International Day of Solidarity with the Palestinian People
The ASHTAR Theatre in Ramallah is calling on theatres and artistic organisations around the world to perform the Gaza Monologues on Wednesday 29 November and share images of the performances on social media. The play, produced by the Palestinian theatre company in 2010, consists of 31 testimonies from children and young people who lived through the war in Gaza in 2008 and 2009. In short monologues they recount what happened to them during those weeks. As the violence in Gaza has viciously erupted again, the text is as relevant today as it was 13 years ago. The United Nations General Assembly has declared November 29 as the International Day of Solidarity with the Palestinian People. That is why ASHTAR Theatre is calling for the text to be performed again on that day. Several cultural houses and many artists in Flanders and Brussels are responding to this call, as well as organisations in 40 other countries. Together with SOTA, Moussem and Lagrange points, a.pass will organise a reading of these monologues in different langues in the public space: at the statue of Godfrey of Bouillon in the heart of Brussels. In exchange for the use of the text, a financial contribution will be made to ASHTAR Theatre’s fund, which is dedicated to the psychosocial well-being of Palestinian children and trauma therapy. By reading these monologues, we want to express our solidartity with the Palestian people. Reading can give a voice to those unheard, provide a platform to the voices that are currently being silenced. We have read, heard and seen many testimonies of the victims of the brutal terrorist attack on 7.10.2023. We got to see their faces in the newspapers; on television, we heard their stories and got to know their families. And that is undoubtedly how it should be. When it comes to Palestinians, however, we only hear numbers: 5.000 killed, 10.000 killed, 15.000 killed. Reading these 31 monologues is a call for putting a face and a voice to the thousands and thousands people, children, who lost their lives. Those that simply can’t remain unheard and unseen. Wednesday November 2915h-17h at The Whirling Ear Fountainbetween Koningsplein/place Royale & Kunstberg/Mont des Arts 1000 Brussels
Call for participants
For Carina Erdmann’s end-presentation, you will be invited to enter the DreamDungeon, a role-play game set in a subliminal architecture built from the merged dreams and associations of players and attending public. Train your mind in dream recall and submit your dream to become part of the collective memory space and soundscape. Submission will be anonymous.Want to dive in deeper? We are looking for a small group of core players that attend the dungeon building on September 26/27 and proceed to play the game with the public present on September 29/30. No prior knowledge needed, small compensation, places are limited. Write to Carina (before September 20) if you are interested or have questions: ca.erdmann@web.de.
As well as a farewell party!
September 15-16: Alyssa Gersony, Andrea Brandão, Marian Rosa van Bodegraven, Marko Gutić Mižimakov (post graduate presentations)September 23: Caterina Mora, Gosie Vervloessem, Maurice Meewisse, Paoletta Holst, Túlio Rosa (Research Center presentations – Cycle 4)September 29-30: Amari, Carina Erdmann, Mlondiwethu Dubazane, Lore D Selys (post graduate presentations) More details very soon! * Accessibility: a.pass is currently situated at the former industrial site ‘de Bottelarij’ in Molenbeek (Brussels). Activities take place mostly in two different spaces on the 3rd and 4th floors of the building. Due to ongoing repair works in the building the elevators are currently not accessible unless we make a special request. If accessibility presents a concern, please contact us beforehand so we can organize access to the different floors to the best of our abilities. Apologies for this inconvenience.The events in September will likely contain spoken text and performance-based activities. If there are accessibility requests or questions please contact production@apass.be.
As well as a farewell party!
September 15-16: Alyssa Gersony, Andrea Brandão, Marian Rosa van Bodegraven, Marko Gutić Mižimakov (post graduate presentations)September 23: Caterina Mora, Gosie Vervloessem, Maurice Meewisse, Paoletta Holst, Túlio Rosa (Research Center presentations – Cycle 4)September 29-30: Amari, Carina Erdmann, Mlondiwethu Dubazane, Lore D Selys (post graduate presentations) More details very soon! * Accessibility: a.pass is currently situated at the former industrial site ‘de Bottelarij’ in Molenbeek (Brussels). Activities take place mostly in two different spaces on the 3rd and 4th floors of the building. Due to ongoing repair works in the building the elevators are currently not accessible unless we make a special request. If accessibility presents a concern, please contact us beforehand so we can organize access to the different floors to the best of our abilities. Apologies for this inconvenience.The events in September will likely contain spoken text and performance-based activities. If there are accessibility requests or questions please contact production@apass.be.
an encounter behind closed doors
Body-Mind Centering sessions, followed by reading Towards a Transindividual Self: a study in social dramaturgyIn Tati(l)/Tati(s), we dedicate the morning to Body-Mind Centering-anchored practices of exploring the environment of self and other. While introducing some general principles activated through BMC, we dedicate specific attention to the exploration of embryological development of the heart. How do notions about ´listening´, ´conscious and unconscious dialogue´, a ´collective realm´ and/or ´repetition´ inform an explorative dance, as well as move concepts of research in various directions? …Read more
Workshop
Building on from a previous proposal (Night Shift) Nada Gambier in collaboration with Jen Rosenblit now invite you for the Two-Day Shift. In this working shift, we will dive into the problematics that arise from coming together, engage in improvisational games and strategies, have fun with speculation and bathe in inconvenience as a way to look anew at our practices and get to know our researches from another angle. Once again, our attention goes to what it means to be of service to each other and the works and how by attending to parasites we come to another understanding of what we are doing. The question of desire and learning from what we don’t know will also linger as a larger drive and disorganizing method for the group and researches. …Read more
Assembly of Practice
In the next Assembly of Practice, Emptor proposes the a.pass participants to examine collections as potential places of shared interest, zooming in on questions that come to the surface with the complexity of collecting contemporary art practices, which are increasingly immaterial, performative, situated, ongoing and collaborative in nature. The integration of such contemporary art practices in collections by means of documentation, reactivation protocols and complex contractual relationships may satisfy desires of collection(er)s but don’t seem to create change in terms of care attributed to the needs of a practice, its ecology and sustainability. Conservation and reactivation often stay disconnected from the driving forces, methodologies and contexts of the collected material elements, thus allowing the pieces nothing more than exposure in a curated frame. …Read more
Cheese-making workshop with Robin Bantigny
For this cheese-making workshop, a.pass post-graduate researcher Marian Rosa van Bodegraven invites artist and cheese maker Robin Bantigny to host a cheese-making workshop at Radical House. …Read more
Scoring intimacy with discursive others
Kinsscore will be practiced every Thursday of block 2022 II titled “Scoring intimacy with discursive others” (see block post) The proposal for this score follows on previous iterations of Scorescapes as a tool to practice intersubjective formats for exchange in artistic research. ScoreScapes is an investigation of how scores can facilitate the relation between artistic research, documentation and knowledge processing in collective settings. If artistic research is an active and methodological search for ways to keep the viability of one’s knowledge in relation with others’, then how can this search be mediated by scores? If artistic research engages in processes of awaking unseen relations with what surrounds us, then how do we compose materials and thoughts? What is the performativity at stake on the sharing of those? What’s the relation between subjectivity and collectivity? What does that do to our individual practices and to the collective itself? The specificity of Kin(s)score is on the fact that we will participate in the score with our research kinships. We will speak with them, through them and us about the questions that our research make apparent. We will discuss and practice what are the political implications of authorship, collectivity and the other. …Read more
Túlio Rosa
Arquivo Atlântico is a multi-chpater research project by Beatriz Cantinho and Túlio Rosa, in collaboration with Jose Capela and Nuno Torres. Arquivo Atlântico is an investigation on the notion of memory, on the possibility of re-membering differently places, peoples and knowledges.listen to Arquivo Atlântico podcast …Read more
POLYSET HAS BEEN PROLONGED BY A WEEK, TO END ON FRI FEB 18THSCHEDULE [disorganisation, mutable<>mutant, re-constitution, available space, usedesign, decoherence, constituent imagination, perpetual modeling, set / unset, cohab, sticky space, gel, semiset, accumulation, interim, tentative, fragile, actual, affine space, poligraphy, gathering, a walk in the dark with the flashlight pointing backwards, fugitive instituting, politecture, study, overflow, hangout] a poliset is:a practice of temporary research co-habitation, where the the researchers design their spaces of practice in one shared spacean indoor research hangout with available communal materials, tools, support structures and resourcesa self-curated study, that works through an open network of invitationsconsensual over-all-planning is an exception, while relational collaborative negotiations structure the space …Read more
by Femke Snelting
This day is organised around a para-legal document, ‘Collective Conditions for Re-Use’ (cc4r). Cc4r is an authorship license in-the-making, a reluctant contract that tries to make space for collective care around authorial practice.https://constantvzw.org/wefts/cc4r.en.html …Read more
Vermeir & Heiremans and Luke Mason
Ronny Heiremans and Katleen Vermeir take us for two walks in SPA in the context of their research ‘7 WALKS (resolution)’. The context of SPA offers the unique opportunity for a series of itinerant reflections on water and art. Drawing inspiration from the intangible legacy of historical walkers — kings and czars, political refugees, artists and philosophers — and, strongly anchored in a local context, Heiremans and Vermeir propose to explore a balance between private property of and access to resources that we hold in common as a society. Can SPA inspire to unbundle the proprietary rights that have been stacked around authorship and (land) ownership, i.e. two paramount features of Western subjectivity? …Read more
Andrea Zavala Folache
PDF PREVIEWLilith, Losing, Lavender: A love letter to love is a collection of texts written throughout the research trajectory of Andrea Zavala Folache. With different narrative styles as diary, love letters, score instructions, this collection imbricates ideas of love, art and life as an essay about conditions of attachment.In the interstice of several practices as dance, writing and drawing and different spaces as the dance studio, the atelier, the classroom, the theatre and the white cube, Andrea’s research focuses on non chronological dramaturgies for the emergence of surprise or unexpectedness.price 12 euro
Davide Tidoni
PDF PreviewWhere Do You Draw the Line Between Art and Politics consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics. Between historical documentation, political memory, dialogic reflection, and motivational support, the publication examines the experiences, commitments and feelings that operate and inform aesthetic priorities in social spaces outside of art institutions; it’s a repository designed to inspire and encourage the politicization of aesthetics, as opposed to the aestheticization of politics. …Read more
Breg Horemans
Diary excerpt from Live Archive,by Breg Horemans FULL PDFSiting Discourse is a dialogical diary that explores the protocols, politics and accessibility of a digital architecture-as-archive (www.taat-projects.com). Horemans shares the writing process through a recorded sequence of screen captures. Siting Discourse exposes the Live Archive´s digital spatiality and the implicit gestures, attitudes and coincidences of discourse making that it aims to facilitate. The title is a reference to the Live Archive as a (web-)site for discursive documentation and it addresses the academic citing mechanism as a form of “structural misquoting.” Siting Discourse is a collaboration between Siebren Nachtergaele (Social Sciences HOGENT, Theatre Studies UGENT, BE) and Andrew Filmer (Theatre Studies, Aberystwyth University, WA). Their first encounter was shaped by means of a drift. …Read more
End Presentations 2021 I
a.pass welcomes you the:29th January 2021 – 19:30 – TV show -Collective presentation – 2h30 hoursJoin Zoom Meetingis finished…. Check out : https://ifeellikeleavingtheroom.online/I feel like leaving the room is the title of the postgraduate End Presentations of researchers Rui Calvo (film maker), Quinsy Gario (poet, visual and performance artist), Adriano Wilfert Jensen (choreographer), Magdalena Ptasznik, (choreographer) and Kasia Tórz (dramaturg and writer).After attending to the extended one year program at a.pass, the five researchers finish their trajectory with an online presentation of a collective website. Covid 19 and the restrictions of the confinement have framed the space of these public presentations in an uncanny entanglement between the private and the public. I feel like leaving the room is more than anything the (liminal) desire to come together. The form of this coming together takes shape around an ad-hoc TV show that will be streamed the 29th of January from the a.pass studio as an attempt to still intertwine thoughts and experiences.In the beginning, the space for this public moment was imagined as a living room, as a place where the borders of the informal and the formal are blurred. Not as a real physical living-room but by using the conditions implied in such well known private (though public) environment, with the aim of engaging the audience in a different way. What happens when research becomes public as a workshop, a power point presentation, a film, a dance or a walk that steers from such a hangout surrounding?As a consequence of the pandemic that determines the conditions of coming together – the living room became the desired ‘leaving room’ – a place, as well, between the private and the public but enclosing the publicness in separated private spaces with only one window – a window to the virtual. The artists researchers addressed that liminal space in various ways in accordance with the medium they mainly work with. Inevitably, the translations that will take place, address the current situation of the confinement, while trying to reach out to the world. …Read more
Video recording - online talk
https:///www.apass.be/wp-content/uploads/2020/11/Oxana-Timofeeva-On-The-Soul.mp4 Oxana TimofeevaOn the Soul A talk and a conversation on the soul. This talk took place on November 19th.The talk was proposed by Adriano Wilfert Jensen and supported by the a.pass participants assembly as part of a new modality of participants curated content at a.pass. …Read moreChloe Chignell, Christina Stadlbauer, Flavio Rodrigo, Muslin Brothers
@ Zsenne Artlab and Rosa BrusselEnd Presentations by:Chloe ChignellChristina StadlbauerFlavio Rodrigo Muslin Brothers (Yaen Levi and Tamar Levit)
postgraduate program, workshop
14 September-3 October 2020
Location a.pass
Vladimir Miller
Settlement 16
The Unconditional Institution
During the days of Sept 14th – Oct 3rd 2020 a.pass will come together and host an open workspace called Settlement. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass Settlement and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online on the a.pass website.please let us know if you want to join this workshop by subscribing a week before you come. covid measures will be followed in the shared environment to ensure it safety. …Read more
During the days of Jan 7th-26th 2019 a.pass will come together and host an open workspace called SETTLEMENT. In the course of these three weeks we will share our current work processes within an open collaborative workspace. We aim to create a poly-central gathering that is self-structured, self-organized and open to contributions from anyone. You are cordially invited to join this process by establishing your own space in the a.pass SETTLEMENT and sharing some of your ideas, practices or works with others. The materials and structures available at the a.pass main space will be a common resource for all who join to create whatever is needed to facilitate this process. The schedule for these three weeks will be developed on site by its participants and shared online on the a.pass website. …Read more
postgraduate program
3 September-30 November 2018
Location apass
apass
a.pass meets SOL / School Of Love
A curatorial proposition by Adva Zakai
From Sep till Nov 2018 a.pass and School Of Love will start a flirt with each other, develop a relationship and hopefully make (produce) love.SOL is a collective platform that was initiated some years ago*, inspired by the interest in both love and school as charged with potential to generate new politics and relations in the world. SOL is practiced through regular meetings, but follows no curriculum. Instead, it develops a spontaneous program through the presence and interest of its participants. SOL is basically an invitation to hang out. But to hang out deeply. To practice school as a place of free time – free to study things as they appear, separated from the dependency on the time and space of social order and production. And to practice love – Not the kind of love that is generated through affirmation of who we think we are, but love as an act of giving by allowing it to transform us. …Read more
https://rradiotriton.apass.beRRadio Triton is an experimental radio project aiming at producing collective audio documents gathered in and disseminated by the ad hoc fictional radio label/station, recording, editing, sampling, remixing and releasing audio and soundscapes. The audio publications of RRadio Triton are the recomposition of the outcomes of the voluntary contributions from all the actors of the 2017 a.pass seminar, BLOCK 17/I TROUBLE ON RADIO TRITON_ ((((((( CHANGING (THE) WORLD (S) )))))) curated by Pierre Rubio. …Read more
on demand, content-delivery, broadcast
This extra edition of the Monday reading actually takes place on a Saturday in Szenne artlab. In the context of Parallel-parasite, a residency of the a.pass Research Center, we will focus on the shape-shifting nature of streaming media. After sessions on text processing, local servers and key cards, we will continue with an exploration of streaming, a coverall term for the dominant way that audio and visual content is being delivered on the Internet today. We will read into the different technical protocols that are regulating those flows, and the diverging economies that software like Torrent trackers and companies like Youtube, Netflix construct. By considering how the continuous experience of streaming relies on various politics of separation, re-ordering discrete elements on delivery, we will observe how the production, sharing and consumption of media is radically changing. Session organised with Martino Morandi. …Read more
Stickyness, stopping points, consistency, routines, mnemosyne
This Monday Reading prepared with Sina Seifee will be dedicated to the intricate structures of the ubiquitous database. Browsing the tables and rows of this very website, we will try to graps the affordances and limits of organising the world as a collection of digital data. …Read more
Movement, security, smartness
For this Monday Reading we will follow the path of the keycard system that opens the outside doors at a.pass. What does it mean when opening a door becomes part of a data-flow? …Read more
reading session, research center
5 February 2018
Location a.pass, 3rd floor
Monday Readings
Local server
Servers and hosts
In the lexicon of networks, any computer connected to the Internet is called a host. This means that all computers have the ability to host content. But in the current paradigm of the Internet, some hosts are designated to be serving (servers), and other hosts are to be served (clients). …Read more
Shaking down the entrepreneur
This page is a forum in it self! A forum to discuss, digest and document the content of the Critical Administration: Shaking down the Enterpreneur Froum with Kate Rich at a.pass. Please find the descriotion of the project here.The page is a froum in the sense of a working place for exchange and the building of relations. The posts placed here are to be understood as a conversation! …Read more
characters, language and code
This first Monday Reading will be dedicated to text processing. We will discuss concepts such as What You See Is What You Get (WISYWYG), the virtues of ascii, what the differences are between writing, language, code, formatting and markup, and how our keyboards perform. …Read more
https:///www.apass.be/newsletteritem/a-pass-end-presentations-at-zsenne-27-30-september-2/The Project : publication by Esta Matkovic you can find HERE
A 2 day EventA temporary CommunityIn times of emergency we choose to see ourselves as WarriorsWhen you need to survive you fightThe intimate self unfolding, clad in a new vocabularyTo change what is there, what keeps us hostage.A warrior that fights to reveal the present of lifeThe divinity of the everydayDiscovering our dreams to be as real as our wakingWARRIORS isAn event to share our processA process of becomingA journey through our labyrinthsA moment of confusion Research Process Pool: maviveloso.tumblr.comiwannamakerevolution.tumblr.comindumentariapopular.tumblr.com
invitation research sharing
24/10/2015, 7-10pm, a.pass studio, de bottelarijIn 2014 I started working as an artistic researcher in a.pass. Since then I developed three different projects. ‘Don’t Eat the Microphone’: a weekly session developed together with the residents of the psychiatric hospital Dr. Guislain in Ghent, ‘Televizinho’: a series of re-enactments of Brazilian soap-operas with no-actors of a river community in the Amazon and ‘Mommy, Daddy, Me’: a letter trialogue about love relationships between me and my parents. Through these experimental set-ups I gathered a lot of materials of various kinds. Now I would like to share these video’s, texts, experiences and set-ups with you. I would be happy to host you during an evening-long sharing of materials from the research, and offer an idea of the contexts and imaginations that brought these ongoing projects to life.More information here
As a red thread throughout the block the participants engage in a weekly communal reading practice of the book ‘Realist Magic – Object, Ontology, Causality’ by Timothy Morton.Reading and discussing in-depth this one central text allows for the development of a common ground of reference and connection that functions as a backdrop to the workshops and practices that shape the block. The Reading Circle happens on Monday evenings from 6pm to 10pm.
Welcome to the new a.pass website!Where you can check up on current and upcoming workshops, application procedures, a.pass contexts, participant cases or take a creative stroll through the abecedaire. For the old website please click here. We are happy to hear your feedback, comments, questions by email.
S9.11 Mavi to Samah 8 from A.pass Perform Back Score on Vimeo.michrophone body shadow drafta.pass research march 2015
The associate researcher joins a.pass for one year, and in that time develops and ‘exemplary artistic research’: a research that challenges the notions of practice-based methodologies and knowledge to its limits, and questions the values of knowledge developed in artistic research contexts. The associate researcher is financially part-time supported for one year, and gets production support for the development of the public phases of the research, as well as mentoring support.Between 2014 and 2015 Veridiana Zurita initiated three ongoing artistic research projects; ‘Don’t Eat the Microphone’: a weekly session developed together with the residents of the psychiatric hospital Dr. Guislain in Ghent, ‘Televizinho’: a series of re-enactments of Brazilian soap-operas with no-actors of the river side community Santa Isabel in the Amazon (BR) and ‘Mommy, Daddy, Me’: a letter trialogue about love relationships between herself and her parents. www.veridianazurita.comThe independent researchers are only loosely connected to the research center, and are selected on the level of the interest of their already existing research trajectory. Current independent researchers are for example visual artist Alexis Destoop and his research into ‘landscape scenographies’ in the framework of the Anthropocene, and musician Eric Thielemans and his research on the ‘ensemble’ as instrument for the development of shared cosmologies and artistic instrumentarium. These researchers are only minimally and punctually supported at the moment of the publication (live or in writing) of their research results.The research coordinator (Elke Van Campenhout) also develops her research within the research centre, which partly consists in analyzing, publishing, and making accessible a.pass research results and methodologies (through publications, outside workshops and lectures, conferences, etc…) and partly also consists of her own collaborative research trajectory Bureau d’Espoir, that looks into a contemporary and performative redefinition of ‘hope’ through the lenses of political philosophy, choreography and spiritual body practices.
The Therapy Sessions, a performance piece in four parts exploring the emotional role of a bureaucrat using a video, a screenplay, an audio file and a collection of illustrations.The Therapy Sessions involves three characters, which are investigating patterns of bureaucratic behaviour, the compromising bureaucrat, the facilitating therapist and the classifying analyst.price: 5 euroDesigned by Miriam Hempel http://www.daretoknow.co.uk
