. On a first level the centre brings together long-time researchers in a context of collaboration and sharing. On this level currently we have in the research center three kinds of workers: the PhD researchers, the associate researcher, the research coordinator and the independent researchers.

       

      On a second level, the research centre also documents, archives and opens up research results and methodologies on a larger scale. Through the creation of a larger context for the end communications of the participants, through the publications, conferences, workshops and lectures, experimental collaborations etcetera. A lot of these activities will be mentioned again throughout the development of this report, but a full list of activities of the research centre, and its collaborations can also be consulted in the overview pages in the Appendix.

    • Info
    • PhD environment 10 December 2014
      posted by: Elke van Campenhout

      The Research Centre aims to support researchers  on a pre(PhD) level to become emancipated independent researchers in the fields of performance and scenography, or beyond.

      We support our researchers to think and work ‚Äėout of the box‚Äô, or forget about the box altogether, and to become innovative practitioners and thinkers, that develop their work out of a (self-)critical ability to assess and relate their urgencies to a wider environment (the artistic and educational sector, society, the world). We encourage our researchers to think beyond the current value definitions of knowledge and to reappraise their own practices as precious contributions to society. We help our researchers to connect to the world, by supporting them to network, collaborate with external partners, and communicate their work to an outside audience of artists, public and professionals.

      We expect our PhD researchers to have developed a thorough knowledge of the theoretical as well as artistic practice fields they address in their research, and to be capable of sharing the knowledge that has been developed throughout the research within the public realm throughout lectures, conferences, publications, performances or other experimental set-ups.

      a.pass also expects its PhD researchers to have developed the social skills, broad societal interests, and pedagogical capacities to pass on the experimental spirit of research to upcoming researchers and interested groups, and to offer the research a public context in which to nourish itself and the world around it.  As such, we count it among the end qualifications of the PhD students, that they will be capable to use their research competences later on in their professional life as a lever for change and reappraisal of the status quo of shared knowledge in any given circumstances.

      • a.pass wants to offer a critical and collective practice-based environment for the development of the understanding of the Phd in the Arts.
      • a.pass wants to develop tools for the evaluation and assessment of the knowledge that is not developed on the basis of academic or scientific criteria, but that takes seriously the qualities and values of knowledge as developed throughout artistic methodologies, attitudes and frameworks of research.
      • since often the end result in this case is not necessarily the most eloquent part of the research, a.pass wants to stimulate the exchange of methodologies, practices and work sessions in-between researchers and with a larger group of interested ‚Äėoutsiders‚Äô as a fundamental part of the PhD communication and assessment process.
      • a.pass wants to support radical and experimental PhD-trajectories that critically challenge the status quo of the knowledge production within other environments, and value the transindividual richness of a shared knowledge processing environment.
      • a.pass wants to develop PhD trajectories that are self-critical and relating the research to larger economic, political, academic, social, or other realities. a.pass wants to stimulate researchers to step out of their self-referential framework of discourse, professional ambitions and specialization and take on a more challenging position towards the construction of the PhD as a tool in a greater societal reality.
      • a.pass wants to support researchers in their ambition to become engaged mentors in the development of tools for sharing of knowledge, and the facilitation of critical research for others, out of a spirit of generosity, interest, experimentality, criticality and artistic sensitivity.
    • Info
    • PhD - organization 10 December 2014
      posted by: Elke van Campenhout

      The Research Centre which is hosting (pre)PhD level researchers is organized on a tailor-made basis with each individual researcher. The program is organized within the a.pass research center, that facilitates the research of the research curator, the associate researchers, and the independent researchers (see below), but also communicates closely with the post-master program. Concretely this means that a PhD researcher applies to develop (part of) her trajectory within the a.pass environment. This can happen in the pre-PhD phase, or at any time during the PhD trajectory. Since a.pass can only support PhD trajectories, but not grant or evaluate the PhD certificate, the researcher has to find, or be already associated with a university and a university supervisor. When starting a PhD project in a.pass, the researcher and the research curator together make up a work contract that stipulates the temporal structure (how long will the researcher be working in a.pass? how many times does she plan to come back?), the foreseen research steps that will be developed within the a.pass environment and the public outcome of the research within that period of time.

      This contract then will be signed by the researcher, the a.pass research coordinator, the supervisor at the university, and the head of the department of the university.

       

      Researchers can join a.pass in the preparation phase of the research, to strengthen, precise, delineate and develop the research proposal for being admitted into a PhD program at a university. In this phase a.pass offers mainly feedback in the process of the dossier making, and if possible also assists in networking, contacting possible supervisors, and organizing meetings. When the PhD has already started, a.pass offers a collaborative environment for the development of the research, leaving the researcher the option to participate in the workshops of the post-master program, organize workshops or work groups themselves, choosing mentors etc… PhD researchers are strongly encouraged to open up their research trajectory to a larger audience in any form they find useful. Next to the program, a.pass also offers feedback through the meetings of the research center group activities.

       

      In that sense every PhD-trajectory is quite different, but what is appreciated the most in the feedback from the Phd participants is the opportunity to work in a collective environment, test out their research hypotheses with a larger group of participants, get real-time feedback on their work, and be part of a critical and supportive team of researchers that freely exchange, critique and acknowledge each other’s work.

    • Info
    • Curriculum 07 November 2014
      posted by: Nicolas Y Galeazzi
       
      During its one-year course the program is sequenced into three blocks of four months, each block organised by a different curator towards a specific mode of research and collaboration. In general the blocks  assemble in different proportions the following elements:
      Development of artistic research practices, theoretical studies, workshops with guest practicioners, dispositives of feedback and exchange, modes of research presentation, attendance to public events related with current concerns (conferences, seminars, performances, festivals, etc), series of individual and collective mentoring sessions with invited mentors. 
      Within this curated framework the researchers are encouraged to contribute to the conceptualisation, organisation and performance of self-organized activities and practices.
       
       
      Timing & Organisation of the PROGRAM
       
      The one-year program is organised in three 'blocks' of four months, each of them divided in three months of curated curiculum in group and one month focused on self-organised individual work. 
      After the twelve months program an extra month is fully dedicated  to the preparation and performance of a form of communication of the individual research.projects within a collective public event.
      Exceptionally - when participants want to interrupt their studies for professional activities or to intensifie their personal studies - it is possible to skip one block and to extend the duration of the program to a maximum of 17 months.
       
       
      Timing & Organisation of the BLOCKS
       
      A block is structured by three collective moments: Opening Week (first week of the block), Half-Way-Days (middle of the block) and End Week (last week of the block). 
      These three mandatory collective moments are dedicated to the individual research presentations. Each of them has a particular objective and question towards the research: Opening week focuses on information (what?), Half-Way-Days on method (how?) and End-Week on contextualisation (why?)
      In addition to these three weeks the researchers  (in dialogue with the curator and coordinator) design their trajectory with a minimum of three weeks of presence and engagement in the block program.

       

    • Info
    • Tuition fee 05 November 2014
      posted by: Nicolas Y Galeazzi

      The tuition fee for the a.pass programs is fixed at 1.200,00 EUR.

      250,00 EUR should be paid within the first four weeks after the start of the program. The remaining 950,00 EUR of the enrollment fee should be paid before the end of your first block.

    • Info
    • Hand in 05 November 2014
      posted by: Nicolas Y Galeazzi

      Your application has to be handed it by midnight of the deadline date! Please use the application form on this page (green 'apply' button) or  a large file delivery can be sent by post to:

      a.pass - applications
      Delaunoystraat 58-64, B17
      1080 Brussels (Molenbeek) / Belgium
       

      Applicants will receive confirmation of their application upon receipt of their proposals.

      Candidates may be asked to give more information or to specify certain elements of their research proposals. To this purpose they may be invited for an interview.

    • Info
    • Requirements 05 November 2014
      posted by: Nicolas Y Galeazzi
       
      To apply for the position of a researcher at the post-graduate program you are asked to submit an artistic research proposal. Your application should provide a clear insight in what you aim to achieve in the one-year working period at a.pass and the relevance of your proposal in a collective research environment.
       
      The application dossier should include:
       
      -your research proposal, including your larger research trajectory, the specific project or part of it you would like to engage in at a.pass, possible public formats of presentation, possible interactions with the a.pass the post-graduate and the kind of support that these proposals would need at a.pass.
      -Portfolio (relevant works in relation to the research proposal)
      -CV
      -Diploma or equivalent proof of a master-level qualification.
       
      Candidates should be holders of a master’s diploma (artistic or theoretical) and deliver a copy of it upon registration.  In certain cases application without a master's diploma can be considered, if the practice-based experience of the applicant is equivalent to the masters level. 
       
      Please upload your dossier as a PDF file via the online form.
       
    • ¬†
      Every block (in January, May and September) new researchers  join the program.  This system allows the researchers to exchange experience during the different phases of their research processes and  brings about a constant flow of new perspectives and ideas.
       
      The a.pass program is a one-year program consisting of three blocks of four months. The first three months of each block take place within the organized collective research environment.  The fourth month of each block is open for the individual development of the research project.
       
      A.pass is an intensive program relying on the researchers presence and contributions, nevertheless it is possible to combine the program with some external projects. The participation of the researcher in the block is planned in dialogue with the coordinator and the program curator.
       
      Artistic creation ourside of  a.pass research can be integrated into the individual research trajectory: participants can work on their own creations during their studies at a.pass, insofar as these creations are part of the participant’s research project.
       
      A.pass accepts proposals three times per year: in February, June and October (application deadlines are always 6 -7 month before a possible program start). 

       

      Apply here

      Or check out: the associated researcher program

    • Info
    • Duration 05 November 2014
      posted by: Nicolas Y Galeazzi

      A.pass is a self-organised full time programme and takes up 13 months in total, which means participants follow three blocks of 4 month consecutively.

      12 month in the study program and a 13th month for the final presentation of your research case.

      Exceptionally - when participants want to interrupt their studies for professional activities, or to intensifie their personal studies beyond the collaborative framework - we allow for an extension of the working period to a maximum duration of 17 months. Such a decision can only be made by the a.pass staff on explicit request beforehand and needs official approval. A 4-month block can never be attended partially.

    • Info
    • Selection criteria 05 November 2014
      posted by: Nicolas Y Galeazzi

       

      The selection of research proposals will be made based on the following criteria:
      1. value of the proposal for the researcher’s trajectory
      2. problematisation of content and methodologies that underline the practice
      3. development of experimental and critical forms of performance and spatial practice
      4. contribution to the a.pass collective research environment
      5. relation to the current international development of artistic research
       
       
    • Info
    • Location(s) 11 July 2014
      posted by: Guido Lucassen
      a.pass is currently situated at the former industrial site 'de Bottelarij - Brussels Event Brewery in Molenbeek (Brussels). The former brewery is now occupied by a variety of cultural organizations.
       
      a.pass works mostly in two different spaces:
       
      The 650 square meters collective studio, situated on the 4th floor of the building, where the program takes place and researchers can develop their work.
       
      The second space on the 3dr floor is dedicated to the administrative office, collective library and meeting space.
       
       
      We provide a storage space for technical equipment and a workshop for small scenography undertakings.
       
       
      The a.pass program regularly collaborates with Zsenne ArtLab (Brussels), Nadine (Brussels) and PAF (Performing Arts Forum) where some of our activities take place.

       

       

       

    •  

       

      Researchers following the a.pass program  develop a practice-based research, take an investigative look at their artistic trajectories and engage in a particular discursive approach.
      Focusing on individual work, researchers are working in a largely self-organized and collaborative environment where they take up an active role in the development of the a.pass research environment and act as responsive agents in (re)thinking artistic research methodologies, collective feedback strategies and practical organization.
       
      In order to create this context of self-organization, collaboration and participation a.pass is established as a full time program  requiring following minimum presence and participation.
       
      For each block of 4 months researchers:
      • attend three collective moments (Opening Week, Half-Way-Days Week, and End Week)
      • and follow at least¬† three weeks of curated programme per block
      • attend four mentoring sessions with two dedicated mentors
      • attend two meetings with the¬† coordinator

       

      To successfully conclude the a.pass program researchers are required to communicate their research in the frame of a public event.
       
       
    • A.pass offers a one-year program for the development of artistic research projects on a post-master level in a critical and collaborative environment.
      The program invites artists, performers, researchers, writers, curators, theoreticians to challenge the limits of their practice through developing and applying research methodologies which bring to the forefront its performative, spatial and collaborative aspects.  
      The program opens a space for speculative and experimental modes of practice and critical thinking. Researchers are invited to follow their research as a trajectory within an environment of self-organisation, collaboration and participation. They engage in presentation and feedback, collective workshops, individual and group mentoring, and modular interactions with the curators and the other researchers. The content and the practical apparatus of the program are shaped by the a.pass curators and the collaborative and public aspects of the participant's research.

       

       

       
    • Info
    • Selection 03 July 2014
      posted by: Guido Lucassen

      The PhD program is organized on a tailor-made basis with each individual researcher. The program is organized within the a.pass research center, that facilitates the research of the research coordinator, the associate researchers, and the independent researchers (see below), but also communicates closely with the post-master program. Concretely this means that a PhD researcher applies to develop (part of) her trajectory within the a.pass environment. This can happen in the pre-PhD phase, or at any time during the PhD trajectory. Since a.pass can only support PhD trajectories, but not grant or evaluate the PhD certificate, the researcher has to find, or be already associated with a university and a university supervisor. When starting a PhD project in a.pass, the researcher and the research coordinator together make up a work contract that stipulates the temporal structure (how long will the researcher be working in a.pass? how many times does she plan to come back?), the foreseen research steps that will be developed within the a.pass environment and the public outcome of the research within that period of time.

      This contract then will be signed by the researcher, the a.pass research coordinator, the supervisor at the university, and the head of the department of the university.

      Researchers can join a.pass in the preparation phase of the research, to strengthen, precise, delineate and develop the research proposal for being admitted into a PhD program at a university. In this phase a.pass offers mainly feedback in the process of the dossier making, and if possible also assists in networking, contacting possible supervisors, and organizing meetings. When the PhD has already started, a.pass offers a collaborative environment for the development of the research, leaving the researcher the option to participate in the workshops of the post-master program, organize workshops or work groups themselves, choosing mentors etc… PhD researchers are strongly encouraged to open up their research trajectory to a larger audience in any form they find useful. Next to the program, a.pass also offers feedback through the meetings of the research center group activities.

      In that sense every PhD-trajectory is quite different, but what is appreciated the most in the feedback from the Phd participants is the opportunity to work in a collective environment, test out their research hypotheses with a larger group of participants, get real-time feedback on their work, and be part of a critical and supportive team of researchers that freely exchange, critique and acknowledge each other’s work.

    • Info
    • Content of the Research Proposal 03 July 2014
      posted by: Nicolas Y Galeazzi
    • Your proposal should consist of:
      • A description of your project, including a research plan addressing the central question and a proposed research trajectory and methodology. Please address the potential of your research to contribute to experimental performative or spatial modes of knowledge production.
      • Proposal(s) on the modes of communication and sharing¬† of your research within the a.pass environment and to a wider public (which formats would you like to explore to communicate, document and archive your research?)
      • A portfolio of your past projects : excerpts from videos, films, photos, texts, reviews, drawings, paintings, etc.
      • A curriculum vitae including information on your master's diploma (or the highest diploma you obtained) and your professional experience.
       
       
    • Info
    • Contexts 03 July 2014
      posted by: Guido Lucassen

      Contexts

      a.pass is an artistic research environment that develops research on performativity and scenography, in an international artistic andeducational context.

      For this a.pass provides three relating frameworks:

      a.) a.pass offers a one-year artistic research training program at post-master level for artists and theoreticians, based on the principles of self-organization, collaboration and transdisciplinarity. a.pass participants develop an independent artistic research project, with a personalized curriculum in a shared and collectively created research environment.

      b.) The a.pass artistic research center develops, documents and archives tools for qualitative and relevant artistic research practices. The research center uses this growing archive to communicate and interact with the artistic and educational field and functions as a forum for the development of a critical approach on artistic research. a.pass emphasizes the relation between the research practices and a broader societal field, and encourages engaged transdisciplinary practices.

      c.) In the context of its artistic research center, a.pass offers also a tailor-made PhD trajectory for doctoral students that gives the possibility to develop the practice-based part of their PhD research in collective research environment.

      Most activities, workshop and events in a.pass are open to outside participants. Please check our PUBLIC WORKSHOPS & EVENTS.





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