postgraduate program
Block 2020 III
2020 has so far been a turbulent year: of course, the global background we are all aware of, but also for a.pass and all involved, as a community, as a group of colleagues and as a place of politics and organisation. We need time to meet despite all difficulties, and we need time to think together. We think of this block primarily as a meeting of ideas and practices of the researchers and the block contributors, in order to make space for an emergent support structure shared between all involved. Our desire is to ground the support structure of a.pass in a close relationship with the necessities and practices of the researchers. Curating here refers again more to care, than to an overarching trajectory. The core of what we do, practice artistic research, is what needs input and support. Starting from the question of what we need and how to organise it we want to create transitory and sustainable modes of organising and sharing research. The block practice, starting with the Settlement gathering, is focused on organisational and structural awareness and feedback: which spatial and temporal structures do we propose, how is it working with us and our research, and is it something we should keep for the future?
postgraduate program, workshop
Tom Plischke & Kattrin Deufert CONSEQUENCES
2-6 March 2009
The most important element of our working process is writing and transference
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Tom Plischke & Kattrin Deufert CONSEQUENCES II
1-6 March 2010
The most important element of our working process is writing and transference
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Higher Performance!
7-18 May 2012
pic
Some workshopping in economics for artists is due!
At latest since 2008 it became clear, that the economic system we are living in and with is wacky, unjust and not sustainable. Many of its instruments are either exaggerated or exhausted. The bubbles it produces in different markets are getting out of control and deregulated fiscal constructions are dramatically failing.
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PIERRE RUBIO / PETER STAMER HOW ABOUT CRITIQUE, CRITICALITY, CRISIS?
24-28 June 2013
What does critique aim at, and how does it epistemologically operate? How can we deal with its problematic relation to judgment and truth? What’s the relevance of critique within a system of criticality to overcome the vicious circle of belief and denunciation? What’s the role of discourse and theory in one’s research and practice in order to go beyond backing up one’s work but rather challenging it, eroding it, posing problems to it? Is discourse solving the crisis of practice or should it rather impose a crisis on practice?
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2013 BLOCK III
1 September-30 November 2013
2013 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
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Pierre Rubio / Elke van campenhout “general intellect ? – it’s not about you, stupid !”
3-7 March 2014
‘General Intellect? - it's not about you, stupid !’ will explore and question a basic parameter of the apass environment : the relation between the individual and the collective.
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Occupy Democracy
29 September-3 October 2014
Occupation Precaire: one-euro-cents glued in public space
Luigi Coppola and Christophe Meierhans propose a research workshop where most components of its activities will have to be decided commonly with the workshop participants. Just the very basic conditions are determined: The workshop occupies a public space with only one person at the time - 24h a day. The rest of the group develops, discusses and observes the occupation from a distance and takes the relevant decisions.
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Pierre Rubio, Elke Van Campenhout Performance / Performativity / Objects / Subjects
19-23 January 2015
USA. Florida. Cape Kennedy. Space center. 1967.
Pierre Rubio and Elke Van Campenhout give will give time to discuss the basic concepts addressed in the block: Performance and Performativity.
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Ana Hoffner Tools for artistic research – Beckett
2-6 February 2015
Beckett_Score
The workshop starts from the assumption that the work of Samuel Beckett can offer a variety of tools for contemporary forms of artistic research. In the workshop we will focus on absurdity, melancholy, exhaustion, sense/nonsense and emptiness as main signifiers of Beckett’s work for stage, TV and film. We will watch and analyse selected scripts, dialogues, spatial set-ups and performances in order to transform them into our own experiments, exercises and techniques using body, space, camera and text.
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Pierre Rubio / Geert Opsomer / Pierre Joachim ECOLOGY OF AFFECTS
25-29 May 2015
Studio 54, Halloween 1978, Hasse Persson
Every block, a.pass organizes ‘b-workshops’ that focus on the basic principles of a.pass as a collaborative artistic research environment. This b-workshop ‘Ecology of Affects’ wants to address critically the production of subjectivity. 'A revolution is as much a reorientation of our affective relations as it is of social relations and cannot be one without the other.' Jason Read, ‘Economies of Affect / Affective Economies’, 2013
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Abu Ali * Toni Serra THE UNSEEN WORKSHOP
8-12 June 2015
Filmstill, Exodus OVNI 2008
For this workshop Abu Ali offers a selection of footage from the video archive O.V.N.I (observatori de video no idenitficat) based in Barcelona, which deals with the ‘Unseen’. Based on these projections Abu Ali will experiment with us on practices of not seeing. Challenging the relation between the gaze and action, vision and perception, the imaginary and the experienced, we will cruise through a network of text, video, and physical practices that open the vision for the unseen and the un-seeing.
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2015 BLOCK III
1 September-30 November 2015
2015 POST-GRADUATE PROGRAM AND RESEARCH PROJECTS SUMMARY
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Vladimir Miller Settlement VIII
14 September-2 October 2015 / a.pass studio
TOWARDS FRAGILITY
settlement
Settlement is a space that tries very hard not to settle. Its instability naturally works against the establishing of clear boundaries between „your space“ and „my space“, what hopefully follows from that is that it is very difficult to establish boundaries between „your work“ and "my work". I believe that practice is bound by space, and if space gets shaky, unstable, shareable, so does the practice.
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Elke Van Campenhout Who’s Afraid of the Subject?
18-22 January 2016 / a.pass
image
In this theoretical and discussion workshop, we reconsider the notion of the subject today:
why, after all the turn-arounds of becomings, vibrant objects and a decentralisation of the human perspective, do we need to reconsider the subject as an important player in our discourses and practice?
well, to start with, because there is no personal agency or ethics without it. and also because there is a need for a consciousness of what it is that subjects us, what it is that turns us into speaking, experiencing and affecting human beings. but even more so, when and why these powers are denied to us, and why?
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Elke van Campenhout / Vladimir Miller FEEDBACK
3-6 May 2016 / a.pass
WOAW_Resize_original
Since a.pass is a shared environment, we depend a lot on each other as sparring partners in our researches. As part of the Opening Week this workshop addresses very diverse feedback techniques: spoken critique, non-negotiated critique, direct feedback, indirect feedback, written, walking, one-on-one or transformative feedback.
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Epifania Amoo-Adare (Un)thinking Research Practice
9-10 May 2016 / a.pass
Decolonizing Theory, Mobilizing Methodologies, and Open-Ended Becoming(s)
The premise of this workshop is that a critical pedagogy on the space of research knowledge production, and its related forces of (re)production, is a necessary condition for any intervention in (and of) that space. Consequently, we propose to challenge widespread understandings of research space and knowledge production as a binary researcher-researched structure that is given and fixed, in other words: a structure that is developed for and not a context that is developed by the various actors in the research process. We contrast this convention with an understanding of research space as both, a manifestation as well as a vehicle of the productive relations of power-knowledge.
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Vladimir Miller / Peter Stamer FORGED THEORY
5-7 July 2016 / a.pass
artwork by Miler Lagos
„I remember this workshop where we were asked to write theory in support of our research. Not to go and read and quote existing work but to make it up, to quote from a fictional pile of books. What would be such a fictional body of writing to situate our work in? What kind of fanstasy discouse does our work exist in? To be honest: Is our work not already producing a potential yet unwritten discourse? We keep looking until we find that ghost in someone else’s writing, calling it research, no? Its divination, ghost hunting, séances. Can we go one step further and conjure up those voices we are looking for?
In that workshop we looked at the many fragmented ways those voices appear in a piece of writing: blurbs on the back page, quotes from form other literary works, footnotes, citations, bibliography lists and lists for further reading. All the ways a supporting structure of precedents is woven into and around an academic text. Mere fragments in themselves, they point to whole architectures of thought. Their distinct style, their no-nonsense-brevity speak volumes. How does an archeologist distinguish between a shard and a piece of pottery made to look like one? He cant help but imagine the vase.“
Richard Crane „Territorial Discourses“, Michigan University Press, 1998
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Vladimir Miller THEORIES UNDER THE COMMONS
26-30 September 2016
Commons is_
This workshop will be an attempt to „come to terms“, to create shared reference points within the commons discourse among the workshop participants. We will read discuss and map a selection of texts which lay the groundwork for understanding the commons debate today and we will make ourselves familiar with a reader, which can be a further reference for discussions and in depth reading throughout the block.
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Book Clubs #3 & #4 Situated Knowledge
2-9 February 2017 / a.pass
Book Club Series / Sina Seifee
Reading Sessions of Donna Haraway's essay 'Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective'.
This reading focuses on politics and epistemologies of location, positioning, and situating in our power-sensitive conversations, and what does it mean to become accountable and responsible for one's own noninnocent translations.
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Book Club #5 Sacred Drift, a journey into political consciousness of sound
16 February 2017 / a.pass
Book Club Series / Peggy Pierrot
George Clinton emerges from Parliament-Funkadelic's Mothership on June 4, 1977, at the Coliseum in Los Angeles
Is there something to hear between the 0 and the 1 of digitized compressed music? Is there something to de-cypher in our coded Nyabinghi drums? What is the message hidden between themes, rythms, intonations, improvisations, the samples, the drum, the bass, the cuts and the pastes? and what kind of mental space or imaginary frame allowed/constrained the emergence of a futuristic post-modern culture within the Black Atlantic ?
We’ll build or we’ll destroy.
We’ll learn about the Know-Ledge.
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Book Club #7 Politics of Speculative fabulation
10 March 2017 / a.pass
Book Club Series / Fabrizio Terranova
Dr Marboeuf
"We need new types of narratives and techniques. Stories that reclaim the earth and the commons that capitalism has stolen from us. Stories that invite us to take up and create trans-species sensitivities, trans-matters vitalities and trans-cerebral unrests. And it’s not enough imagining them, these stories have to be made and experienced." In this talk/reading session, Fabrizio Terranova will revisit a recent text by Donna Haraway, “Sympoiesis - Symbiogenesis and the Lively Arts of Staying with the Trouble” and present the different projects he is involved in where activism, speculative fiction and pedagogy merge.
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Settlement 11 Collective Schedule
22 May-3 June 2017 / a.pass
Day 4
11:00 Play-ground
Eszter Nemethi
13:00 Planning a.pass block III/2017
Vladimir Miller
15:00 Dialoge with Alex Arteaga
17:00 Feminist Benjamin Reading Group
Caroline Godart and Marialena Marouda
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Sina Seifee Little Fables of Practice Workshop
24-25 July 2017 / a.pass 4th floor
Sina Seifee - Moon index in Sa'di world refraction poetics
In this two days workshop I like to propose the notion of keyword seen as a site where one formulates concepts and narratives that reorient one within one's own research practices. We will (re)animate our keywords as fables, which are operational metaphors that shape subjects and objects of knowledge. How can we participate in (re)shaping our objects of knowledge in terms of little fables?
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STUDY DAYS
10 September-30 November 2018
A curatorial proposal by Adva ZAkai
* Images – screen-shots from https://vimeo.com/channels/staffpicks/89465667
PROGRAM AND SCHEDULE
This block is organized around a series of Study Days. Almost every Monday till the end of November, a.pass hosts artists, thinkers and researchers to contribute to the problematization of various issues that bring together love, art, school, improvisation and politics.
Read more..performative publishing, postgraduate program
Maurice Meewisse Documentation Third Block – Settlement 14
1 January-31 March 2019
Curated by Vladimir Miller
mobilier1
postgraduate program
BLOCK 2019/I UNSETTLED STUDY
7 January-31 March 2019
curated by Vladimir Miller
unsettled study
Continuing the line of inquiry from Uninvited Research, Block 19/I will again come together around the questions of mobility, logistics and gestures of moving, settling and unsettling. All who research, work and support at apass including the Research Center, the administration, the curators and production support are invited to join the process.
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Settlement 14
7-26 January 2019 / a.pass
settlement
During the days of Jan 7th-26th 2019 a.pass will come together and host an open workspace called SETTLEMENT. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass SETTLEMENT and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online
on the a.pass website.
Read more..information, postgraduate program
Settlement 14 schedule
7-26 January 2019
MON 7th
14:00 meeting
17:00 cleaning, emptying the collective space
19:00 dinner
TUE 8th
10:00 Materials and Tools
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the Lecture, the Performance
4-8 February 2019
workshop with philipp gehmacher
This week’s focus lies on the idea and genre of the lecture performance in the performing and visual arts. Speaking out will be looked at as a performative act of sharing thoughts and concerns about ones own research and work. The questions often arising are: Why speak out about things at all? Why not let the work speak for itself, the research be mapped out and available? Is the speaking an extra layer of added information, at times rendering the ‚shown’ and presented more informal, even personal? Whilst in fact pointing at its surrounding, as much as the institution, is there a self-referentiality involved in speaking that we cannot escape whether we speak about ourselves, our concerns or just matters seemingly ‚worldly‘ and not personal? Speaking is however also about utterance and the speech act, performative as such, in the now, whether scripted or not. Speaking points out, maps out, accompanies actions and discursifes often all at once.
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Moritz Frischkorn The Choreography of Objects: Logistics vs. Entanglement
25-28 February 2019
c_robinhinsch
In recent years, theoreticians both from political sciences and cultural studies have become more and more interested in the business field of logistics. Besides finance (and new logics of extraction, some authors claim), logistics seems to be one of the key notions to understand global capitalism today.
Today logistics considers itself the totalized management and governance of all flows of capital, labour and commodities. And more than ever, logistics is administered and steered by algorithms – auto-managed and automated, implementing a computational governance that subjects labour as much as all material resources of the globe to its regime. Fred Moten and Stefano Harney, in their essay ‘Fantasy in the Hold’, thus write: ‘The rise of logistics is rapid. Indeed, to read today in the field of logistics is to read a booming field, a conquering field. In military science and in engineering of course, but also in business studies, in management research, logistics is everywhere.
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UNSETTLED STUDY AT PERFORMATIK ’19
22-23 March 2019 / KANAL
performative research environment
kanal centre pompidou
Unsettled Study will invite the audience to witness and join the multitude of research processes currently hosted by the a.pass platform for artistic research.
For several years a.pass platform fo artistic research has periodically engaged with a research environment called Settlement proposed and facilitated by Vladimir Miller. This project continues to ask on which spatial, performative and institutional conditions is it possible to step into and share an artist’s research process as it is happening.
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Breg Horemans, Davide Tidoni, Esteban Donoso, Lili M. Rampre, Pia Louwerens, Nicolas Galeazzi Hosting
1 September-12 December 2020 / a.pass
Research Center Cycle 2 Block II
"Double Spiral" by Maurice Meewisse
There, we are again...
Again and again, it is necessary to think through the relational fields we are working with. Not only the forced physical distancing, the prohibited hugs, and the masked faces, but also the role of the institutional and individual responsibilities, the new urgencies for presences and absences, and a new mix of carefulness and caring, tinted the relational questions at a.pass with the Corona crisis.
What and who are we to each other in a research group? What does the research group do for us? What does it mean to be associate researchers - what does it mean to be a host? What is the institutional framework - what does it allow, and what does it problematize? What kind of projections are made into the institutional, and what kind of speculations could we unleash on them?
The virus highlights these questions in a very special way. Bodily distanced, we are still physically related. It feels like a realtime training in relational ontology. Donna Haraway manifests it as “beings do not pre-exist their relating" and therefore relations do produce us, not the other way round. This way to see ontology is into our face any time we have to say hello to somebody and hesitate whether to show the elbow, to hug or just to stay still at 1,5m apart. Anyway, or specifically now, it’s worth putting the focus more on shaping relations around us rather than to shape ourselves. If this is true, attitudes of hosting, being it places, practices, contexts, and perspectives are an approach we will explore.
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Vladimir Miller Settlement 16
14 September-3 October 2020 / a.pass
The Unconditional Institution
Settlement 16
During the days of Sept 14th – Oct 3rd 2020 a.pass will come together and host an open workspace called Settlement. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass Settlement and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online on the a.pass website.
please let us know if you want to join this workshop by subscribing a week before you come. covid measures will be followed in the shared environment to ensure it safety.
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Krõõt Juurak AUTODOMESTICATION
27-31 October 2020 / a.pass
Autodomestication
As a performer you provide your audience with something that cannot be measured in material terms. As regards the activity that produces the cultural content of the commodity, your labour involves a series of activities that are not normally recognised as work – activities involved in defining and determining cultural and artistic standards, fashions, tastes, consumer norms and, on a strategic level, public opinion. As a performer you are primarily a producer of subjectivity. Typically, an artist’s value does not lie in what they “do” but in what they “are”. Now, remember, for example, how Richard Florida described the processes of gentrification caused by the migration of artists and creative workers – the artists may or may not be aware of the value of their mere presence but on a larger scale they produce “results” simply by existing. Survival in the (performing) arts requires creativity that goes beyond the artworks one creates. In fact, a typical performing artist spends about 99 percent of their time off stage – as an audience member, a critic, an administrator, a networker, friend, mentor, student, teacher and so on. Inventing and re-inventing oneself on and offstage, adjusting to various situations, restrictions, moving from project to project, one residency to the next, brimming with creative energy, training and forever educating oneself is the way forward.
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Oxana Timofeeva On the Soul
19 November 2020
Video recording - online talk
Oxana Timofeeva
On the Soul
A talk and a conversation on the soul. This talk took place on November 19th.
The talk was proposed by Adriano Wilfert Jensen and supported by the a.pass participants assembly as part of a new modality of participants curated content at a.pass.
Read more..project, workshop
Polyset 2022W4-7 a.pass, Brussels
24 January-11 February 2022 / a.pass
Image copyright: Robbie Shone
POLYSET HAS BEEN PROLONGED BY A WEEK, TO END ON FRI FEB 18TH
SCHEDULE
[disorganisation, mutable<>mutant, re-constitution, available space, usedesign, decoherence, constituent imagination, perpetual modeling, set / unset, cohab, sticky space, gel, semiset, accumulation, interim, tentative, fragile, actual, affine space, poligraphy, gathering, a walk in the dark with the flashlight pointing backwards, fugitive instituting, politecture, study, overflow, hangout]
a poliset is:
a practice of temporary research co-habitation, where the the researchers design their spaces of practice in one shared space
an indoor research hangout with available communal materials, tools, support structures and resources
a self-curated study, that works through an open network of invitations
consensual over-all-planning is an exception, while relational collaborative negotiations structure the space
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